Classificação de sons urbanos usando motifs e MFCC

A classificação automática de sons urbanos é importante para o monitoramento ambiental. Este trabalho apresenta uma nova metodologia para classificar sons urbanos, que se baseia na descoberta de padrões frequentes (motifs) nos sinais sonoros e utiliza-los como atributos para a classificação. Para extrair os motifs é utilizado um método de descoberta multi-resolução baseada em SAX. Para a classificação são usadas árvores de decisão e SVMs. Esta nova metodologia é comparada com outra bastante utilizada baseada em MFCC. Para a realização de experiências foi utilizado o dataset UrbanSound disponível publicamente. Realizadas as experiências, foi possível concluir que os atributos motif são melhores que os MFCC a discriminar sons com timbres semelhantes e que os melhores resultados são conseguidos com ambos os tipos de atributos combinados. Neste trabalho foi também desenvolvida uma aplicação móvel para Android que permite utilizar os métodos de classificação desenvolvidos num contexto de vida real e expandir o dataset.

"Vie et Passion de Jésus-Christ" (Pathé, 1902-1905): hétérogénéité des "tableaux", déclinaison des motifs

Cette étude examine deux copies de la "Vie et Passion de Jésus Christ" conservées par la Cinémathèque suisse avec une première préoccupation de type philologique qui conduit à prendre la mesure de l'autonomisation de chacun des "tableaux" composant le film et de l'hétérogénéité de ce dernier. Puis les constats émis à propos du support matériel sont articulés avec une réflexion d'ordre esthétique qui dégage l'importance de l'"effet-tableau" inscrivant cette production filmique dans une généalogie plus large. Le cinéma étant alors le lieu de convergences entre diverses séries culturelles, l'article envisage les liens entre la production Pathé et une pratique jusqu'ici peu discutée dans ce contexte, celle du tableau vivant. This article is a study of two copies of the "Life and Passion of Jesus Christ" held at the Cinemathèque suisse. Our first, broadly philological, concern is to recognise the degree of autonomy of each of the "tableaus" that make up the film, thus establishing the latter's heterogeneous composition. Secondly, adopting a more aesthetic approach, we discuss the importance of the tableau-effect, placing this kind of film production in a wider genealogical context. Given that cinema was at the time a meeting place for different cultural sequences, this article the examines the links between Pathe films and the "tableau vivant", a practice that until now has been rarely discussed in this regard.

Visualisation of human rad52 protein and its complexes with hRad51 and DNA.

The human Rad52 protein stimulates joint molecule formation by hRad51, a homologue of Escherichia coli RecA protein. Electron microscopic analysis of hRad52 shows that it self-associates to form ring structures with a diameter of approximately 10 nm. Each ring contains a hole at its centre. hRad52 binds to single and double-stranded DNA. In the ssDNA-hRad52 complexes, hRad52 was distributed along the length of the DNA, which exhibited a characteristic "beads on a string" appearance. At higher concentrations of hRad52, "super-rings" (approximately 30 nm) were observed and the ssDNA was collapsed upon itself. In contrast, in dsDNA-hRad52 complexes, some regions of the DNA remained protein-free while others, containing hRad52, interacted to form large protein-DNA networks. Saturating concentrations of hRad51 displaced hRad52 from ssDNA, whereas dsDNA-Rad52 complexes (networks) were more resistant to hRad51 invasion and nucleoprotein filament formation. When Rad52-Rad51-DNA complexes were probed with gold-conjugated hRad52 antibodies, the presence of globular hRad52 structures within the Rad51 nucleoprotein filament was observed. These data provide the first direct visualisation of protein-DNA complexes formed by the human Rad51 and Rad52 recombination/repair proteins.

[Voyage en Italie : 1824-1830]. , Portique d'Octavie à Rome. Détails de la Couverture en Marbre au huitième de l'Ex[écu]tion : [huit motifs] : [dessin] / h. L. [Henri Labrouste]

Référence bibliographique : Weigert, 589

« La négociation d'Osnabruck par M. le comte d'Avaux, Claude de Mesme (1647), plus les motifs de la France pour la guerre d'Allemagne et encore les testamens d'A.-J. Du Plessis, cardinal duc de Richelieu (1642) et de J. Mazarini (1661) ».

Ancienne cote de Bouhier : B 106