257 resultados para Temples, Confucian.


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Purpose – The purpose of this paper is to examine and reflect on current assessment practice in a large undergraduate accounting programme delivered both in Australia and offshore, from the perspective of academics in their first semester at a “new-to-them” university.

Design/methodology/approach –
The changing higher education environment and the reality of assessment in the current context are considered, as they raise a number of important issues around assessment practice. Some of the often cited literature linking teaching, learning and assessment, including student-centred learning and Confucian heritage culture, is also discussed. A reflective approach is used where Säljö's five categories of student learning are used as the basis for informed reflection of the assessment used in the “new” academics' first semester at the university. The use of empirical evidence to test these reflections would be the next step in this scholarly approach to teaching and learning.

Findings – The reflections reveal a disparity between reality and the ideal in relation to assessment practice. Issues regarding timely feedback to students and timing of assessments can result in summative assessment when it has the potential to be formative. This paper has provided an opportunity for “new” academics to engage with the higher education literature early in their careers.

Originality/value – This paper is a resource for academics beginning to engage with the higher education literature around assessment, teaching and learning and can also be used to inform and improve the teaching and learning practices of many academics in higher education.

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This book examines the source of Chinese civilization, foundations of traditional Chinese society and early patterns of power transition. It engages readers in a search for a broad understanding of China's traditional culture and the enduring legacies of the past-in-the-present. It questions the conventional view about China's past, be that of a Confucian, a Communist or a Western ethnocentric historiographer. Most theories concerning the history of China postulate a central culture based on the Yellow River valley and radiating out into the vast areas of what we know as China. Informed by the latest archaeological discoveries, the author points out an alternative view on formation and development of Chinese civilization. Exploring the social and political upheavals that characterized the continuous disintegration and annexation in the 1st millennium BC, the author offers a unique account of the process of periodic fragmentation and amalgamation. Though presented for specialists in the field, virtually every page of this book is intelligible to the lay person, opening a window for anyone interested in the subject to look at this ancient culture from a new angle.

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In today’s secular society, occult conceptions of architecture may seem somewhat anachronistic, but at the turn of the twentieth century the bourgeoisie, alongside society’s artistic and intellectual elite, were enthusiastically embracing a myriad of esoteric doctrines and mystical impulses. One of the most prominent and enduring examples of this cultural phenomenon is to be found in Rudolf Steiner’s quasi-philosophical system of Anthroposophy. As a path of spiritual development based on ancient mysteries of the occult, Anthroposophy offered people the belief that there existed a way out of the chaos and meaninglessness of modern industrialised society. Steiner used the medium of architecture as a way of repackaging the occult’s venerable secrets into a tangible, material form that made their hidden message more readily accessible to his contemporary audience. While he was striving towards creating a totally new architectural language appropriate to the modern age, he perceived architectural style as an evolutionary process that revealed its spiritual content in a particular way in every epoch. As such, Steiner made free use of historical and mythological precedents as archetypal references in his work, thus giving his architecture a genealogy that has, until now, remained largely undefined. By investigating Steiner’s indebtedness to ancient temples and the architecture of the baroque, a greater understanding of his architectural heritage is made possible, which not only helps to locate him within the cultural milieu of his day, but also within the broader context of architectural history. A spiritual thread runs through this history that demonstrates that Steiner’s architecture is not as idiosyncratic as it may initially seem, though whether his work represents an original step forward in the development of modern architecture, or is merely a hangover of nineteenth century eclecticism, must also be considered in order to determine the architectural value of Steiner’s esoteric ideas.

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This chapter discusses research undertaken into the developmental role of museums and heritage sites in Thailand and the Greater Mekong Subregion, a geographical area that also includes Cambodia, Laos PDR and Myanmar. It contextualizes an international project, the Lampang Temples Project, to explore the potential role that museums and heritage sites can play in place-based development work, particularly in an Asian context where sacred places are simultaneously valued by local members of the community and as desinations for religious pilgrims and international tourists. The discussion of the Lampang Temples Project is located within an understanding of the international discourse concerning the roles of museums in development, including those contributions to the discourse that have originated in the Asia-Pacific region. It is also situated within an understanding of the roles of international agencies and local governments in the promotion of programmes and infrastructure for the preservation of Buddhist heritage and the relationship of this development strategy with tourism. Furthermore, due to the participatory and observational experience of the authors in the Lampang Temples Project, the chapter also considers the issues involved in applying cross-cultural pedagogies to the management of cultural tourism sites, including UNESCO World Heritage Sites. The results of the Lampang Temples Project support the contention that colaborative training models and pedagogies can be adapted, provided that differing cultural contexts and suppositions are appropriately articulated and integrated. Further, it suggests that this type of collaborative approach to the management of cultural tourism sites has the potential to play an important role in Buddhist heritage development processes.

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This chapter explores the development and rise of Confucianism as the state cult in China, and discusses the social role of Confucianism in terms of education, community development, health care, environment and gender. In this chapter, particular focus is given to Contemporary Confucianism, which calls for the engagement with the serious moral enterprise of restructuring social institutions and reformulating public policies in accordance with fundamental Confucian moral concerns and commitments to family and virtue.

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In China, the study of history has never been a detached academic pursuit, as it has always been indistinguishable from political directions. Chinese political leaders have been unable to adopt a disinterested approach towards history, be it distant or contemporary. On the other hand, Western historians interpret Chinese history from their own point of view, and they often view Chinese history as an extension of Western history. Often, they have been preoccupied with the concern to explain or justify their own record or involvement rather than to produce an objective account, especially in regard to the late nineteenth and early twentieth centuries’ history of China. This study questions the conventional approach to China’s past, be that of a Confucian, a Communist or a Western ethnocentric historiographer. It explores the possibility of establishing a “Chinese experience-based” approach while maintaining “impartiality and neutrality”, looking to historical studies outside of China to achieve this.

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Remix in writing has very different expressions, and is grounded in very different legal, philosophical and creative materialisms, in Western and Chinese cultures. The infringement of authors’ Intellectual Property Rights (IPRs) in China is not only an irritant for Chinese-Western commercial and legal relations. It also points to different formations of the creative and legal domains across global space, and serves to introduce notions of creativity and originality that are largely unfamiliar in the West. Calligraphy, as a pictorial and material mode of writing, comprises a practice of Chinese remix in which the apprentice traces the lines of the master’s work: repetition of Yun 韵 (‘composed body movements’) stimulates the expression of Qing 情 (‘feelings’). What appears from a distance to be slavish imitation actually involves a philosophy of learning (or more precisely, of ‘unlearnt learning’) that, bypassing plagiarism’s traps, effectively ‘remixes remix’ as a creative model no longer dependent on the familiar Western rationales for the legitimacy of remix as appropriation, homage and/or pastiche. To see this though, one has to deploy a Taoist rather than a Confucian framework in the analysis of calligraphic practices. The case of Kathy Acker, allied with the work of Gilles Deleuze, reveals a largely invisible lineage of Taoist-influenced remix in Western creative writing. In this way, calligraphy emerges as a model of remix relevant to all forms of writing—for all writing is material, whether calligraphic or not. Further, as Acker shows, the materiality of writing constantly replenishes its remixing with cultural elements that may not be otherwise visible.

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Nearly one-half of the adult population in Fiji between the ages of 15–64 years is either overweight or obese; and rates amongst school children have, on average, doubled during the last decade. There is an urgent need to scale up the promotion of healthy behaviors and environments using a multi-sectoral approach. The Healthy Youth Healthy Community (HYHC) project in Fiji used a settings approach in secondary schools and faith-based organizations to increase the capacity of the whole community, including churches, mosques and temples, to promote healthy eating and regular physical activity, and to prevent unhealthy weight gain in adolescents aged 13–18 years. The team consisted of a study manager, project coordinator and four research assistants (RAs) committed to planning, designing and facilitating the implementation of intervention programs in collaboration with other stakeholders, such as the wider school communities, government and non-governmental organizations and business partners. Process data were collected on all intervention activities and analyzed by dose, frequency and reach for each specific strategy. The Fiji Action Plan included nine objectives for the school settings; four were based on nutrition and two on physical activity in schools, plus three general objectives, namely capacity building, social marketing and evaluation. Long-term change in nutritional behavior was difficult to achieve; a key contributor to this was the unhealthy food served in the school canteens. Whilst capacity-building proved to be one of the best mechanisms for intervening, it is important to consider the cultural and social factors influencing health behaviors and affecting specific groups.

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Os museus são organizações que se encontram em crise e a museologia procura redefini-los a partir de sua função social democratizante por meio da cultura. Eles deixam para trás a noção de templos e coleções de objetos para assumirem um papel que modifica a sociedade e a própria estrutura das cidades, sem uma teoria que contemple esse novo papel. Suplantar as contradições existentes é o novo objetivo social dessas organizações e sua forma de ser e agir é a principal motivação deste ensaio que tem como objetivo final analisar como os museus contemporâneos podem se constituir em um local privilegiado para a práxis libertadora por meio de seu caráter pedagógico. Acreditamos que assim os museus contemporâneos podem ser “alguém” com quem a sociedade pode contar em seu processo emancipatório. Para isso o papel dessas organizações deve se transformar, assumindo um viés democrático em lugar de privilegiar questões econômicas e se constituindo em espaço privilegiado para educação libertadora. Para isso faz-se uma adaptação do método pedagógico de Paulo Freire para os museus, destacando quatro momentos principais: desvelamento do conhecimento de si e da sua realidade pelas exposições e pesquisas; crítica acerca do conhecimento desvelado; transformação do objeto em sujeito / práxis; exposição da denúncia ou do anúncio de um mundo melhor. Acredita-se que esse processo, fortemente embasado na crítica e mediado pelo amor possa delimitar o museu em seu novo papel como espaço privilegiado onde acontece parte do processo emancipatório. No entanto, os museus contemporâneos podem se constituir em um local privilegiado para a práxis libertadora por meio de seu potencial pedagógico se essas organizações mais do que aplicarem um método libertador se reformularem completamente.

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Pós-graduação em Artes - IA

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Pós-graduação em Desenvolvimento Humano e Tecnologias - IBRC

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Neste trabalho foi estudado o processo de destilação do produto líquido orgânico, obtido no craqueamento catalítico do óleo de palma (Elaeis guineensis, Jacq) bruto em escala piloto, empregando os catalisadores carbonato de sódio (Na2CO3) e a lama vermelha, variando o percentual de catalisador em 10% m/m e 15% m/m em relação à matéria prima utilizada, sendo fixada uma temperatura operacional de 450ºC, visando obter frações de biocombustíveis (bio-gasolina, bio-querosene e bio-óleo) semelhantes aos combustíveis derivados do petróleo. Os catalisadores foram submetidos a um pré-tratamento de desidratação durante 2 horas em uma estufa à 300ºC, posteriormente foram realizadas as análises de DRX, IR e TG. Quanto à matéria prima, foram realizadas análises físico-químicas, visando à caracterização do óleo de palma. Os produtos líquidos orgânicos (PLOs) obtidos foram submetidos a operações unitárias de separação, decantação e filtração simples em escala de bancada, para posteriormente serem realizadas análises físico-químicas e composicionais. Os PLOs foram destilados em uma coluna Vigreux de seis (06) estágios, e as frações condensadas foram coletadas de acordo com as faixas de destilação da gasolina (60ºC - 190ºC), querosene (190ºC - 235ºC) e diesel (235°C - 370ºC), para posteriormente serem caracterizadas. Verificou-se uma melhor eficiência para o catalisador carbonato de sódio a 15% m/m quanto a redução do índice de acidez, cerca de 1,7 mgKOH/g, assim como uma conversão mássica de 97% do óleo em PLO, notou-se também que, ao aumentar a quantidade de catalisador, isto favoreceu a obtenção de um produto final com uma melhor qualidade. A lama vermelha por outro lado, apresentou rendimentos de até 64% m/m e produtos com baixa acidez cerca de 62,90 mgKOH/g, comparando este resultado com dados encontrados na literatura. A partir dos resultados finais, verificou-se a eficiência dos catalisadores, no qual o catalisador carbonato de sódio forneceu produtos com baixa acidez e com boas características para uso como combustível.