960 resultados para Modern dance - Philosophy


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During the last decade Castoriadis’ questioning has become a reference point in contemporary social theory. In this article I examine some of the key notions in Castoriadis’ work and explore how he strives to develop a theory on the irreducible creativity in the radical imagination of the individual and in the institution of the social-historical sphere. Firstly, I briefly discuss his conception of modern capitalism as bureaucratic capitalism, a view initiated by his criticism of the USSR regime. The following break up with Marxist theory and his psychoanalytic interests empowered him to criticize Lacan and read Freud in an imaginative, though unorthodox, fashion. I argue that this critical enterprise assisted greatly Castoriadis in his conception of the radical imaginary and in his unveiling of the political aspects of psychoanalysis. On the issue of the radical imaginary and its methodological repercussions, I’m focusing mainly on the radical imagination of the subject and its importance in the transition from the ‘‘psychic’’ to the ‘‘subject’’. Taking up the notion of “Being” as a starting point, I examine the notion of autonomy, seeking its roots in the ancient Greek world. By looking at notions such as “praxis”, “doing”, “project” and “elucidation”, I show how Castoriadis sought to redefine revolution as a means for social and individual autonomy. Finally I attempt to clarify the meaning of “democracy” and “democratic society” in the context of the social imaginary and its creations, the social imaginary significations.

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Introduction: Dominant ideas of modern study: unity, induction, evolution.--book I. Literary morphology: varieties of literature and their underlying principles.--book II. The field and scope of literary study.--book III. Literary evolution as reflected in the history of world literature.--book IV. Literary criticism: the traditional confusion and the modern reconstruction.--book V. Literature as a mode of philosophy.--book VI. Literature as a mode of art. Conclusion: the traditional and the modern study of literature. Syllabus. Works of the author. General index. Seventh impression, June, 1928

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Publisher's no.: 4518, 4516.

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Elegie and consolation, op. 200, no. 2 / Atherton, Frank P. -- Hungarian dance no. 5 (in G minor) / Brahms, Johannes -- Humoreske : op. 101, no. 7 / Dvor̂ák, Anton ; arr. by Gustav Saenger -- La Cinquantaine / Gabriel-Marie ; special concert arr. by C. Arnold -- Gavotte Louis XIII : Amaryllis / Ghys, H. ; arr. by N. Hansen -- Serenade, from Op. 3 / Herbert, Victor -- Dreams of love = Liebesträume : notturno III / Liszt, Franz ; arr. by R. Klugescheid -- O Belle Nuite, Barcarolle from "Contes d'Hoffmann" / Offenbach, J. ; arr. by Max Woltag -- Celebrated Andante / Reissiger, C. G. -- My heart at thy sweet voice : Cantabile from "Samson and Dalila" / Saint-Saëns, C. ; arr. by R. Klugescheid -- Melodie Mignonne / Sinding, Christian ; arr. by N. Hansen -- Vienna life = Wiener Blut / Strauss, Johann ; special concert arr. by C. Arnold -- Autumn song = Chant d'automne ; Chant sans paroles : op. 40, no. 6 / Tschaikowsky, P. ; arr. by N. Hansen -- Song to the evening star : from "Tannhäuser" / Wagner, Richard ; concert paraphrase by C. Arnold.

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I. The types of philosophic thinking.--II. Monistic idealism.III. Hegel and his method.--IV. Bergson and his critique of intellectualism.--VII. The continuity of experience.--VIII. Conclusions. Notes.--Appendices. A. The thing and its relations. B. The experience of activity. C. On the notion of reality as changing.-- Index.

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"Reissued in the Crown Library 1912."

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Vols. 1-2, 3d edition.

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Includes bibliographical references.

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I. Modern philosophers: First group. Objective-systematic tendency: I. Wilhelm Wundt. II. Roberto Ardig_o. III. Francis Herbert Bradley. IV. Alfred Fouill_ee and contemporary French philosophy. Second group. Epistemologico-biological tendency: I. Philosopher-scientists. II. The natural history of problems. Third group. The philosophy of value: I. Jean Marie Guyau. II. Friedrich Nietzsche. III. Rudolf Eucken. IV. William James.--II. Lectures on Bergson.

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Locke and the transcendentalists -- Kant and his philosophy -- Fichte's exposition of Kant : philosophy applied to theology -- The philosophy of Cousin -- Paley : the argument for the being of a God -- Subject continued : the union of theology and metaphysics -- Berkeley and his philosophy -- Elements of moral science -- Political ethics.

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Contains: Dissertation first: exhibiting a general view of the progress of metaphysical, ethical and political philosophy...PART II

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Includes index.