975 resultados para Italian wit and humor, Pictorial.


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Later editions appeared under title: Literature and life.

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Mode of access: Internet.

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Mode of access: Internet.

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Mode of access: Internet.

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"A re-issue of Songs compleat, 1719 ... Volumes I and II ... consist of his own songs." Cambridge bibliography of English literature.

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On making a will -- Famous men -- At a summer resort -- Drink and politics -- On home life -- On food in war -- On old age -- On the power of music -- On the descent of man -- On the higher baseball -- On heros and history -- On going to see the doctor -- On "the gift of oratory" -- On golf -- On "the game of cards" -- On the Orange Revolution of 1914 -- On St. Patrick's Day -- On past glories -- On criminal trials.

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Imperfect: facsimile, p. 146, wanting.

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Mode of access: Internet.

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Vol. 2 has t.-p. in Italian.

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This study examined the utility of the Attachment Style Questionnaire (ASQ) in an Italian sample of 487 consecutively admitted psychiatric participants and an independent sample of 605 nonclinical participants. Minimum average partial analysis of data from the psychiatric sample supported the hypothesized five-factor structure of the items; furthermore, multiple-group component analysis showed that this five-factor structure was not an artifact of differences in item distributions. The five-factor structure of the ASQ was largely replicated in the nonclinical sample. Furthermore, in both psychiatric and nonclinical samples, a two-factor higher order structure of the ASQ scales was observed. The higher order factors of Avoidance and Anxious Attachment showed meaningful relations with scales assessing parental bonding, but were not redundant with these scales. Multivariate normal mixture analysis supported the hypothesis that adult attachment patterns, as measured by the ASQ, are best considered as dimensional constructs.

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Within The Creative Unconscious and Pictorial Sign I explore the dialogue that exists between social language and personal expression to understand how creativity is mediated. I consider how the involuntary inventiveness of artistic creativity and the structuring function of language come to negotiate what artists can experience and represent. My Doctoral practice attempts to question the influence of orthodox postmodernist views and allow sensual and direct experiences to be located within improvisation and spontaneous approaches to image making. I ask if it is possible for a humanistic and psychological interpretation of creativity to move beyond the copy and quotation that some postmodern theories of simulation and the hyperreal advance; but to retain the communicative function of visual expression and the model of a social form of signification instead of naïvely promoting unintelligible and personal languages.