Ausgewählte Szenen aus Il Farnace (1752), I Tantaridi (1760), Ifigenia in Tauride (1759), Le feste l'Imeneo (1760) und Antigona (1772); und La Sofonisba : dramma per musica da rappresentarsi alla Corte ellettorale palatina, in occasione del felicissimo giorno del nome del serenissimo ellettore, l'anno 1762.

Italian words.

Musica vaga et artificiosa : continente motetti con oblighi & canoni diuersi, tanto per quelli, che si dilettano sentire varie curiosita, quanto per quelli, che vorranno professare d'intendere diuersi studii della musica /

Includes works by A. Balbi, G. Bassano, A. Banchieri, D. Borgo, P. da Castello, Fr. degli Atti, R. Giovanelli, A. Grandi, A. Grani, G. B. Grillo, L. Marenzio, G. Massicio, Metallo, G.M. Nanino, M.A. Negri, A. Orologio, P. Petracci, G. Pichi, B. Piovan, G. Priuli, C. da Rore, G. Rosa, G. Sansone, F. Usper, J. Werth, and anonymous works.

Dizionario e bibliografia della musica /

Vols. 3-4 are a translation of Forkel's "Allgemeine litteratur der musik", with additions.

Marcos Portugal na sua musica dramatica [e Supplemento] Historicas investigações

Limited edition of 300 copies, with author's autograph. This is no.257.

Notizie biografiche intorno ad Alessio Prati, maestro di musica ferrarese,

Mode of access: Internet.

Lettera biografica intorno alla patria ed alla vita di Gio. Battista Pergolese, celebre compositore di musica del Marchese di Villarosa.

Mode of access: Internet.

Ópera española. Ventajas que la lengua castellana ofrece para el melodrama demostradas con un ejemplo practico en la traduccion de la ópera italiana el Belisario arreglada a la letra y musica del original.

Text of Belisario in Italian and Spanish.

Anales del teatro y de la musica

Mode of access: Internet.

Musica e musicisti.

Absorbed by Secolo XX.

Romanum museum sive Thesaurus eruditae antiquitatis in quo proponuntur, ac dilucidantur gemmae, idola, insignia sacerdotalia, ... instrumenta musica, vota, signa militaria, marmora & c. ... /

ICCU\UM1E\005948.

Los de fuera : juguete comico-lirico en un acto y en prosa, escrito sobre el pensamiento de la comedia francesa Une eclipse de lune por Emilio Villena ; musica del maestro Julio Grossi.

"Estrenado con extraordinario exito en el Teatro del Duque, de Sevilla, el 8 de octubre de 1891."

Regolamento pel corpo di musica della Guardia nazionale della cittáa di Milano.

University of Illinois bookplate: "From the library of Conte Antonio Cavagna Sangiuliani di Gualdana Lazelada di Bereguardo, purchased 1921".

Explorando a execução de técnicas estendidas no oboé encontradas em quatro peças contemporâneas

This dissertation presents an investigation of the evolutionary process of extended oboe techniques, through literary analysis and practical research. The objective of this work is to provide assistance to oboists interested in learning these techniques. Additionally, this work encourages the student, through the process of experimentation, to explore the questions that may arise around the aesthetics of sound, the concept of gesture as an additional visual and aural element in music, and the collaboration and “real-time” creation processes. Discussed within the work, are the relationship between the instrument (the oboe) and extended techniques, and two possible definitions of extended techniques, provided by Luk Vaes (2009) and Gardner Read (1993). Also explored are the how and why some composers have utilized extended techniques in their compositions, including brief discussions relating to extended techniques in real-time composition (improvisation), extended techniques and technological resources, theatrical gesture as an extended technique, and suggestions of how musicians might approach theatrical gestures in performance. Four works were visited: “I Know This Room So Well” – Lisa Bielawa (2007-9); “Four Pieces for Oboe and Piano” – Ernst Krenek (1966); “In Freundschaft” – Karlheinz Stockhausen (1978); “Atem” – Mauricio Kagel (1969-70); and an exploration of the difficulties and solutions associated with each extended technique found within these pieces, was carried out. The following founding works on extended oboe techniques were used, as a basis for research: books - Heinz Holliger’s Pro Musica Nova (1972); Gardner Read’s Compendium of Modern Instrumental Techniques (1993); Peter Veale & Claus-Steffen Mahnkopf’s The Techniques of Oboe Playing (1994); and Libby Van Cleve’s Oboe Unbound: Contemporary Techniques (2004); and articles - Nora Post’s “Monophonic sound resources for the oboe: Part I – Timbre” (1984), “Part II- Pitch and other techniques” (1984), and “Multiphonics for the oboe” (1982).

Narratività, ritmo e forma audiovisivi in Regen di Joris Ivens con musica di Hanns Eisler.

Joris Ivens’ experimental film Regen and the music Hanns Eisler composed for it represent individually two major achievements in the artistic career of both the Dutch director and the German composer. Their union yielded a peculiar audiovisual product for at least two main reasons: on the one hand the music was composed more than ten years later, on the other hand, a result of a research project, Eisler’s composition responded to specific theoretical intentions that ‘commercial’ film music does not generally have. It is mostly because of the latter aspect that we can look at ‘Eisler’s Regen’ with a unique analytic perspective aimed to highlight traces of continuity in both the video and the music under three complementary viewpoints: narrative, rhythmic and formal. The outcome of such an analysis is meant to give proof of a highly integrated audiovisual creation that is rarely found in the history of experimental cinema.