Pauline et Pascal Bruno /

Pauline.--Murat.--Pascal Bruno.

Sylvie and Bruno concluded/

Sequel to Sylvie and Bruno.

Organizational, field, and depot maintenance manual : multimeter AN/PSM-6, AN/PSM-6A, part no. 56-5002A, 56-5002B, 165-5002, federal stock no. 6625-642-1686, 6625-643-1686, 6625-656-5871, (Bruno).

"July 1962."

Bruno Hildebrand's nationaloekonomische Anschauungen in kritscher Beleuchtung : ein Beitrag zur Geschichte der Nationaloekonomie.

Thesis (doctoral)--Bern.

Der stifter des Carthäuser-ordens der hl. Bruno aus Köln.

Inaugural dissertation at Münster (Ger.) university.

Bruno Bauers Ubergang von der Hegelschen Rechten zum Radikalismus.

Thesis (doctoral)--Friedrich-Alexanders-Universitat Erlangen.

Life of Giordano Bruno, the Nolan,

"The Noroff collection of manuscripts": p. [341]-369.

Die Judenfrage : gegen Bruno Bauer

von Karl Grün

Técnicas estendidas na obra Traçado Íntimo e Hesitante para violoncelo solo de Bruno Ângelo e sua utilização na iniciação ao violoncelo

This works sheds light on the technical challenges regarding the use of extended techniques at the piece “Traçado Íntimo e Hesitante” by Bruno Angelo and the use of some of these techniques in the cello initiation. The main goal of the research is to provide cellists interested in the performance of the piece with ideas to surpass the technical difficulties as well as to introduce new ideas of using sound materials of contemporary music in the beginner cello teaching.

Buholzer, Alois / Joller-Graf Klaus / Kummer Wyss, Annemarie / Zobrist, Bruno (Hrsg.): Kompetenzprofil zum Umgang mit heterogenen Lerngruppen. Wien, Zürich, Berlin, Münster: LIT Verlag 2012 [Rezension]

Rezension von: Buholzer, Alois / Joller-Graf Klaus / Kummer Wyss, Annemarie / Zobrist, Bruno (Hrsg.): Kompetenzprofil zum Umgang mit heterogenen Lerngruppen, Wien, Zürich, Berlin, Münster: LIT Verlag 2012 (77 S.; ISBN 978-3-643-80084-8)

Suicide plays

Suicide is a uniquely human behaviour and has always elicited strong - usually negative - opinions. Thus I would like to state from the very outset that this morbid collection of writing (all separately published elsewhere previously) should not be seen as an attempt to glamorise the act of felo-de-se. Nevertheless, one needs to recognise the inherent theatricality of suicide: too often it is a petulant, peevish performance intended to convey a bitter message to the audience of those left behind. Unfortunately, it is also a performance that many similarly unhappy souls try to emulate, and this phenomenon, known as “The Werther Effect”, is the subject of the first paper, which serves as a most appropriate introduction to the four plays that follow it. The first play, entitled “Hamlet + Ophelia = ?”, is deliberately provocative, and may easily be misunderstood as a call to commit self-murder. It is hoped, however, that the protagonists of this angry little piece are seen to be impetuous and childish, rather than noble or deep. The second play, “Games for Married Couples”, is less about seppuku than it is about the despair of child-less marriage. It is not much happier than the first, but may nevertheless raise a smile or two. “His ... or Her ... Suicide”, on the other hand, is utterly frivolous. I am sure no reader will take it seriously. Finally, and circuitously, is the stage adaptation (and translation) of Goethe’s classic 1774 novella "Die Leiden des jungen Werthers". This piece was produced as part of my 2005 Master of Creative Arts at the University of Melbourne in Australia. Many thanks must go to my supervisor, Associate Professor Angela O’Brien, for prodding and poking me until the thesis was of an acceptable standard.

Aural auteur : sound in the films of Rolf de Heer

An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of her or his films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-maker’s body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed by Rolf de Heer, asking the question, “Does his use of sound make Rolf de Heer an aural auteur?” In so far as the term ‘aural’ encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scène (i.e. visuals) is productive and worthwhile as an interpretive response to film. De Heer’s use of the aural point of view and binaural sound recording, his interest in providing a ‘voice’ for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound designer Jim Currie, his ‘hands-on’ approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer’s aural auteurism. As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and international conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer’s films which, when considered as a whole, support the thesis’ overall argument and serve as a comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural.

Prehistoric hand stencils at Fern Cave, North Queensland (Australia): environmental and chronological implications of Raman spectroscopy and FT-IR imaging results

Raman spectroscopy and FT-IR imaging analyses of cave wall pigment samples from north Queensland (Australia) indicate that some hand stencils were undertaken during a dry environmental phase indicating late Holocene age. Other, earlier painting episodes also took place during dry environmental periods of the terminal Pleistocene and/or early Holocene. These results represent a rare opportunity to attain chronological information for rock art in conditions where insufficient carbon is present for radiocarbon dating.