Na 50 Nachlass Arthur Schopenhauer - 'Schopenhauer-Archiv', 392 - Kodizill zum Testament vom 04.02.1859

u.a.: Verkauf der Ländereien in Danzig; Margarethe Schnepp; David Asher; Karl Georg Bähr; Jules Lunteschütz;

Sentidos em construção no arquivo Arthur Ramos: deslocamentos, classificação, indivíduo e autoria

O objetivo do presente trabalho é analisar o arquivo pessoal de Arthur Ramos, intelectual que teve uma destacada participação nos debates sobre a democracia racial e na institucionalização das Ciências Sociais no Brasil nas décadas de 1930 e 1940. Através de seu acervo, custodiado pela Divisão de Manuscritos da Fundação Biblioteca Nacional, procurou-se perceber quais processos sociológicos que podem incidir sobre a formação do patrimônio documental, além das estratégias de construção e re-elaboração desta memória. Foram debatidas as teorias e práticas da arquivista para mapear diferentes formas de deslocamentos, ressignificação e reclassificação dos arquivos em geral e desse caso particular. Para isto, foram analisados o processo de compra do fundo Arthur Ramos, os relatórios de atividades, o inventário analítico do fundo, além de entrevistas informais.

THE PERFORMER’S INFLUENCE ON FRANCO-BELGIAN COMPOSITIONS FROM 1870 TO 1930

The turn of the 20th century marked an ascendancy of the Franco-Belgian school of composers. French composers were inspired by the great German composers of the Romantic era, and they created their own defined national style that emerged toward the end of the 19th century. The Franco-Belgian composers’ special emphasis on tone, timbre and color encouraged a more individual, personally interpretative approach. These devices underscore the importance and influence a performer can have on the outcome of a piece. I researched the relationship between composers and violinists at a time when the Franco-Belgian style developed and flourished. The Franco-Belgian school of violin playing emerged from the Paris and Brussels conservatories as well as the symbiotic relationship between the performers and composers. Three recitals in collaboration with pianist David Ballena, which comprise this dissertation project, were performed at the University of Maryland. Each recital featured music for violin and piano from 1870 through 1930. The repertoire was chosen to reflect a performer’s influence on a composer. I examined specific composer/performer relationships that helped shape the birth of a newly defined “French” style of playing. My research focused on the stylistic interactions composers, such as César Franck, his disciple Guillaume Lekeu had with the leading prominent Belgian violinist Eugène Ysaye and between Maurice Ravel and the Hungarian violinist Jelly d’Aranyi. I also looked into the personal relationship between friends who inspired each other: Gabriel Fauré and Paul Viardot, Edouard Lalo and Pablo de Sarasate, Claude Debussy and Arthur Hartmann, and the young Lili Boulanger and Yvonne Astruc. Furthermore, I looked into the unfulfilled love between Maurice Ravel and Hélène Jourdan-Morhange, as well as the marriage of Olivier Messiaen with Claire Delbos, both relationships resulting in masterpieces for violin that have remained a part of the standard violin repertoire. My research led me to understand what type of violin playing each composer had in mind while composing, all of which led me to understand the importance a performer has in preserving national styles. The recitals were recorded on compact discs and archived within the Digital Repository at the University of Maryland (DRUM).

William B. Rollason fonds, 1930-1934, 1936, 1941-1947, 1950-1952, 1956-1958.

William B. Rollason was a businessman from St. Catharines. His business interests included insurance sales, real estate and housing development. He was an active Rotarian, serving as president from 1945 to 1946. He served on the Niagara Parks Commission Board from 1944 until his death in 1959. Mr. Rollason was the president of the St. Catharines Chamber of Commerce, president of the Lincoln County Conservative Association, a member of the Navy Island Peace Capital Group, vice chairman of the War Savings Committee and part owner of the Welland House Hotel in St. Catharines.

Arthur A. Schmon fonds

Arthur Albert Schmon was born in 1895 in Newark, New Jersey. During his studies at Barringer High School in Newark, he met Eleanore Celeste Reynolds who was to become his wife in August of 1919. Mr. Schmon studied English literature at Princeton and graduated with honours in 1917. That same year, Mr. Schmon joined the United States Army where he served under Colonel McCormick as an adjutant in field artillery in World War I. In 1919, he was discharged as a captain. Colonel McCormick (editor and publisher of the Chicago Tribune) offered Schmon a job in his Shelter Bay pulpwood operations. Mr. Schmon accepted the challenge of working at this lonely outpost on the lower St. Lawrence River. Schmon was promoted to Woodlands Manager in 1923. In 1930, he became the General Manager. This was expected to be a seasonal operation but the construction of the mill led to the building of a town (Baie Comeau) and its power development. All of this was accomplished under Schmon’s leadership. In 1933, he was elected the President and General Manager of the Ontario Paper Company. He later became the Chairman and Chief Executive Officer. Arthur Schmon made his home in St. Catharines where he played an active role in the community. Schmon was a member of the Founders’ Committee at Brock University and he was a primary force behind the establishment of a University in the Niagara Region. The Brock University Tower is named after him. He also served as Chairman of the St. Catharines Hospital Board of Governors for over 15 years, and was responsible for guiding the hospital through a 3 million dollar expansion program. He was a Governor of Ridley College and an Honorary Governor of McMaster University in Hamilton. Mr. Schmon died of lung cancer on March 18, 1964. He had been named as the St. Catharines’ citizen of the year just one week earlier. Mr. Schmon had 2 sons Robert McCormick Schmon, who was chairman of the Ontario Paper Co. Ltd., St. Catharines, Canada, and the Q.N.S. Paper Co., Baie-Comeau, Canada. He was also director of a Chicago Tribune Co. He died at the age of 61. Another son, Richard R. Schmon, was a second lieutenant in the 313th Field Artillery Battalion, 80th Infantry Division in World War II. He was listed as missing in action on November 5, 1944.

Estimación de la migración interna neta, clasificada por edad y por sexo, en las provincias y regiones de Chile durante los años 1930-1940, 1940-1952 y 1952-1960

Incluye Bibliografía

Retornos crescentes e decrescentes e firma representativa: uma visão do Simpósio de 1930

This paper objective is to analyze the Theory of Increasing and Diminishing Returns from the perspective of the Symposium of 1930, written by Robertson, Sraffa and Shove. Besides these authors, are also treated other texts Robetson and Sraffa, and texts by Pigou and Robbins, expressing the similarity and difference of thought of each author with respect to the Laws

A psicanálise entre a higiene mental e a escola nova na obra de Arthur Ramos: contribuições à história da educação no Brasil

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Der chassidische Maler Arthur Bryks

Nadja Stein

Lord Arthur James Balfour

N. H.

Na 50 Nachlass Arthur Schopenhauer - 'Schopenhauer-Archiv', 390 - Testament

"Date obolum Belisario!Ich, der Endesunterschriebene Dr phil: Arthur Schopenhauer aus Danzig, der ich niemals verehlicht war u. auch in aufsteigender Linie keine Verwandte mehr habe, verordne, mittelst gegenwärtigen Testaments, wie es nach meinem dereinstigen Ableben mit meiner Nachlaßenschaft gehalten werden solle. Zu meinem Universal-Erben setze ich ein den in Berlin errichteten Fonds zur Unterstützung der in den Aufruhr- u. Empörungs-Kämpfen der Jahre 1848 & 1849 für Aufrechterhaltung u. Herstellung der gesetzlichen Ordnung in Deutschland invalide gewordenen Preußischen Soldaten, wie auch der Hinterbliebenen solcher, die in jenen Kämpfen gefallen sind. Herr Arthur Schopenhauer, Dr. phil. gewesener Privat Docent in der Universität Berlin, aus Danzig gebürtig, dahier auf Permission wohnhaft, hat den Inhalt dieses als seinen letzten Willen anerkannt, in Gegenwart der vorstehenden, zu dieser Testamentshandlung besonders erbetenen, vereint versammelten Herrn Zeugen, und meiner, des Notars, hierauf dieses sein Testament mit den Herrn zeugen eigenhändig unterschrieben und besiegelt. Dieses, sowie die eines Thuns, ohne störenden Zwischenakt, überhaupt durchaus nach gesetzlicher Vorschrift vollzogenen Testamentshandlung wird auf Ersuchen hiedurch beglaubigt. So geschehen zu Frankfurt a.M den sechs und zwanzigsten Juni achtzehn hundert zwey und fünfzig. Dr. Johann Valentin Boegner Notar der freien Stadt Frankfurt (L.S.) Nebst einer Beilage vom 4. Februar 1859 eröffnet und publicirt bei dem Stadtgericht II der freien Stadt Frankfurt den 21 September 1860 Dr. Leykauf Secr.";

Na 50 Nachlass Arthur Schopenhauer - 'Schopenhauer-Archiv', 379 - Autograph für das Deutsche Stammbuch

u.a.: "Aut credere, aut philosophari, aut degere pecudum ritu, ventri obedientium - utique mori";

Na 50 Nachlass Arthur Schopenhauer - 'Schopenhauer-Archiv', 864 - Dankesschreiben wegen der übermittelten Neujahrsgrüße

u.a. Biographische Angaben zu Carolin Médon; Caroline Louise Marquet;