The children's book; a collection of the best and most famous stories and poems in the English language,

Mode of access: Internet.

Bible English, chapters on old and disused expressions in the authorized version of the Scriptures and the book of common prayer.

Mode of access: Internet.

A general view of the history of the English Bible,

Introduction.--The manuscript English Bible.--The printed Bible: External history.--The internal history of the English Bible.--Conclusion.--Appendices.

The little that is good : stories of London and glimpses of English civilization /

Includes index.

The Persian moonshee : containing a copious grammar, and a series of entertaining stories : also the Pund-namu of Sadee, being a compendium of ethics, in verse ... to which is added forms of addresses, petitions, citations, and bonds, etc., the whole in the Arabic and Roman characters together with an English translation /

Vol. 2 never published. (Cf. Preface, p. [vii])

King Arthur: stories from Sir Thomas Malory's Morte d'Arthur retold in modern English by Mary MacLeod.

Mode of access: Internet.

A complete history of the several translations of the Holy Bible, and New Testament, into English, : both in ms. and in print: and of the most remarkable editions of them since the invention of printing. /

Pages 49-64, 112 are misnumbered 65-80, 512 respectively.

The Hebrew prophets for English readers, in the language of the Revised version of the English Bible, printed in their poetical form, with headings and brief annotation.

v. 1. Amos, Hosea, Isaiah (1-39) and Micah.-v.2. Zephaniah, Nahum, Habakkuk, and Jeremiah.-v.3. Obadiah, Ezekiel, and Isaiah (40-71)-v.4. Haggai, Zechariah, Malachi, Joel, Deutero-Zechariah, Jonah, and Daniel.

The old English Bible, and other essays.

Mode of access: Internet.

The annals of the English Bible /

"Chronological index list of English Bibles and New Testaments": v. 2, app. p. vii-xxii.

Elements of Christian theology : containing proofs of the authenticity and inspiration of the Holy Scriptures; a summary of the history of the Jews; a brief statement of the contents of the several books of the Old and New Testaments; a short account of the English translations of the Bible and a scriptural exposition of the Thirty-Nine Articles of Religion designed principally for the use of young students in Divinity /

Vol. 1, 11th ed. Vol. 2, 8th ed.

The English Bible

This is the text of an address delivered by William D. Melton to the Abbeville Bible Society on the subject of the genesis of the English Bible.

Digital storytelling, podcasts, blogs and vlogs : exploring a range of new media texts and forms in English

Curriculum initiatives in Australia emphasise the use of technologies and new media in classrooms. Some English teachers might fear this deployment of technologies because we are not all ‘digital natives’ like our students. If we embrace new media forms such as podcasts, blogs, vodcasts, and digital stories, a whole new world of possibilities open up for literary response and recreative texts, with new audiences and publication spaces. This article encourages English teachers to embrace these new digital forms and how shows we can go about it.

Reading stories

What expectations do readers have of stories? Where do readers’ expectations come from? Do certain kinds of readings serve to support particular beliefs and assumptions? These and other questions are raised in Reading Stories, a collection of eleven short stories that have been very popular with Year 10 classes and above, accompanied by activities for talk and writing that encourage students to reflect on stories and their reading of them. Reading Stories aims to make recent literary theory accessible to students through a range of practical activities that work well in the classroom. Each story’s accompanying activities are designed to give students not only the opportunity but also the support they might need to construct and analyse possible readings of the text. There are five chapters - offering a cumulative learning experience - that consider such areas as readers’ expectations, how and why readings change, what is at stake in the disagreements between readings, and reading for gender, race and class. The approaches used begin with students’ familiarity with stories and then work to make available for analysis aspects of reading and ‘interpretation’ that are often taken for granted. While the concepts addressed are complex, the book aims to encourage participation from all students.

Ethical fashion : the human stories driving a fashion movement

This paper examines and compares two stories, the novel Helen Fleetwood (Elizabeth, 1841) and the film China Blue (Teddy Bear Films, 2005), in relation to the Ethical Fashion movement. In 2005, more than 50 designers from around the world took part in The Ethical Fashion Show in Paris. This movement dictates that designers ensure that their garments are produced in an ethical manner, rather than support the ‘sweatshop’ environments of some industrialists determined to make a profit at the expense of workers rights. The momentum of the Ethical Fashion movement suggests that it is possible for fashion to be ethical, desirable and profitable in the 21st century. In 1841, after extensive research, Charlotte Elizabeth Tonna (using the pseudonym Charlotte Elizabeth) began to write about the atrocities of the factory system in industrialised England. Her novel, Helen Fleetwood, is one of the earliest examples of this kind of work, providing the reader with an extensive insight into the life of English factory workers in the mid-19th century. The story is about the Widow Green and her orphan dependents who are led, through circumstance, to leave their rural home and take up employment in the cotton mills of Manchester, with the hope of having an independent existence. Instead they discover the realities of factory life – extremely long hours, unsafe conditions, poor wages and a steady decline into extreme poverty. In his film China Blue (Teddy Bear Films, 2005), director Micha X. Peled tells an alarmingly similar tale set in 21st century China. This ‘docu-drama’ (a recreation from actual interviews and diary entries) tells the story of ‘Little Jasmine’ who leaves her family’s farm to pursue an independent life in Southern China’s manufacturing district. It is not long before the realities of modern factory life are revealed to the teenage ‘heroine’ – crowded dormitories, long working hours, arbitrary fines and wages that do not compare with those of workers in the Western world. While much of the human story remains unchanged, there have been significant improvements in technology and safety in the last 165 years that result in the reality that not all clothing manufacture is performed in ‘sweatshop’ conditions. After a recent visit to a manufacturing plant in China, consultation with peers in the industry and having worked in the Australian fashion industry for many years, the author compares these stories with her own experiences.