1000 resultados para Berthollet, Claude Louis, 1748-1822
Resumo:
"Lettres de deux jeunes amies": v. 3, p. [169]-304.
Resumo:
"Biographical notice of Madame Campan," signed F. Barriere: p. [i]-xxvii.
Resumo:
With this are bound: Choiseul-Stainville, C. A. G. Rélation du départ de Louis XVI. Paris, 1822; Mémoires sur l'affaire de varennes. Paris, 1823.
Resumo:
Mode of access: Internet.
Resumo:
A translation of "Les maitresses de Louis XV, par Edmond et Jules de Goncourt."
Resumo:
Title within colored ornamental borders.
Resumo:
t. 1. Notice sur le cardinal de Retz ... Portrait de Retz par Saint-Évremont. Portrait de Retz par La Rochefoucault. Mémoires du cardinal de Retz.--t. 2. Mémoires de Retz (cont'd)--t. 3. Mémoires de Retz (cont'd) Procès verbal de la conférence, faite à Ruel. Le trictrac. Lettre présentée au Sacré collége de la part du cardinal de Retz, pendant sa prison. Le courrier burlesque de la guerre de Paris. Sermon de Saint Louis, roi de France ... par J.F.P. de Gondi. La conjuration du comte Jean-Louis de Fiesque. Avis à M. le cardinal Mazarin, sur les affaires de M. le cardinal de Retz.--t. 4. Notice sur Guy Joli. Mémoires de Guy Joli.--t. 5. Mémoires de Guy Joli (cont'd) Mémoire concernant le cardinal de Retz ... par Claude Joli. Mémoires de la duchesse de Nemours.
Resumo:
List of books: vol. I, p. [xcviii]-xcix.
Resumo:
By Marsy and F. J. M. Noël.
Resumo:
Nouv. éd. soigneusement corrigée.
Resumo:
Head and tail-pieces, initials.
Resumo:
Thesis (Ph.D.)--University of Washington, 2016-06
Resumo:
Louis Nowra wrote 'Radiance' especially for the three actors who performed it in the play’s premier season at Belvoir Street Theatre in September 1993. And the Currency Press playscript / programme produced for that season foregrounds these three performers – Rachael Maza, Lydia Miller and Rhoda Roberts – in such a way that the usual distinction between dramatis personae and the actors who play them is considerably diminished. Both the blurb on the back cover and Nowra’s introduction emphasise this special relationship between text and actors, but it is the front cover shot which particularly reflects the conjunction between the two. Rather than depicting a scene from performance, or a ‘graphic’ suggesting something of the play’s thematic content, the front cover of Radiance features the three actors in a posed promotional shot. Arms joined warmly, lovingly, about each other’s waist, bodies turned away from but faces towards the camera, it is the actors we see, not their characters. It’s a very joyful image; they’re positively beaming. Radiant. They look as if they could really be the three half-sisters they portray, except that such moments of blithe sorority are just about non-existent in the play.
Resumo:
This is an edited version of an interview recorded for Canadian Theatre Review in 1992. By that time Nowra had established a reputation as one of Australia's foremost playwrights. Part of the generation which succeeded the New Wave of the late 1960s and early 1970s, Nowra became known for a stylistic inventiveness which placed him outside the tradition of realist playwriting in Australia. The international outlook in his early plays, and the fact that he was not exclusively preoccupied with Australian settings and subject matter, was often a focal point in critical accounts of his work. In this interview Nowra discusses his 'internationalism', and a range of topics including the playwriting process; the presence of landscape in his plays; and the autobiographical elements in his work.