Negativi di memoria. La rappresentazione del trauma nel romanzo del Novecento. Samuel Beckett, Georges Perec, Agota Kristof

Oggetto di questa tesi è l’analisi delle modalità di rappresentazione del trauma nel romanzo del Novecento e, in particolare, nelle opere di Samuel Beckett, Georges Perec e Agota Kristof. Fondamento dello studio sarà una disamina dei procedimenti linguistici e narrativi di rappresentazione del trauma nelle prose degli autori citati, al fine tracciare le linee di un’estetica in grado di descrivere le caratteristiche peculiari delle narrazioni in cui la dimensione antinarrativa della memoria traumatica assume il ruolo di principio estetico guida. L’analisi si soffermerà sulla cruciale relazione esistente, in tutti e tre gli autori, tra rappresentazione del trauma e sviluppo di strategie narrativi definibili come “denegative”. L’analisi dei testi letterari è condotta sulla base del corpus critico dei Trauma Studies, dell’ermeneutica della narrazione di stampo ricœuriano e della teoria del linguaggio psicoanalitica e affiancata, ove possibile, da uno studio filologico-genetico dei materiali d’autore. Alla luce di tali premesse, intendo rivalutare il carattere rappresentativo e testimoniale della letteratura del secolo scorso, in contrasto con la consuetudine a vedere nel romanzo novecentesco il trionfo dell’antimimesi e il declino del racconto. Dal momento che le narrazioni traumatiche si costruiscono intorno e attraverso i vuoti di linguaggio, la tesi è che siano proprio questi vuoti linguistici e narrativi (amnesie, acronie, afasie, lapsus, omissioni e mancanze ancora più sofisticate come nel caso di Perec) a rappresentare, in modo mimetico, la realtà apparentemente inaccessibile del trauma. Si tenterà di dimostrare come questi nuovi canoni di rappresentazione non denuncino l’impossibilità del racconto, bensì una sfida al silenzio, celata in più sottili e complesse convenzioni narrative, le quali mantengono un rapporto di filiazione indiretto − per una via che potremmo definire denegativa − con quelle del romanzo tradizionale.

La rappresentazione cinematografica del mondo agropastorale nel documentario corto italiano (1939 - 1969)

L’obiettivo primario di questo lavoro è quello di esplorare un insieme di documentari corti italiani di tipo etnografico e sociologico. Questi film hanno ricevuto pochissima attenzione critica, mentre sono essenziali alla comprensione del periodo di storia italiana compreso fra gli ultimi anni del Regime fascista e la fine del “Miracolo economico”. La prima parte della tesi è dedicata alla descrizione del contesto economico, sociologico, politico in cui questi lavori sono stati prodotti. La seconda parte si concentra su circa un centinaio di documentari corti analizzati sulla base di tre diversi criteri. Innanzitutto li abbiamo considerati a partire da un punto di vista autoriale, secondariamente a partire dalle loro caratteristiche produttive e distributive e infine sulla base di un criterio regionale. A partire dalla discussione antropologica coeva riguardante la scomparsa dei mondi contadini e su una precisa ricerca d’archivio focalizzata sullo stesso tema, abbiamo poi comparato il risultato dell’analisi del corpus con altre forme filmiche di rappresentazione dello stesso soggetto. Oltre a far riemergere un gruppo di autori e film quasi dimenticati, questo lavoro intende lanciare uno sguardo sul veloce, conflittuale e sbilanciato cambiamento compreso fra i mondi rurali tradizionali e la modernità, che ha caratterizzato la società italiana degli anni Cinquanta e Sessanta.

'Initiators of Discursive Practices': Authorship, attribution, and intent in the debates between philosophes and anti-philosophes

This article focuses on the “social side” of pseudonymity—on how writers and readers compete to influence the critical destiny of a pseudonymous work. By analyzing pseudonymity and attribution in both the specific context of Voltaire’s 1760 staging of the play, Le café ou l’écossaise, and in larger debates in the emerging fields of anonymity, pseudonymity, and attribution studies, I hope to show how literary scholars at present can address the individuality of each pseudonymous case while not letting go of trans-historical, general problems of anonymous strategies. Voltaire’s use of multiple pseudonyms before and after releasing L’Ecossaise, a comédie sérieuse in which Voltaire attacks his enemy Elie-Cathérine Fréron, supports his philosophe friends at a crucial moment in history, and exemplifies his emerging taste for serious comedy and British drama calls into question traditional takes on pseudonymity, anonymity, and attribution by refusing to fit into the binary arguments of anonymous vs. attributed and authorial intent vs. the reader’s control.

Family Anomie and Juvenile Deliquency in Post-Communist Romania

The sensitivity of crime rates to social, economic and political influences has long aroused the interest of sociologists who have attempted to explain what kind of relationships might be associated with variations in crime rates between different social groups at different times. The earliest views were put forward by Emil Durkheim, and while later writers have developed (R.K. Merton, L. Srole, A, K. Cohen, etc.) have developed some aspects of his ideas further, his basic ideas of the divorce of the individual from normative standards and the lack of social integration are still valid. Ms. Voicu-Minea looked at the theoretical background in detail but then limited it to a specific social group, the family, asking first why certain individual within vulnerable families and/or negative social influences commit offences while others do not. In modern times the family has undergone massive structural and functional changes. Its former economic function, which once endowed it with a great capacity for social inclusion, has generally vanished, while its formerly crucial role in children's education has been massively reduced. These changes, which are still not complete, can lead to dysfunction and in certain social contexts such as that in post-communist Romanian society, this risk of dysfunction is still greater as unfavourably social circumstances more easily affect such families. The number of cases of juvenile delinquency in Romania has increased sharply ever since the end of the communist system and in 1996 reached the level of 18,317 cases. The sample examined included 1012 juvenile delinquents aged between 14 and 18, taken from all areas of Bucharest. Over 80% of charges related to theft, with more serious offences being relatively rare. The children underwent a series of psychological tests, accompanied by a questionnaire relating to family situation. The results showed that juvenile delinquency in Romania is overwhelmingly male, with 91.8% of offences being committed by boys. Two thirds of the research group were under the age of 16 and only just over one third attended school, with over half having left school before the legal age. While the majority of subjects had a lower than average level of education, they did not always recognise this, with two thirds seeing their level of education as being as good as or better than average. Nearly half the children (43%) did not live with both natural parents and majority came from families with three or more children. This applied both to their original families and to the families in which they were living at the time of the survey. The overwhelming majority of families were living in or around Bucharest, but under one third originated from there. Almost 25% of parents were under-schooled and around one third were unqualified workers. At least 30% of families lived in inadequate accommodation and family incomes were generally low. Ms. Voicu-Minea does however point out that over half the minors from the sample saw their family income as satisfactory or even more than satisfactory. When factors such as bad relationships between parents, corporal punishment, alcohol consumption and criminal records of family members were taken into account, the picture was bleak, making it understandable why over 36% of subjects had run away from home at least once, and in many cases repeatedly and for longer periods. The overwhelming majority of offences (80.8%) were committed in groups of between 2 and 11 persons, usually "friends" but in about 10% of cases member's of the family. IQ tests put about 75% of the sample at slightly under average, the difference being too slight to account for the behaviour problems of the majority. Personality tests, however, showed a different picture. Over 70% of those tested manifested an acute need of tenderness and a similar number a high level of potential aggressiveness. Almost half of the minors expressed such feelings as intolerance or a desire for revenge, and Ms. Voicu-Minea found a clear weakness of the Self. Around half the sample expressed sentiments of abandonment, renunciation and solitude.

Forgiveness and psychological adjustment following interpersonal transgressions: A longitudinal analysis

Forgiveness is often assumed to be adaptive for psychological adjustment following interpersonal transgressions. Three hundred and forty seven individuals who had experienced a recent interpersonal transgression were surveyed on four occasions over the course of six weeks. Forgiveness was assessed with scales measuring interpersonal avoidance and revenge motivation and psychological adjustment was assessed with scales measuring depression and rumination. Latent growth curve analyses showed that intraindividual changes in forgiveness were positively correlated with changes in adjustment. Latent difference score analyses indicated that adjustment predicted subsequent change in forgiveness, but that forgiveness did not predict subsequent change in adjustment. The results suggest that adjustment facilitates forgiveness, but not that forgiveness facilitates adjustment.

Iowa State Daily (December 7, 2011)

ContentsExpo displays talentsLow student turnout plagues runoff electionSeasonal disorder hits hard in winterSzopinski wins seat on Ames City CouncilCyclones seek revenge in Cy-Hawk seriesIowa State gets big win against Prairie View A&MNo justification for ignorance

Das radikale Milieu im vorrevolutionären Russland

This article traces the networks in the Russian revolutionary underground from the 1860s untill 1917 and subsumes them under the term radical milieu. Though there existed ideological differences all Russian radicals shared a common identity as „anti-society“ against the tsarist regime. In the radical milieu with its own values the participants tried to create their own reality, where all members regardless of their social origin or sex were seen as equal. The radical milieu was backed by a sphere of sympathisers that constituted the main source of material support and the main recruiting field. But the radicals were very careful when selecting new members for their underground world. Applicants had to fulfil defined criteria. The radical milieu in Russia was in a permanent danger to be infiltrated by the secret police. This situation between fear and hope was the background where ideas of solidarity but also visions of violence and revenge against the “traitors” were ripening and then became realised.

Talking About Climate Change: The Ecological Crisis and Narrative Form

This article examines the issue of climate change in the context of ecocriticism. It analyzes some of the narrative forms employed in the mediation of climate change science, focusing on those used by mediators who are not themselves scientists in the transmission of scientific information to a nonspecialist readership or audience. It reviews four relevant works that combine the communication of scientific theories and facts with pedagogical and motivational impulses. These include David Guggenheimer’s documentary film An Inconvenient Truth, Fred Pearce’s book The Last Generation: How Nature Will Take Her Revenge for Climate Change and the climate change manuals The Live Earth Global Warming Survival Handbook and How to Save the Climate.

Bar Kochba : opera

by A. Goldfaden. Arr. for violin by Henry A. Russotta

Bar Kochba. Opera by A. Goldfaden

Für Klavier solo, ohne Gesang und ohne Text

Rachegefühle und posttraumatische Belastungsreaktionen bei Opfern von Gewalttaten

Theoretischer Hintergrund: Beschreibungen der posttraumatischen Belastungsstörung (PTB) besagen, dass Personen mit PTB häufig starke Rachegefühle erleben. Es besteht jedoch ein Mangel an bestätigenden empirischen Untersuchungen. Fragestellung: Der Zusammenhang zwischen Rachegefühlen und posttraumatischen Belastungsreaktionen wird untersucht. Methode: Die Daten wurden mittels Selbstbeurteilung bei 174 Opfern von Gewalttaten erfasst. Zur Messung der Belastungsreaktionen wurde die Impact of Event-Skala – revidierte Version (IES-R) eingesetzt. Ergebnisse: Rachegefühle korrelieren bedeutsam mit posttraumatischer Intrusion und Übererregung, jedoch nicht mit Vermeidung. Rachegefühle leisten einen Beitrag zur Varianzaufklärung, der über den Vorhersagebeitrag viktimologischer Standardvariablen hinausgeht. Der Zusammenhang wird jedoch erst mit wachsendem zeitlichen Abstand vom Ereignis enger. Schlussfolgerungen: Rachegefühle sind vermutlich als dysfunktionale Bewältigungsreaktion auf erlittene Ungerechtigkeit zu bewerten, jedoch nicht in der ersten Zeit nach einer kriminellen Viktimisierung.

Géneros discursivos de la memoria en clave literaria : los días iniciales de Joselín Cerda Rodríguez

Siendo el de las memorias un género legendario, hay que reconocer que su producción y posterior estudio ha cobrado particular auge en las últimas tres décadas. Si bien en el panorama sobre la escritura literaria en Catamarca, se conocen trabajos sobre las posibilidades de este género, están acotados a la poesía o a un texto como Niñez en Catamarca de Gustavo Gabriel Levene. Un aspecto probablemente distintivo de esta comunicación sea el corpus literario constituido por los relatos que integran Los días iniciales (1993) de Joselín Cerda Rodríguez, un escritor cuya obra constituye un caso infrecuente, por su autoafirmación étnica y por la textualización del yo en la reconstrucción de la memoria personal y colectiva. Interesa indagar: cómo el discurso construye las representaciones de la memoria personal; cuáles son las huellas del enunciador y cuáles las relaciones entre el yo autorial y el yo narrador en los enunciados narrativos; cuáles son las diferentes modalidades discursivas del género que exhibe la construcción de los textos. En relación con este último aspecto, importa considerar el plan de escritura de los relatos y la intercalación de recuerdos de infancia y de juventud, retratos físicos y morales, descripción de caracteres, evocación subjetiva y narración propiamente dicha. El abordaje previsto se encuadra en el marco teórico y metodológico provisto por el Análisis del Discurso (AD) y, en particular, sigue las propuestas de la Teoría de la Enunciación, la Lingüística del Texto y la Teoría Literaria, a partir de compatibilidades conceptuales que posibilitan integrar las distintas perspectivas teóricas. A través de este primer acercamiento al universo literario de Joselín Cerda Rodríguez se espera poder demostrar que la recuperación y preservación de la memoria personal, como colectiva constituye un punto de apoyo determinante en la plasmación de una cosmovisión singular e infrecuente.

Las prácticas de lectura en el entorno digital : industria editorial, mercado y consumo

Si bien la industria editorial ha atravesado grandes trasformaciones con la incorporación de las tecnologías de la información y la comunicación (TIC) en el ámbito de la producción, tanto editorial como autoral, el presente artículo atiende particularmente a las nuevas características que presentan las prácticas de lectura a partir de dicha inscripción. Se propone aquí un análisis de la cuestión de la lectura en estricta relación al nuevo escenario editorial marcado por un continuo replanteo del “quehacer editorial", del rol del editor y los diversos agentes del campo, de los soportes y formatos válidos para la lectura. La primera sección propone una sintética caracterización del funcionamiento de la industria editorial. El segundo apartado hace foco en las transformaciones puntuales del sector del libro en relación con la llegada de las tecnologías de la comunicación. La tercera parte presenta un breve repaso del estado de la cuestión vinculado a las prácticas de lectura en el entorno digital, y a continuación se desarrollan algunos rasgos y tendencias de la lectura en los soportes electrónicos en Argentina, Estados Unidos y España. El artículo concluye con una serie de reflexiones finales.

Sófocles : Áyax, una mirada desde la Justicia

En Ayax de Sófocles, se rompe la cadena inexorable de odios heredados, porque alguien, Teucro, acepta la mano tendida del adversario, Odiseo. Blundell remarca este lento pero efectivo caminar hacia la conciliación. Nuestro trabajo se propone una mirada "desde la justicia" humana y divina. Efectúa un rastreo sobre el juicio de Ayax a través de visiones de la épica tardía, la lírica y la tragedia y descubre en esta obra la confluencia de juicios injustos del pasado y el comienzo de futuros juicios también injustos. El interés por la instancia judicial nos lleva al análisis de la constitución del tribunal, su modo de proceder y las consecuencias de su accionar. También nos detenemos en el enfoque religioso elegido por Sófocles. Por último se evalúa la tragedia a la luz de los estadios de evolución del sentimiento de venganza

La crítica editada. Juan María Gutiérrez y la América poética

La aparición de la América poética -primera colección de poesía hispanoamericana- entre febrero de 1846 y junio de 1847, constituyó un evento singular para la cultura letrada latinoamericana. En efecto, la antología configuró por primera vez un mapa americanista de la poesía en lengua hispana, encumbrándose como patrimonio cultural y capital simbólico diferenciado de la cultura española. A su vez, la antología marcó un hito en la producción crítica e historiográfica de Juan María Gutiérrez. Las lecturas de la América poética, en general, estuvieron orientadas a indagar en su capacidad representativa. Este trabajo, en cambio, propone una lectura centrada en la figura de redactor (figura autoral, aunque diferida), y una revisión de las prácticas de edición a partir de las anotaciones manuscritas que realizó Gutiérrez al volumen original, que hoy se conserva en la Biblioteca del Congreso de la Nación