Rospis drevnej russkoj outvari is čerkovnago i domasniago éytu do 18 stoliatja nakhodjatseisja v arkheologo-numismatitseskom Khranilitsě ...

Mode of access: Internet.

Illustrated descriptive account of the Museum of Andalucian pottery and lace, antique and modern : together with notes on pre-Roman Seville and the lost city of Tharsis /

Mode of access: Internet.

Collection Eugene Piot. Antiquités dont la vente aux enchères publiques aura lieu a l'hotel des commissaires-priseurs 9, rue Drouot ... les mardi 27, mercredi 28, jeudi 29 et vendredi 20 mai 1890 ...

Mode of access: Internet.

On conservation /

Reprinted from Museum news.

Exhibition of "fakes" and reproductions /

Catalog of an exhibition in Memorial Hall, Fairmount Park, Philadelphia.

Illustrated catalogue of the furniture and embellishments from the Imperial Palace, Pekin : ... newly acquired by the firm of Messrs. Yamanaka & Company ...

Cover title: Oriental art treasures from the Chinese Imperial Palace.

Sites of Excavation and Construction

For his first solo show in Belgium, British artist Neal White presents a range of recent and new work – some of them in collaboration with artist Tina O’Connell – that reflect his ongoing preoccupations with deep time and the spaces of art. OBJECTIF EXHIBITIONS is a not-for-profit institution devoted to the presentation of contemporary art, supported by the Flemish Community. Curated by Antony Hudek

Il ruolo di Giorgio Castelfranco nella salvaguardia e tutela del patrimonio artistico italiano. La questione delle esportazioni illecite e delle spoliazioni di opere d'arte attuate dai nazisti in Italia negli anni precedenti e durante la Seconda Guerra mondiale.

La presente ricerca affronta il tema delle esportazioni illecite e delle spoliazioni di opere d’arte attuate dai nazisti in Italia negli anni precedenti e durante la Seconda guerra mondiale. In particolare, all’interno di tale vasta questione, si è voluto far emergere il ruolo di Giorgio Castelfranco nella salvaguardia e tutela del patrimonio artistico italiano. Giorgio Castelfranco, funzionario di soprintendenza storico dell’arte, ha apportato il proprio contributo nella tutela del patrimonio grazie a diverse azioni da lui compiute durante la propria carriera. Contributo che si può far iniziare con i primi interventi di tutela, diremmo oggi, preventiva, come la compilazione del catalogo degli oggetti d’arte e degli elenchi dei monumenti, ma anche la salvaguardia delle bellezze naturali, compiuti negli anni Venti e Trenta del Novecento, presso le Soprintendenze della Puglia, dell’Umbria e della Toscana. Con l’emergenza della Guerra poi Castelfranco fu impegnato in una vera e propria opera di recupero e ricostruzione. Quest'ultima intesa non del solo patrimonio storico-artistico e monumentale, ma anche dell’amministrazione delle Belle Arti, a cui Castelfranco ha attivamente contribuito durante la reggenza della Direzione Generale sotto il Governo Badoglio. Inoltre, in occasione dei sopralluoghi ai depositi di opere d’arte toscani e durante la Missione per il recupero delle opere d’arte in Germania del 1946-1947, Castelfranco, grazie alle proprie competenze e all’esperienza maturata in decenni di attività professionale, ebbe l’occasione di dare il proprio fondamentale contributo all’individuazione e al recupero delle opere d’arte esportate illecitamente e trafugate dai nazisti.

Art québécois moderne (depuis 1940) au musée : regard sur la mise en scène permanente des collections

Ce mémoire comprend deux tomes : le premier consiste du texte et des figures, le deuxième consiste des annexes. Le tout est regroupé dans le document électronique présent.

Tiny objects writ large: the private world of ice age art made public

Ice Age Art: Arrival of the Modern Mind was an exhibition at the British Museum from 27 February to 2 June 2013 exhibiting sculptures and engravings from the Ice Age of Europe and Eurasia, 40,000–10,000 years ago. It was accompanied by a lavishly illustrated book by Jill Cook with the same title, published by the British Museum Press. The exhibition was a sell-out, attracting considerable coverage in the press. Here I reflect critically on some aspects of the exhibition, exploring what such a display might tell us about ice age life, the modern mind and our present-day approach to displaying such objects.

Inventory of the collection of pictures, miniatures, decorative furniture, porcelain, objects of art, books, &c. /

Cover title: The Jones collection.

Memorandums of a residence in France, in the winter of 1815-16, including remarks on French manners and society, with a description of the catacombs, and notices of some other objects of curiosity and works of art, not hitherto described ...

Mode of access: Internet.

The domestic encyclopaedia; or, A dictionary of facts, and useful knowledge : comprehending a concise view of the latest discoveries, inventions, and improvements, chiefly applicable to rural and domestic economy. Together with descriptions of the most interesting objects of nature and art; the history of men and animals, in a state of health or disease; and practical hints respecting the arts and manufactures, both familiar and commercial, illustrated with numerous engravings and cuts in five volumes /

S & S,

Inventaires des objects d'art, qui ornent les églises et les établissements publics de la Flandre Occidentale, dressés par des commissions officielles et précedés d'une introduction, ou précis de l'histoire de l'art dans cette province.

At head of title: Publication faite par les soins de l'Administration provinciale.

Illustrated catalogue of classical antiquities from the site of the temple of Diana, Nemi, Italy. Discovered during excavations undertaken by the Right Hon. Lord Savile ... and given by him to the Art museum of Nottingham: with an account by Lord Savile of the discovery of the temple and the objects foundthere.

Mode of access: Internet.