A plan of the island of Cape Breton

Scale 1:253,440; 24 statute miles or 4 to 1 in.

A Map of the United States of N. America.

Photostat from: Bailey's pocket Almanac for 1785.

[Map of part of S.E. Washington D.C. now occupied by the Navy Yard and adjacent squares].

Covers area bounded by Anacostia River waterfront, 10th, L, and 5th streets S.E.

[Map of coast from southern Florida to central New Jersey].

Depths shown by soundings.

Virginia /

Relief shown pictorially.

[A survey of a plot in Lancaster and Northumberland counties bounded by the Chesapeake Bay, Rappahnnock River, and the Potomac River ] /

Relief shown by hachures.

The platt of Safford [i.e. Stafford] from the mouth of upper Machotich to the mouth of Chappawamsick /

Pen-and-ink on tracing paper, mounted on cloth.

South-Carolina and parts adjacent, shewing the movements of the American and British armies.

Shows troop movements during 1781.

Plan von dem Haven und der Gegend von Charles Town in South Carolina ... Sept. 1782

Scale ca. 1:250,000.

Plano de la ciudad de Puerto Real, en la isla de la Jamaica.

Scale ca. 1:3,300.

The life of Rev. David Brainerd, chiefly extracted from his diary. By President Edwards. Somewhat abridged. Embracing, in the chronological order, Brainerd's public journal of the most successful year of his missionary labors.

http://www.archive.org/details/lifeofrevdavidbr00braiiala

The Spanish pioneers and the California missions.

http://www.archive.org/details/spanishpioneersa009682mbp

Major and minor music compared to excited and subdued speech.

The affective impact of music arises from a variety of factors, including intensity, tempo, rhythm, and tonal relationships. The emotional coloring evoked by intensity, tempo, and rhythm appears to arise from association with the characteristics of human behavior in the corresponding condition; however, how and why particular tonal relationships in music convey distinct emotional effects are not clear. The hypothesis examined here is that major and minor tone collections elicit different affective reactions because their spectra are similar to the spectra of voiced speech uttered in different emotional states. To evaluate this possibility the spectra of the intervals that distinguish major and minor music were compared to the spectra of voiced segments in excited and subdued speech using fundamental frequency and frequency ratios as measures. Consistent with the hypothesis, the spectra of major intervals are more similar to spectra found in excited speech, whereas the spectra of particular minor intervals are more similar to the spectra of subdued speech. These results suggest that the characteristic affective impact of major and minor tone collections arises from associations routinely made between particular musical intervals and voiced speech.

Schachzabelbuch : manuscript, [ca. 1390]-1408

Schachzabelbuch (ff. 1-87r; incomplete at the beginning) -- Heil- und Segenssprüche (87r-88v) -- Tageszeiten (89r-144v) -- Kalender (145r-159v) -- Heil- und Segenssprüche (160r-v).