Sermons, &c., addressed to the inhabitants of the parishes of Saint John the Evangelist and Saint Mary, in Brecon.

Mode of access: Internet.

John the Evangelist.

No. [3] in a collection "Lost" Tudor plays.

The Feast of Herod and the Beheading of Saint John the Baptist

Benozzo Gozzoli; 9 3/8 in.x 1 ft. 1 37/64 in.; tempera on poplar panel

Saint John the Baptist

Follower of Mino da Fiesole; 1 ft. 7 31/64 in.x 1 ft. 3 3/4 in.x 7 1/4 in.; stucco, polychromed

Branched Cross

Hans Rutenzwig; 1 ft. 7 11/16 in.x 7 3/32 in.x 6 17/32 in.; engraved, chased and partially gilded silver and pearls

John, the loyal; studies in the ministry of the Baptist,

Mode of access: Internet.

Saint John on Patmos, The Virgin and Child Enthroned, and the Death of the Virgin, left wing of a diptych

Pacino di Bonaguida; 2 ft. 3/8 in. x 1 ft. 3 63/64 in.; tempera and gold leaf on panel

Three works on religious themes : psalmus 150, string quartet on the life of Saint John Paul II and symphony “The Redemption”

Dans cette dissertation, je présente trois pièces sur des thèmes religieux composées au cours de ma maîtrise, ainsi que leur analyse : Psalmus 150 pour chœur de jeunes à trois voix, chœur d'adultes à huit voix et orgue ou piano ; Quatuor à Cordes sur la vie de Saint Jean-Paul II ; et la Symphonie « La Rédemption » pour orchestre et chœur. Malgré les particularités de chacune, elles présentent des aspects communs. L'idée principale des compositions fut d'éviter la rupture avec la tradition tout en apportant des nouvelles idées aux pièces, et de souligner l'importance de ma recherche sur la beauté. À cet égard, certaines techniques contemporaines, ainsi que les sonorités médiévales des quintes et octaves parallèles, furent utilisées en accord avec un langage tonal / modal qui demeure la base des trois compositions. Le chant Grégorien fut aussi une importante caractéristique de ces compositions. Pour mieux comprendre les analyses des œuvres, deux techniques seront expliquées, la douce toile de dissonances linéaires et l'harmonie d'accords parfaits majeurs. L'analyse de chaque pièce est divisée en deux parties. La première est une vision générale et la deuxième est plus détaillée. À la fin, les connaissances acquises par la composition des ces œuvres seront résumées et l'importance intemporelle de la beauté sera réaffirmée.

The Death and Coronation of the Virgin: Death of the Virgin

W: 4 11/64 in.; carved elephant ivory, painted and gilded

The international Passamaquoddy tidal power project and Upper Saint John River hydroelectric power development.

Cover title.

Some notes on the church of Saint Ethelburga the Virgin within Bishopsgate ...

Mode of access: Internet.

The gospel according to Saint John : tr. out of the original Greek; and with the former translations diligently compared and revised.

Army and Navy edition.

The general history of the Christian Church, from her birth to her final triumphant state in heaven: chiefly deduced from the Apocalypse of St. John, the apostle and evangelist.

Mode of access: Internet.

Canon Ulick Bourke: cultural nationalism, popular politics and the Knock apparition

Accounts of the Knock Apparition, academic and devotional, always start by relating that the Virgin Mary, St Joseph, and St John the Evangelist appeared to fifteen people on a rainy Thursday evening at the south gable of Knock chapel, Co. Mayo, on 21 August 1879. They usually mention that the Land War was in progress. Despite the fact Knock supposedly receives one and a half million visitors a year, until three decades ago no scholar had examined accounts of the apparition. Recent work has sought to define the Knock Apparition in light of the Land War, the ‘devotional revolution’, which took place in Irish Catholicism in the quarter century prior to the apparition, and the influence of the parish priest, Archdeacon Bartholomew Cavanagh. This thesis acknowledges these factors, but contends that the single greatest force in shaping accounts of the apparition was Canon Ulick Joseph Bourke, one of the three priests on the commission of investigation into Knock. Furthermore, this thesis proves that Bourke’s role as a central figure in influencing the later Gaelic revival has been overlooked by scholars of cultural nationalism. By examining Bourke’s cultural nationalism and views on antiquity and language, as well as his politics and reaction to the Land War, this thesis argues that Bourke sought to create an orthodox version of the apparition which could be reconciled to his views on Irish Catholic identity, while serving as a bulwark against threats to the temporal power of the clergy. In addition to influencing accounts of the apparition through his role in interviewing the witnesses and recording their testimony, Bourke further shaped the narrative of the apparition by controlling its dissemination, to the extent that all accounts of Knock are based on a text largely created by him.

Saint Lucia: the Yachting Sector

This study is a measure of the impact of the yachting sector in Saint Lucia specific to the terms of reference as presented by the Economic Commission for Latin America and the Caribbean (ECLAC). This study is part of the project: Development of a Subregional Marinebased Tourism Strategy, co-funded by the Government of the Netherlands, which is aimed at the development of sustainable yachting in the Eastern Caribbean and focuses on the island arc from the British Virgin Islands in the north to Trinidad and Tobago in the south. This study was compiled based on information gathered through interviews, reviewing of existing data and current findings and observations in areas where data was not presented. This study reviews specifically the yachting sector, or pleasure boat industry, which can be defined as a complex set of activities that are required to sustain boating and cruising in Saint Lucia. These activities are emphasized by yachting tourists, who are visitors to the island, staying for more than 24 hours on their vessels. A comp