The poets and poetry of Munster; a selection of Irish songs by the poets of the last century.

First and second editions (1849 and 1850) edited by John O'Daly.

The British muse : a choice collection of English, Scotch, and Irish songs, by the best authors: to which are added some originals.

Issued in printed paper wrappers.

Irish songs; a collection of airs old and new;

Mode of access: Internet.

Songs of Ireland : 100 most popular Irish songs /

For voice and piano.

Groves of blarney. [music] : last rose of summer /

Distributor from stamp on cover.

The Spirit of the nation: by the writers of The Nation newspaper.

Bound with: The Spirit of the nation ... 3d American ... ed., New York, 1847.

Sixty Irish songs : for high voice /

For high voice and piano.

Irish fireside songs /

Mode of access: Internet.

Songs and poems; American and Irish, national and international, patriotic, political, economic and miscellaneous,

Mode of access: Internet.

The New York songster; being a choice collection of the most new and popular American, English, Irish, Scotch comic, hunting, love, bacchanalian, and sea songs, for 1836.

Mode of access: Internet.

The vocal library; being the largest collection of English, Scottish, and Irish songs ever printed in a single volume. Selected from the best authors between the age of Shakspeare Jonson, and Cowley, and that of Dibdin, Wolcot, and Moore.

Mode of access: Internet.

The shamrock; a collection of Irish songs, many of them scarce, or never before published but in a separate state; with several originals.

Mode of access: Internet.

The British minstrel, and national melodist; a collection of the most esteemed and popular English, Scottish, and Irish songs, duets, catches, chorusses, glees, and comic recitations; including all Dibdin's admired productions.

Mode of access: Internet.

Reliques of Irish poetry : consisting of heroic poems, odes, elegies, and songs, with notes explanatory and historical : and the originals in the Irish character, to which is subjoined an Irish tale [Mäon] /

Mode of access: Internet.

Let The People Sing? Irish Rebel Songs, Sectarianism, and Scotland’s Offensive Behaviour Act

Irish rebel songs afford Scotland’s Irish diaspora a means to assert, experience, and perform their alterity free from the complexities of the Irish language. Yet this benign intent can be offset by how the music is perceived by elements of Scotland’s majority Protestant population. The Scottish Government’s Offensive Behaviour Act (2012) has been used to prosecute those singing Irish rebel songs and there is continuing debate as to how this alleged offence should be dealt with. This article explores the social function and cultural perception of Irish rebel songs in the west coast of Scotland, examining what qualities lead to a song being perceived as ‘sectarian’, by focusing on song lyrics, performance context, and extra-musical discourse. The article explores the practice of lyrical ‘add-ins’ that inflect the meaning of key songs, and argues that the sectarianism of a song resides, at least in part, in the perception of the listener.