Looking for redemption in a globalised North:representations of the Arctic in Judith Hermann’s Short Stories Kaltblau (Cold –Blue) and Die Liebe zu Ari Oskarsson (Love for Ari Oskarsson)

This paper explores the literary representation of Iceland and Norway in two short stories by contemporary German writer Judith Hermann. It analyses both the depiction of these countries as part of the globalised western world and the redemptive power they are tentatively ascribed by the author. Continuing a long German tradition of looking at Scandinavia from an almost colonial perspective, Hermann on the one hand presents these northern countries as a mere extension of central Europe, largely devoid of distinguishing national characteristics. At the same time she makes reference to the topos of the north as a vast and empty space and highlights both the specific arctic nature of the environment and the effect it has on her urban characters, who find themselves on a search for meaning and orientation in a postmodern fragmented world. Despite Hermann's overall sceptical attitude towards her characters' quest for happiness, these northern locations ultimately appear as potential places of self-realisation and enlightenment.

'The Arbitrarium' and 'The Universal Key' (short stories)

Short stories

Native american women in sherman Alexie's short stories: stereotypical representations

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas

Joanna E. Wood short stories, 1898-1900

Joanna Ellen Wood (1867-1927) was an acclaimed Canadian author who wrote several novels and short stories. Wood was born in Scotland, but emigrated to Canada with her family in 1869. In 1874 her father purchased a farm overlooking the Niagara River at Queenston. It is believed she was supported by her brother William, who encouraged her writing. She was based in New York City from 1887-1901, using William’s business address there to receive correspondence while she traveled or spent time in Queenston. Around 1906, Wood moved with her mother to Niagara-on-the-Lake, where she joined the Niagara Historical Society. By 1914, she was living in Buffalo, but later spent time at her sisters’ homes. It was at her sister’s home in Detroit where she suffered a stroke and died in 1927. Wood’s literary career was short-lived. She published her first novel, The Untempered Wind , in 1894, and a second novel, Judith Moore …, in 1898. Both novels received critical acclaim, and a third novel, Farden Ha', followed in 1902. Unfortunately the majority of Wood’s numerous and award-winning writings cannot be found. Her career peaked in 1901, when she was the highest paid Canadian fiction writer. For unknown reasons, her career abruptly ceased in 1902, with no further publications or mention made of her in the Canadian Magazine.

A STUDY OF THE SHORT STORIES OF WOMEN WRITERS IN HINDI BEFORE INDEPENDENCE

hindi

THE NOVELS AND SHORT STORIES OF AJNEYA [A STUDY]

Hindi

Short Stories of Amarkanth - A Study

HINDI

COMPARATIVE STUDY or THE TRENDS or MODERN HINDI AND MALAYALAM SHORT STORIES

HINDI

THE CONCEPT OF SEX IN HINDI SHORT STORIES OF THE POST—PREMCHAND PERIOD 1935-60

HINDI

Changing Concept of Womanhood in the Short Stories of Hindi Women Writers (I960-'80)

HINDI

Turning the corner : a collection of post-millenium short stories.

Colección de frescos y cuentos postmilenio que exploran el sentido del despertar o el alcance de los momentos decisivos. Las historias se organizan en cinco secciones temáticas: el choque de los mundos; crecer; encuentros con la muerte; el hogar y la escuela, y el mundo de los adultos. La colección incluye relatos de Helen Dunmore, Jackie Kay, Kneale Mateo, Helen Simpson, Colm Tóibín y Rose Tremain.