Repertoire de peintures du Moyen Âge et la Renaissance (1280-1580) /

Mode of access: Internet.

French painting in the sixteenth century,

"This book has been translated from Monsieur Dimier's French ms. by Mr. Harold Child."

The Venetian painters of the Renaissance : with an index to their works /

Includes indexes.

De Lucrecio a Borges y estaciones intermedias

Este trabajo intenta mostrar la pervivencia de Lucrecio en unos pocos momentos de la tradición: en el reemplazo de la religión grecolatina por la cristiana, en la renovada convivencia de ambas creencias a partir del Humanismo (con su repercusión en la pintura del Renacimiento), y su reaparición, explícita o silente, en la producción de Jorge Luis Borges

De Lucrecio a Borges y estaciones intermedias

Este trabajo intenta mostrar la pervivencia de Lucrecio en unos pocos momentos de la tradición: en el reemplazo de la religión grecolatina por la cristiana, en la renovada convivencia de ambas creencias a partir del Humanismo (con su repercusión en la pintura del Renacimiento), y su reaparición, explícita o silente, en la producción de Jorge Luis Borges

De Lucrecio a Borges y estaciones intermedias

Este trabajo intenta mostrar la pervivencia de Lucrecio en unos pocos momentos de la tradición: en el reemplazo de la religión grecolatina por la cristiana, en la renovada convivencia de ambas creencias a partir del Humanismo (con su repercusión en la pintura del Renacimiento), y su reaparición, explícita o silente, en la producción de Jorge Luis Borges

De' veri precetti della pittura : libri tre /

Mode of access: Internet.

Catalogue of Italian pictures at 16 [i.e. sixteen], South street, Park Lane, London and Buckhurst in Sussex,

"Only one hundred and twenty-five copies printed on handmade paper of this illustrated edition." - Slip atached to p. [i]

Musée royal de Bruxelles : tableaux anciens /

Chiefly illustrations.

Pinacoteca di Brera : scuole lombarda e piemontese 1300-1535 /

Mode of access: Internet.

Exposition de tableaux flamands des XIVe, XVe et XVIe siècles : catalogue critique /

Includes indexes.

Jorge Afonso: uma interrogação essencial na pintura primitiva portuguesa

O pintor Jorge Afonso (c. 1480-1540) ocupou cargos da maior importância e foi mestre de alguns dos mais importantes artistas da primeira metade do século XVI. Por laços familiares, por ligações profissionais, ou como representante régio no fornecimento e controle de empreitadas, esteve no centro das grandes obras artísticas do seu tempo. Fez uma carreira como oficial de armaria dentro da reestruturação manuelina, o que o tornou, também do ponto de vista simbólico, uma figura importante da corte do Venturoso. A Jorge Afonso são atribuídas as grandes tábuas da Charola do Convento de Cristo de Tomar, oito pinturas do mosteiro da Madre de Deus e o retábulo do Convento de Jesus de Setúbal. A dissertação reanalisa os dados biográficos do pintor, estuda as pinturas incluindo o seu desenho subjacente, e reelabora a compreensão da pintura portuguesa do tempo, vista sob a influência desta figura tutelar; ABSTRACT: Jorge Afonso. An essential quest on Portuguese primitive painting. Painter Jorge Afonso (1480-1540), held positions of major importance and was master of some of the most remarkable artists of the first half of the 16th century. By family links, by professional connections or as Royal representative for the supply and control of works, he was at the very center of the great artistic works of his time. He built a career as Herald what made him an important figure in King D. Manuel’s court . To Jorge Afonso are attributed the large paintings of the ‘Christ’s Convent’ Ambulatory in Tomar, eight paintings from the ‘Madre de Deus’ monastery and the ‘Covent of Jesus’ altarpiece in Setubal. This dissertation reanalysis the painter biographical data, studies the paintings including its underdrawing and reconstructs the understanding of Portuguese painting of that time, perceived under the influence of this tutelary figure.

The world's painters since Leonardo; being a history of painting from the Renaissance to the present day.

"This edition published...1906."

Modern Classics : Andy Warhol and the Renaissance Masters

"This paper explores Warhol’s final and largest series entitled the Last Supper series in which the artist appropriated the work of Leonardo da Vinci’s original fifteenth century painting, replicating the image through repetition, radical cropping, and washes of neon color. While many scholars conclude this group of works is inspired by Warhol’s religious beliefs, others interpret these paintings as typical Warhol appropriation without religious association, but consistent with the artist’s interest in the cultural commodity of famous images"