Explanatory notes of a pack of Cavalier playing cards, temp. Charles II. : forming a complete political satire of the commonwealth /

Mode of access: Internet.

The uti possidetis and status quo : a political satire.

"First published in the Anti-Jacobin Review and Magazine for March, and was dated 5th February."--Advertisement, p. [3].

Dictionnaire national et anecdotique : pour servir à l'intelligence des mots dont notre langue s'est enrichie depuis la révolution, et à la nouvelle signification qu'ont reçue quelques anciens mots. Enrichi d'une notice exacte et raisonnée des journaux, gazettes et feuilletons antérieurs à cette époque. Avec un appendice contenant les mots qui vont cesser d'être en usage, et qu'il est nécessaire d'insérer dans nos archives pour l'intelligence de nos neveux. Dédié à MM. les représentans de la commune de Ris /

According to NUC pre-1956, place of publication is Paris.

Chasse nouvelle aux bêtes puantes et féroces, qui continuent à dévaster le royaume : suivie d'une nouvelle liste des aristocrates inconnus jusqu'alors, & des peines que la nation leur inflige par coutumace en attendant l'heureux instant qui les mettra en sa puissance ; seconde partie.

Martin & Walter IV 2: 3301.

The political comedy of Europe /

Political satire in dramatic form. Publication suppressed in Germany, and at the request of the German government, in France. cf. Spectator, v.53, p. 949, July 24, 1880.

La satire à Arras au XIIIe siècle.

"Extrait du Moyen âge, années 1899 et 1900."

Television satire, decmocracy and the decay of public language: John Clarke's verbal caricature

This paper examines the contributions of John Clarke to the field of political satire through his interviews with straight-man Bryan Dawe on ABC TV’s The 7.30 Report. Clarke’s work represents one of the last vestiges of what was once a vigorous satiric tradition in TV comedy, specifically the practice of political caricature. There was The Mavis Bramston Show in the 1960s and The Naked Vicar Show in the 1970s, while The Gillies Report in the 1980s was probably the best example of sustained political caricature in television comedy. Even in later sketch-based shows such as Fast Forward and The Late Show in the early 1990s, political caricature was a significant component of the material, whereas it seems to have all but disappeared from current television comedy. The paper investigates the disappearance of this type of comedy from Australian television screens and also discusses why the longevity, consistency, not to mention accuracy, of Clarke’s satire is so important in the current political climate. Clarke’s political caricature is almost entirely language-based, expertly parodying the spin-doctored rhetoric of our elected representatives and business leaders. This leads to a secondary focus of the paper, which is a discussion of Clarke’s unique form of satire in the context of what an historian (and former satirist) identifies as ‘the decay of public language’.

Stanley Hoffmann: a political life:a political life

Stanley Hoffmann is one of the most eminent political scholars of our age—a renowned authority in the study of French, European, and world politics over half a century, an influential theorist of international relations, a critical analyst of US foreign policy, and a voice of moral conscience in many public debates of his time. Hoffmann has always asked big questions—and to those questions he brings an encyclopedic mind that crosses boundaries between politics, history, sociology, law, philosophy, ethics, and literature. This brief article highlights some aspects of his life and work, and introduces a symposium in his honor bringing together five leading scholars on France, Europe, international relations, and international law—each with an enduring debt to the teaching, writings and example of Stanley Hoffmann.

YouTubers as satirists: humour and remix in online video

This article aims to discuss the role humour plays in politics, particularly in a media environment overflowing with user-generated video. We start with a genealogy of political satire, from classical to Internet times, followed by a general description of “the Downfall meme,” a series of videos on YouTube featuring footage from the film Der Untergang and nonsensical subtitles. Amid video-games, celebrities, and the Internet itself, politicians and politics are the target of such twenty-first century caricatures. By analysing these videos we hope to elucidate how the manipulation of images is embedded in everyday practices and may be of political consequence, namely by deflating politicians' constructed media image. The realm of image, at the centre of the Internet's technological culture, is connected with decisive aspects of today's social structure of knowledge and play. It is timely to understand which part of “playing” is in fact an expressive practice with political significance.

Introduction : la normalisation des services dans la mondialisation

This book examines the role of technical standards in the regulation of services at the international level. It brings together scholarship in international political economy, French regulation theory, and economic sociology in order to discuss the following questions: Which services are most likely to be internationalised and what actors are the most concerned by the phenomenon? What is the relationship between the internationalisation of services and their institutional environment? What is more particularly the role of technical standards in delivering and using services? The introductory chapter presents a comprehensive analysis of cutting edge research on these questions. It argues that technical standards shape new forms of collective action and transnational authority. The chapter suggests some hypotheses for a new research agenda.

Services sans frontières : mondialisation, normalisation et régulation de l'économie des services

Les services pèsent plus de 80 % du PIB des pays de l'OCDE mais à peine plus de 20 % dans leurs échanges internationaux, écart qui s'explique, pour partie, par la difficulté à préconiser des normes internationales de type ISO aux activités du secteur tertiaire. À l'aide d'un riche ensemble d'études de cas, un éclairage sur les entraves à la mondialisation des services, qu'elles soient d'ordre social, économique ou culturel. Unique dans sa thématique, l'ouvrage s'éloigne des analyses conventionnelles sur la mondialisation des marchés et les rapports de puissance interétatiques. En plaçant la problématique des services au coeur du nouveau régime de croissance capitaliste, il met en perspective les polémiques sur la sous-traitance et les délocalisations et ouvre la voie à de nouvelles hypothèses sur les liens entre tertiarisation, internationalisation et normalisation. Ont également contribué à cet ouvrage : Pablo Andres Diaz ? Christian du Tertre ? François-Xavier Dudouet ? Tero Erkkilä ? Eva Hartmann ? Christophe Hauert ? Niilo Kauppi ? Pascal Petit ? Carlos Ramirez ? Antoine Vion.

The neo-liberal state and the crisis of public service broadcasting in the Anglo-American democracies /

The NeO'liberal State and the Crisis ofPublic Service Broadcasting in the Anglo-American Democracies The purpose ofthis analysis ofthe present condition ofpublic service broadcasting in the Anglo- American democracies was to investigate whether such media can still be regarded as the primarypublic spherefor a dialogue between each nation 's civil society and the State. The motivationfor this thesis was based on a presumption that such fora for public discussion on the central issues of each society have become viewed as less relevant bypoliticians andpolicy-makers and thepublics they were intended to serve in the Anglo-American democracies over thepast two decades. It is speculated that this is the case because ofa beliefthat the post-war consensus between the respective States andpublics that led to the construction of the Keynesian Welfare State and the notion ofpublic service broadcasting has been displaced by an individualistic, neo-liberal, laissez-faire ideology. In other words, broadcasting as a consumer-oriented, commercial commodity has superseded concerns pertaining to the importance ofthe public interest. The methodology employed in this thesis is a comparative analysisfrom a criticalpolitical economy perspective. It was considered appropriate to focus on the United Kingdom, Australia, Canada and the\ United States because they comprise the four largest Anglo-American nations with democratic political systems andprimarily market economies. Justificationfor this particular sample is reinforced by thefact that case study countries also share a common socio-political and economic tradition. The evidence assembledfor this thesis consisted almost exclusively ofexisting literature on the subjects ofpublic service broadcasting, global economic andpolitical integration, and the ascendance ofthe 'free-market ' ethos in Western democracies since the late mid- to late-1970s. In essence, this thesis could be considered as a reinterpretation ofthe existing literature relevant to these issues. Several important common features werefound among the political, economic and broadcasting systems of the four case study nations. It is proposed that the prevalence of the neo-liberal world view throughout the political and policy environments of the four countries has undermined the stability and credibility of each nation 's national public service broadcasting organization, although with varying intensity and effect,. Deregulation ofeach nation 's broadcasting system and the supremacy ofthe notion of 'consumer sovereignty' have marginalized the view of broadcasting on any basis other than strictly economic criteria in thefour case study countries. This thesis concludes that,for a reconstruction ofa trulyparticipatory anddemocraticpublicsphere to be realized in the present as well as thefuture, a reassessment ofthe conventional concept ofthe 'public sphere ' is necessary. Therefore, it is recommended that thefocus ofpolicy-makers in each Anglo-American democracy be redirectedfrom that which conceived ofan all-encompassing, large, state-ownedand operated public broadcasting service toward a view which considers alternativeforms ofpublic communication, such as local community and ethnic broadcasting operations, that are likely to be more responsive to the needs of the increasingly diverse and heterogeneous populations that comprise the modem Anglo-American democracies. The traditional conception of public broadcasters must change in accordance with its contemporary environment if the fundamental principles of the public sphere and public service broadcasting are to be realized.

Les personnages comme maîtres d'œuvre du récit de l'actualité dans le journal Le Fantasque de Napoléon Aubin (1837-1845)

Le début du XIXe siècle est une période marquée par de nombreux bouleversements politiques, dont les rébellions des Patriotes et l'Acte d'Union qui s'ensuit, impliquant une forte présence de la censure dans la presse canadienne de l’époque. Afin de contourner ce couperet de la censure, plusieurs journaux politiques effectuent un glissement du factuel au fictionnel. L'exemple le plus remarquable de ce choix de la littérarité est le journal Le Fantasque, édité par Napoléon Aubin et publié de 1837 à 1845 dans la ville de Québec. L'actualité y est rapportée à travers le prisme de la fiction, qui se déploie principalement par le biais des personnages. Le flâneur fantasque constitue la figure centrale et créatrice du journal. Par le récit de ses promenades et rencontres et par l'insertion de lettres presque toujours fictives de protagonistes de l'actualité, le flâneur donne accès à une multitude de voix disparates qui se font les porte-paroles de l'actualité. Ce passage systématique par les personnages fait du journal une œuvre et de l'actualité un récit. Nous étudions le système de personnages qui anime Le Fantasque de 1837 à 1842 et l’effet de son utilisation sur le récit de l’actualité et la lecture. Notre analyse s'inscrit dans le champ prolifique des études sur la presse et s’appuie principalement sur l’analyse de textes. Elle vise à ajouter aux connaissances sur les débuts de la littérature canadienne, à montrer sa vitalité et son ouverture au monde. Nous désirons aussi apporter des outils pour l'analyse de la forme journalistique et la reconnaissance des qualités littéraires de plusieurs textes publiés dans Le Fantasque.