244 resultados para Passions’s enunciation


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This article aims to analyze the intertextuality, the dimension of passion, the modal existence of the paternal subjects, enunciators of the poems "The Elephant" (1945), by Carlos Drummond de Andrade, "Elephant" (2000), by Francisco Alvim and "Sentinel" (2005), by Chacal.

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Universidade Estadual de Campinas . Faculdade de Educação Física

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Universidade Estadual de Campinas . Faculdade de Educação Física

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Universidade Estadual de Campinas . Faculdade de Educação Física

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Universidade Estadual de Campinas . Faculdade de Educação Física

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This article aims at presenting a reading of Vicente Huidobro's poem Altazor (1931,) assuming the epic genre postulations and the conditions of its development in the first half of the twentieth century. Important works were produced in that period, setting in motion a deployment of the epic genre as refashioned by the avant-garde movements and contesting the metaphysical formulations that had considered it impossible as a discursive space in modern times. Altazor is situated in this movement as a self-conscience of issues of language and its objective capacities. The work deals with the possible modes of enunciation of a great poet, Altazor, who lacks his former serenity of old and looks for a language able to transcend his mother tongue, because he does not accept its origin. His political revolution is performed on language, the artifice through which history is told.

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This paper discusses the change in the enunciative strategy in Algaravias (1996), written by the Brazilian poet Waly Salomao (1943-2003). This change is specially treated in relation to his previous production which, in my point of view, is re-writed according to the new historical and cultural context.