Bild einer christlichen Fürstin: Maria, Erzherzogin zu Oesterreich, Herzogin von Bayern, durch Friedrich von Hurter.

Mode of access: Internet.

Memoirs of Maria Antoinetta, Archduchess of Austria, Queen of France and Navarre : including several important periods of the French Revolution, from its origin to the 16th of October, 1793, the day of Her Majesty's martyrdom, with a narrative of the trial and martyrdom of Madame Elizabeth, the poisoning of Louis XVII in the temple, the liberation of Madame Royale, daughter of Louis XVI, and various subsequent events /

Vol. 2 translated by R. May ; v. 3 by Mrs. Ievers.

An imperial victim; Marie Louise archduchess of Austria, empress of the French, duchess of Parma,

Mode of access: Internet.

Al religiosissimo héroe Carlos Segvndo... en ocasión que encontrando a un sacerdote, que con humilde culto conducía el Viatico a un enfermo, ofreció su Real Carroça para más decente Trono del Divino Monarca, acompañándole a pie su Magestad hasta el pobre albergue del doliente. Poema castellano. D.O.C. a la ... Reyna Maria Ana de Austria. augusta hermana de Leopoldo I... y piadosa madre de tan piadoso rey.

Mode of access: Internet.

Compendio de la vida de la augustissima y virtuosissima princessa doña Maria Teresa de Austria, Reyna de Francia y de Navarra.

Mode of access: Internet.

Noticia del recibimiento i entrada de la reyna nuestra señora Doña Maria-Ana de Austria en la muy notable i leal coronada villa de Madrid.

Mode of access: Internet.

Breve historia de la vida y virtudes de la ... princesa doña Maria Teresa de Austria, infanta de España y reina de Francia /

Mode of access: Internet.

In confutazione degli errori storici e politici da Luigi Angeloni, esposti contro sua Maestà l'arciduchessa Maria Carolina d'Austria, defunta regina de Napoli : epistola di un amico della verità ad uno storico italiano rispettabilissimo /

Mode of access: Internet.

Indenture of bargain and sale between Walter Hamilton and Augusta Maria Dickson of Niagara to Robert Dickson of Niagara

Indenture of bargain and sale between Walter Hamilton and Augusta Maria Dickson of Niagara to Robert Dickson of Niagara for land in the Township of Dumphries, Jan. 23, 1840.

Indenture of bargain and sale between Walter Hamilton Dickson and Augusta Maria Dickson of Niagara to Jane Dickson (widow of Robert Dickson), Thomas Clark Street of Stamford and Edward Clarke Campbell of Niagara

Indenture of bargain and sale between Walter Hamilton Dickson and Augusta Maria Dickson of Niagara to Jane Dickson (widow of Robert Dickson), Thomas Clark Street of Stamford and Edward Clarke Campbell of Niagara for 150 acres for the south half of Lot no. 32 in the 7th concession and the north east quarter of Lot no. 22 in the 10th Concession of Dumphries. This was recorded in the County of Halton on the 29th day of January, 1849 in Folio 326, memorial 236, Jan. 12, 1849.

The empire of Austria : its rise and present power

UANL

Printed Narrative: The Festival Books for Archduke Ernest of Austria from Brussels and Antwerp 1594

Workshop „The Narrative in Eastern and Western Art“, Graduate School of Letters, Kyoto, 2-5 December 2013 Abstract by Ivo Raband, University of Berne Printed Narrative: The Festival Books for Ernest of Austria from Brussels and Antwerp 1594 During the early modern period the medium of the festival book became increasingly more important as an object of ‘political narration’ throughout Europe. Focusing on Netherlandish examples from the sixteenth and seventeenth centuries, my talk will focus on the festival books printed for the Joyous Entries of Archduke Ernest of Austria (1553–1595). Ernest was appointed Governor General of the Netherlands by King Philipp II in 1593, being the first Habsburg Prince to reside in Brussels since 30 years. In Brussels and Antwerp, the Archduke was greeted with the traditional Blijde Imkomst, Joyous Entry, which dates back to the fourteenth century and was a necessity to actually become the sovereign of Brabant and Antwerp and to uphold the privileges of the cities. Decorated with ephemeral triumphal arches, stages, and tableaux vivants, both cities welcomed Ernest and, at the same time, demonstrated their civic self-assurance and negotiated their statuses. In honor of these events of civic power, the city magistrates commissioned festival books. These books combine a Latin text with a description of the events and the ephemeral structures, including circa 30 engravings and etchings. Being the only visual manifestation of the Joyous Entries, the books became important representational objects. The prints featured in festival books will be my point of departure for discussing the importance of narrative political prints and the concept of the early modern festival book as a ‘political object’. By comparing the prints from Ernest’s entries with others from the period between 1549 and 1635, I will show how the prints became as important as the event itself. Thus, I want to pose the question of whether it would have been possible to substitute a printed version of the event for the actual ceremony.