The life of Lorenzo de' Medici : called the Magnificent /

Includes bibliographical references.

The life of Lorenzo de' Medici : called the Magnificent /

"Poesie del magnifico Lorenzo de' Medici. Tratte da testi a penna della Libreria Mediceo-Laurenziana": v. 2, p. [255]-300.

The life of Lorenzo de'Medici, called the Magnificent,

"Poesie del Magnifico Lorenzo de' Medici, tratte da testi a penna della Libreria mediceo-laurenziana": p.[371]-406.

The magnificent Rothschilds

by Cecil Roth

Bellamy the magnificent : an extravaganza /

Mode of access: Internet.

Catalogue of the magnificent private library of the late Amor L. Hollingsworth of Milton, Mass. ... Magnificent collection of fine and rare books, many in sumptuous bindings by the finest binders in the world. Rare English and American first editions. Extra illustrated books ...

Plates partly printed on both sides.

Museum Calonnianum : specification of the various articles which compose the magnificent museum of natural history collected by M. de Calonne in France and lately his property : consisting of an assemblage of the most beautiful and rare subjects in entomology, conchology, ornithology, mineralogy, &c. ... all of which are now exhibiting at Saville House ... previous to the sale thereof.

Reads at end: End of the first part.

Cordelia the Magnificent /

Tan cloth stamped in green.

Illinois heritage : discover the magnificent miles of Illinois.

Cover title.

Laneham's letter describing the magnificent pagents presented before Queen Elizabeth, at Kenilworth Castle: in 1575; repeatedly referred to in the romance of Kenilworth; with an introductory preface, glossorial and explanatory notes. ...

Mode of access: Internet.

The magnificent Ambersons,

Mode of access: Internet.

The market structure and characteristics of electronic games

A multi-billion dollar industry, electronic games have been experiencing strong and rapid growth in recent times. The world of games is not only exciting due to the magnificent growth of the industry however, but due to a host of other factors. This chapter explores electronic games, providing an analysis of the industry, key motivators for game play, the game medium and academic research concerning the effects of play. It also reviews the emerging relationship games share with sport, recognizing that they can replicate sports, facilitate sports participation and be played as a sport. These are complex relationships that have not yet been comprehensively studied. The current chapter serves to draw academic attention to the area and presents ideas for future research.

The Evolution of the Russian Romance Through the Nineteenth and Twentieth centuries

This performance dissertation traced the evolution of the Russian romance from 1800 to the present. The Russian romance is a relatively unknown and greatly neglected genre of classical art songs. It is commonly believed that the Russian romance began with Dargomizhsky and Glinka proceeding directly to Tchaikovsky and Rachmaninoff. Forgotten are the composers before Dargornizhsky and Glinka, the bridge composers, and the post-Tchaikovsky and post-Rachmaninoff composers. This may be, in part, because of the difficulties in obtaining Russian vocal scores. While most of the musical world is acquainted with the magnificent Russian instrumental music, the "true soul" of the Russian people lies in its romances. I presented examples of the two different schools of composition, reflecting their philosophical differences in thinking that came about in the 1860s: (1) Russian National school, (2) Western European school. Each school's influence on generations of Russian composers and their pupils have been represented in the recital programs. Also represented was the effect of the October Revolution on music and the voice of the Russian people, Anna Akhmatova. The amount of music that could be included in this dissertation greatly exceeds the amount of available performance time and represents a selected portion of the repertoire. The first recital included repertoire from the beginning of the romance in the early nineteenth century to the beginning of the twentieth century and the second recital focused on the music of the twentieth century, pre and post, the October Revolution. Finally, given the status of Anna Akhmatova and her contributions, the third recital was devoted entirely to her poetry. The "Russian soul" is one of deep, heartfelt emotions and sorrow. Happiness and joy are also present, but always with a touch of melancholy. The audience did not simply go through a musical journey, but took a journey through the "Russian soul". With the strong response of the audience to these recitals, my belief that this repertoire deserves a prominent place in recital programming was confirmed.