995 resultados para Linda Hassall
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Independent Brisbane: Four Plays is, as the title suggests, a collection of plays by independent theatre-makers and theatre-making collectives in Brisbane in the 2002– 07 period, including Marcel Dorney’s Harriers (6–51), the nest’s The Knowing of Mary Poppins (52–102), Linda Hassall’s Post Office Rose (103–71) and Maxine Mellor’s Magda’s Fascination with Wax Cats (172–216). According to the contextualising information on the book’s back cover, these plays are ‘distinctive’ in content, story and style, ‘[y]et carry with them what is characteristic of the city they come from – a preoccupation with landscape, creation in tightly knit collaborative teams and brave, often unexpected, theatrical choices’.
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As we come to celebrate the twentieth year of ALEA’s practically orientated journal, we offer teacherly reflections on grammar’s journey, both in terms of content and pedagogical practice. Having both been educated in Queensland across a comparable time period, our teaching careers have been influenced by similar curricula and policy documents. It is perhaps not surprising that our careers have taken similar, even intersecting, paths. Through metalogue (written conversation), our individual and common experiences are revealed which may resonate with the experiences of some readers or, in contrast, serve to explain why readers’ experiences may be somewhat different. Yet, it is hoped that our exchange may generate fertile professional discussions about the affordances and challenges of grammar teaching and learning to successfully negotiate the journey ahead.
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The Linda Vista Bridge spans the Arroyo Seco about a quarter of a mile above the Colorado Street Bridge, but serves an entirely different territory; as there is no road between there on the west bank. Los Angeles, Hollywood, and several of the beach cities can be reached by the way of the Colorado Street Bridge. The Linda Vista Bridge carries the traffic to the northwest of Pasadena, that is, Flintridge, Linda Vista, Montrose, Sunland. After leaving the bridge, the road follows the west bank of the Arroyo almost to the mouth of the canyon; then to the west along the foot of the mountains and into the San Fernando Valley.
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As escolas de samba no Rio de Janeiro se constituíram como espaços privilegiados para atuação política dos moradores das comunidades e assim extrapolaram sua função primeira de promover o lazer para o carnaval em direção à visibilidade das comunidades a elas ligadas. Neste contexto, enfocam-se o Morro da Serrinha e a fundação da Escola de Samba Império Serrano, em uma ação que remonta as redes de relações sociais baseadas em laços familiares. a memória da história da escola vincula-se à memória das famílias locais, elementos centrais de produção e reprodução de um discurso legitimador para a agremiação na região. Através de uma espécie de discurso vencedor, desde os motivos para a fundação de uma nova escola para a região até os carnavais vencedores, a identidade local foi estabelecida em um movimento dialético, pois o lugar passou a ser identificado pela escola de samba, e esta e seus moradores pelo lugar. Assim foi possível identificar na rede familiar do Morro da Serrinha projetos próprios que, através da escola de samba, transpuseram barreiras sociais e angariaram benefícios para a região.
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2003
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2004
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UANL
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UANL
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Cuento incluido en el Método práctico de información sexual en el hogar, la escuela y la enseñanza