Plays,

Mode of access: Internet.

Estruturas do olho do Macrobrachium amazonicum (Heller, 1862) (Crustacea, Decapoda, Palaemonidae): estudo utilizando microscopia óptica e de varredura.

O gênero Macrobrachium contém mais de 120 espécies e ocorre nas regiões tropicais e subtropicais de todo o mundo (VALENTI, 1987). São camarões de água doce da família Palaemonidae e da ordem Decapoda (RAFINESQUE, 1815; LATREILLER, 1802). No Brasil existem 18 espécies, até agora classificadas, distribuídas ao longo da bacia amazônica (MELO 2003). Entre estas, o Macrobrachium amazonicum (HELLER, 1862) conhecido popularmente como camarão-sossego ou camarão-canela, amplamente empregados na carcinicultura. Os crustáceos dispõem de estruturas sensitivas localizadas no cefalotórax, que permitem receber estímulos do meio para localizar e capturar o alimento (BARNES, 1998). Os olhos compostos estão presentes em todas as classes de crustáceo. Assim, a hipótese levantada nessa pesquisa foi que no Macrobrachium amazonicum, estes olhos são do tipo de superposição reflexiva, onde o aparelho dióptrico e o rabdômero se estendem em camadas e está separado por uma zona clara não pigmentada. Neste trabalho temos como objetivos: Avaliar os aspectos morfológicos do olho do Macrobrachium amazonicum em microscopia eletrônica de varredura; Caracterizar a morfologia das células fotorreceptoras; Descrever as estruturas morfológicas do olho do M. amazonicum; Caracterizar as relações morfométricas entre o olho e as demais estruturas do M. amazonicum. Os animais foram adquiridos no distrito de Mosqueiro nos períodos de chuvas, março de 2009 e março de 2010, com pescadores no município de Santa Bárbara, área metropolitana de Belém, e transportados para o laboratório em caixas de isopor, sendo mantidos em quarentena em um recipiente contendo uma solução de permanganato de potássio a 1,3 mg/L (CARNEIRO et al., 005). Os animais foram fixados em Davidson e Karnovisky, em seguida os olhos de cada animal foram cuidadosamente seccionados e colocados em frascos plásticos. Nas relações biométricas foram realizadas a análise de variância com α = 0,05, foi realizada com Bio Estat 5.0 para os comprimentos do olho látero-lateral e ântero-posterior dos quatro morfotipos, e SigmaPlot 11.0 e regressão linear simples, para as variáveis olho total e cefalotórax. Observou-se que o tamanho médio do cefalotórax, do corpo, do olho é respectivamente: 21,03 mm; 70,62 mm e 4,52 mm, sendo que, o peso médio do camarão foi de 7,97 g. Os valores máximos registrados dessas estruturas foram de 31,95 mm para o cefalotórax; 100,10 mm para o tamanho do corpo; 6,80 mm para o tamanho do olho e de 20,54 g para o peso do camarão. Após análise histológica foram identificadas as seguintes estruturas (Figs. 13 e 14 A-B): córnea, cone cristalino, pigmento distal, haste do cone, zona clara, cutícula, retina, rabdoma, fibras do nervo óptico e lamina. Com relação à microscopia eletrônica de varredura, foram selecionadas para observação as principais estruturas e especialmente o arranjo em seção transversal quadrada dos omatídeos (Figs. 16 A-B). As análises morfométrica e morfológica (por histologia e microscopia eletrônica de varredura) apontaram características próprias de Macrobrachium amazonicum adultos oriundos da região metropolitana de Belém. Estes achados incluem uma óptica de superposição reflexiva com olhos adaptados a percepção de estímulos luminosos.

Insurrección militar en 1766 : episodio sevillano /

Mode of access: Internet.

Geschichte der preussischen regieverwaltung von 1766 bis 1786.

Mode of access: Internet.

Barbara at content too

Barbara at Content Too is a key work of the author's exhibition Lightsite, which toured Western Australian galleries from February 2006 to November 2007. It is a five-minute-long exposure photographic image captured inside a purpose-built, room-sized pinhole camera which is demountable and does not have a floor. The work depicts amateur botanist Barbara Miller-Hornsey conducting a botanical survey. The pinhole camera-room is sited with the biodiverse heath landscape at Bremer Bay in the Great Southern Region of Western Australia. The light from this exterior landscape is 'projected' inside the camera-room and illuminates the interior scene which includes that part of the heath upon which the floorless room is erected, along with Barbara who is kneeling inside. The image evokes the temporality of light. Here, light itself is portrayed as the primary medium through which we both perceive and describe landscape. In this way it is through the agency of light that we construct our connectivity to landscape.

Review: Barbara T. Hoffman (ed) - Art and Cultural Heritage : Law, Policy and Practice

In Art and Cultural Heritage: Law, Policy and Practice Barbara Hoffman as editor brings together an impressive array of practitioners from a variety of fields (from archaeologists to lawyers), to present in single volume aspects of policy, law and practice relevant to cultural heritage, which are not normally addressed in such texts. The book is indeed a comprehensive work to be recommended to policy makers, practitioners, students and other interested readers...

How are falls and fear of falling associated with objectively measured physical activity in a cohort of community-dwelling older men?

BACKGROUND: Falls affect approximately one third of community-dwelling older adults each year and have serious health and social consequences. Fear of falling (FOF) (lack of confidence in maintaining balance during normal activities) affects many older adults, irrespective of whether they have actually experienced falls. Both falls and fear of falls may result in restrictions of physical activity, which in turn have health consequences. To date the relation between (i) falls and (ii) fear of falling with physical activity have not been investigated using objectively measured activity data which permits examination of different intensities of activity and sedentary behaviour. METHODS: Cross-sectional study of 1680 men aged 71-92 years recruited from primary care practices who were part of an on-going population-based cohort. Men reported falls history in previous 12 months, FOF, health status and demographic characteristics. Men wore a GT3x accelerometer over the hip for 7 days. RESULTS: Among the 12% of men who had recurrent falls, daily activity levels were lower than among non-fallers; 942 (95% CI 503, 1381) fewer steps/day, 12(95% CI 2, 22) minutes less in light activity, 10(95% CI 5, 15) minutes less in moderate to vigorous PA [MVPA] and 22(95% CI 9, 35) minutes more in sedentary behaviour. 16% (n = 254) of men reported FOF, of whom 52% (n = 133) had fallen in the past year. Physical activity deficits were even greater in the men who reported that they were fearful of falling than in men who had fallen. Men who were fearful of falling took 1766(95% CI 1391, 2142) fewer steps/day than men who were not fearful, and spent 27(95% CI 18, 36) minutes less in light PA, 18(95% CI 13, 22) minutes less in MVPA, and 45(95% CI 34, 56) minutes more in sedentary behaviour. The significant differences in activity levels between (i) fallers and non-fallers and (ii) men who were fearful of falling or not fearful, were mediated by similar variables; lower exercise self-efficacy, fewer excursions from home and more mobility difficulties. CONCLUSIONS: Falls and in particular fear of falling are important barriers to older people gaining health benefits of walking and MVPA. Future studies should assess the longitudinal associations between falls and physical activity.

Barbara's story : a thematic analysis of a relative's reflection of being in the intensive care unit

Aim The aim of this reflective account is to provide a view of the intensive care unit (ICU) relative’s experiences of supporting and being supported in the ICU. Background Understanding the relatives’ experiences of ICU is important especially because a recent work has identified the potential for this group to develop post-traumatic stress disorder, a condition that is normally equated with the ICU survivor. Design A thematic analysis was used in identifying emerging themes that would be significant in an ICU nursing context. Setting The incident took place in two 8-bedded ICUs (Private and National Health Service) in October. Results Two emergent themes were identified from the reflective story – fear of the technological environment and feeling hopeless and helpless. Conclusion The use of relative stories as an insight into the live experiences of ICU relatives may give a deeper understanding of their life-world. The loneliness, anguish and pain of the ICU relative extends beyond the walls of the ICU, and this is often negated as the focus of the ICU team is the patient. Relevance to clinical practice: Developing strategies to support relatives might include the use of relative diaries used concurrently with patient diaries to support this groups recovery or at the very least a gaining a sense of understanding for their ICU experience. Relative follow-up clinics designed specifically to meet their needs where support and advice can be given by the ICU team, in addition to making timely and appropriate referrals to counselling services and perhaps involving spiritual leaders where appropriate.

A rare view: Barbara Hatley’s new book documents a career-long study of, and passion for performance in Central Java

Javanese Performances on an Indonesian Stage: Contesting Culture, Embracing Change, is Barbara Hatley’s first book about the performing arts in Indonesia, a topic that piqued her interest while undergoing a masters program at Yale University in the late 1960s. In this sense, it is a landmark study, for Hatley has since become very well known in Indonesianist circles, especially among those with an interest in matters of culture, popular and elite. Until recently, her writings on Indonesian performing arts have only been available in the form of journal articles and book chapters...

Corrigendum to "Mapping hippocampal and ventricular change in Alzheimer disease" [NeuroImage 22 (2004) 1754-1766] (DOI:10.1016/j.neuroimage.2004.03.040)

We recently noticed an error in the demographic data in this article. The validity of the findings and the conclusions of the paper is not affected. However, there is an error in the reported sample size and in the means and standard deviations of the subjects’ ages and MMSE scores. We would like to correct this error, which came to light when we were re-analyzing the data for a meta-analysis. The error occurred because an older version of a spreadsheet was incorrectly used when reporting the sample composition. Instead of examining 12 Alzheimer's disease patients and 14 healthy elderly controls, we in fact examined 17 Alzheimer’s disease patients and 14 healthy elderly controls. All maps and morphometric data reported in the paper are correct, except that the sample size was in fact slightly higher than that originally reported, and the maps computed in the paper were based on the larger sample (which included five more subjects in the Alzheimer’s disease group). All of the maps and figures in the paper are correct, and the conclusions of the paper are unchanged. We apologize for this error, which falls under the sole responsibility of the first author. The corrected demographic information appears below.

Albert and Elsa Einstein on the beach with Walter Adams; Santa Barbara, California Portraits; Groups

Digital Image

Wedding portrait of Freddy Gottschalk and Barbara Joan Doble with guests; Welwyn Garden City, England.

Portrait includes a number of family members who were able to get to England before the war and who chose to remain there.

Ernst Weill seated on a boat dock; Santa Barbara, California Portraits Men

Digital Image

Albert and Elsa Einstein on the beach with Walter Adams; Santa Barbara, California Portraits; Groups

Digital Image

Wedding portrait of Freddy Gottschalk and Barbara Joan Doble with guests; Welwyn Garden City, England.

Portrait includes a number of family members who were able to get to England before the war and who chose to remain there.