Thus to revisit; some reminiscences of Ford Madox Hueffer.

pt. I. Before moonrise.--pt. II. Prosateurs: Credentials. Puiser dans le vide. The lordly treasure-house. Mots justes. Combien je regrette. Coda. W. H. Hudson and the simple word. Mr. Joseph Conrad and Anglo-Saxondom. Henry James, Stephen Crane and the main stream.--pt. III. The battle of the poets: "Thoughts before battle." Mr. Pound, Mr. Flint, some imagistes or cubistes, and the poetic vernacular. A descriptive interlude. "Vers libre." Second coda. Index.

Romance : a novel /

Mode of access: Internet.

The Pre-Raphaelite brotherhood; a critical monograph,

Mode of access: Internet.

The fifth queen crowned : a romance /

Mode of access: Internet.

Privy seal: his last venture,

Mode of access: Internet.

Ring for Nancy : a sheer comedy /

Mode of access: Internet.

The 'Half moon' : a romance of the old world and the new /

Mode of access: Internet.

Romance, a novel

Mode of access: Internet.

The Pre-Raphaelite brotherhood; a critical monograph,

The Popular library of art, ed. Edward Cornell

The inheritors : an extravagant story /

Mode of access: Internet.

The inheritors; an extravagant story,

Mode of access: Internet.

"If God hadn't invented woman men would have had to do so" - construction of female identities in Parade's End by Ford Madox Ford

The subject of the thesis is Parade's End (1924–1928) by Ford Madox Ford. The thesis focuses on the portrayal of female identities and femininity in the context of societal changes in the beginning of 1900s and also uses two of Ford's essays about gender and women's rights as background. The construction of female identities is discussed via different themes. The themes are marriage, divorce and infidelity; motherhood, modernity and emergence of new gender identities in post-World War I environment, and polyamory as a solution for adulterous practices and empty, unhappy marriages. Parade's End portrays superficially modern female identities, but ends up enforcing women's role as mother and traditional femininity. However, the novel suggests that the strict gender boundaries are starting to fracture after WWI. This is depicted by portraying the men representing new masculinity as feminised and emphasising androgyny and boyishness when discussing representations of new femininity.