1000 resultados para Duchamp, Marcel, 1887-1968
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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The work of Rui Chafes is the irreducible expression of a sculpturesque thinking that intends to overcome the limits of materiality, aiming the reencounter with a lost spirituality. From the various influences that his work welcomes, the spiritual legacy present in the late german gothic, the german romanticism, as well as the formal heritage of post-minimalism stand out. The objects build are only possible as the translation of an Idea, since, for the sculptor, the “matter is filthy and wrong”; denying their materiality, they’re solely the support of something which is before and after their own objectuality. Like so, by refusing them the matter, of which they are yet made of, and by providing, through the aesthetic experience, the spiritual transformation of the spectator, he irreversibly denies the time which resides in them, as a constituent of historical and chronological reality. Being time a fundamental dimension of the human existence, necessarily inherent to the artistic production, it seems suspended in the objects of Rui Chafes
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Référence bibliographique : Rol, 57305
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Romeo Watkins Lahey (1887-1968) was a distinguished Queensland engineer. He graduated in engineering from the University of Sydney in 1914 and served in World War I from 1915 to 1918 with The Royal Australian Engineers. Following the war, he accepted an offer to remain for a period in England and studied town planning at the University of London. He visited Europe and collected a remarkable set of historic bridge photographs. In the course of this visit, he met Paul Sejourne, a distinguished French bridge engineer, the designer of at Ieast one of the bridges (at Fontpedrouse, pages 25-27) included in this set. When Lahey died, his wife Sybil and daughter Ann took steps to give this remarkable set of 58 historic bridge photographs to The University of Queensland. More recently, Lahey's daughters Ann Neale and Alison Drake have given a set of lantern plates collected by their father, many of which also have photographs of bridges. This volume is divided into three parts: (a) a biography of Romeo Watkins Lahey, written by his daughter, Ann Neale; (b) copies of the original set of 58 bridge photographs, and (c) copies taken from 32 lantern plates. To these have been added captions. Many of the original photographs carried titles; where these are available they have been printed in italics. Further work has been done to identify bridges and where possible the captions include the completion date, major dimensions, locations, and references to published works. Plates 8.1-10 are copies of drawings used as Figures in a book. These drawings have not been copied and the source has not been identified. Two lists of photographs and plates are included - the first in the order of the original collections and a second with bridges listed in the order of material, structural form and date. The collection is of remarkable value to any bridge historian, and is recommended for study by students.
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Référence bibliographique : Rol, 57313
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Poetry.
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Most of the pages printed on one side of leaf only.
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The afternoon of a faun.--Old man Minick.G̲̲igolo.--Not a day over twenty-one.--Home girl.--Ain't nature wonderful!--The sudden sixties.--If I should ever travel!
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Mode of access: Internet.
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Mode of access: Internet.
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"An elaboration of a course of lectures delivered on the Stanton foundation in the University of Cambridge."--Pref.
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Mode of access: Internet.
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Mode of access: Internet.
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Microfilm (negative) [Waltham, Mass.] Brandeis University Library, 1966. 1 reel. 35 mm.
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Mode of access: Internet.
