Levinasian ethics and the representation of the other in international and cross-cultural management

In this paper, we seek to further the discussion, problematization and critique of west/east identity relations in ICM studies by considering the ethics of the relationship – an issue never far beneath the surface in discussions of Orientalism. In particular we seek to both examine and question the ethics of representation in relation to a critique of what has come to be known as international and cross-cultural management (ICM). To pursue such a discussion, we draw specifically on the ethical elaborations of Emmanuel Levinas as well as his chief interlocutors Jacques Derrida and Zygmunt Bauman. The value of this discussion, we propose, is that Levinas offers a philosophy that holds as its central concept the relationship between the self and Other as the primary ethical and pre-ontological relation. Levinas’ philosophy provides a means of extending the post-colonial critique of ICM, and ICM provides a context in which the Levinasian ethics can be brought to bear on a significant issue on contemporary business and management.

Challenges for expatriate managers:an exploration of cross-cultural management, adjustment, and training issues faced by Anglo-American managers in Hong Kong

This field work study furthers understanding about expatriate management, in particular, the nature of cross-cultural management in Hong Kong involving Anglo-American expatriate and Chinese host national managers, the important features of adjustment for expatriates living and working there, and the type of training which will assist them to adjust and to work successfully in this Asian environment. Qualitative and quantitative data on each issue was gathered during in-depth interviews in Hong Kong, using structured interview schedules, with 39 expatriate and 31 host national managers drawn from a cross-section of functional areas and organizations. Despite the adoption of Western technology and the influence of Western business practices, micro-level management in Hong Kong retains a cultural specificity which is consistent with the norms and values of Chinese culture. There are differences in how expatriates and host nationals define their social roles, and Hong Kong's recent colonial history appears to influence cross-cultural interpersonal interactions. The inability of the spouse and/or family to adapt to Hong Kong is identified as a major reason for expatriate assignments to fail, though the causes have less to do with living away from family and friends, than with Hong Kong's highly urbanized environment and the heavy demands of work. Culture shock is not identified as a major problem, but in Hong Kong micro-level social factors require greater adjustment than macro-level societal factors. The adjustment of expatriate managers is facilitated by a strong orientation towards career development and hard work, possession of technical/professional expertise, and a willingness to engage in a process of continuous 'active learning' with respect to the host national society and culture. A four-part model of manager training suitable for Hong Kong is derived from the study data. It consists of a pre-departure briefing, post-arrival cross-cultural training, language training in basic Cantonese and in how to communicate more effectively in English with non-native speakers, and the assignment of a mentor to newly arrived expatriate managers.

Taking the "cross" out of cross-cultural transfer of management practice

Multi-national enterprises often attempt to replicate successful management practices in "foreign" environments. However, such practices may be ethnocentric because they fit the assumptions, behaviors, expectations, and values of the home cultural environment. Unless the underlying assumptions are shared, transfer to a differing environment may fail. Even if the focus is shifted from cultural differences to implementation, implementation approaches may also be criticized as ethnocentric for the same reasons. In this article, a non-ethnocentric model is expanded and used to test the portability of one management practice, performance appraisal, from the USA to Brazil. This "Test of Portability" may help managers understand which management practices are portable, and, perhaps even more valuable, provide a rationale for adaptation or rejection.

SPAnDX: a process-based population dynamics model to explore management and climate change impacts on an invasive alien plant, Acacia nilotica

This paper describes a process-based metapopulation dynamics and phenology model of prickly acacia, Acacia nilotica, an invasive alien species in Australia. The model, SPAnDX, describes the interactions between riparian and upland sub-populations of A. nilotica within livestock paddocks, including the effects of extrinsic factors such as temperature, soil moisture availability and atmospheric concentrations of carbon dioxide. The model includes the effects of management events such as changing the livestock species or stocking rate, applying fire, and herbicide application. The predicted population behaviour of A. nilotica was sensitive to climate. Using 35 years daily weather datasets for five representative sites spanning the range of conditions that A. nilotica is found in Australia, the model predicted biomass levels that closely accord with expected values at each site. SPAnDX can be used as a decision-support tool in integrated weed management, and to explore the sensitivity of cultural management practices to climate change throughout the range of A. nilotica. The cohort-based DYMEX modelling package used to build and run SPAnDX provided several advantages over more traditional population modelling approaches (e.g. an appropriate specific formalism (discrete time, cohort-based, process-oriented), user-friendly graphical environment, extensible library of reusable components, and useful and flexible input/output support framework). (C) 2003 Published by Elsevier Science B.V.

Un model per a la gestió cultural municipal : Les arts visuals locals en revisió

El treball desenvolupa en cinc capítols la recerca, l'estudi de dades i les conclusions de la hipòtesi de treball inicial: es possible implementar un nou programa d'arts visuals de qualitat a Rubí? A través de l'estudi detallat, l'anàlisi de dates quantitatives i qualitatives, les entrevistes a responsables de centres d'arts visuals de tota Catalunya i amb la realitat de gestió de les arts visuals del municipi de Rubí, es tracta d'arribar a unes conclusions que condueixen al plantejament d'un nou model de gestió per a l'Ajuntament de Rubí.

Cultura, identitat i diversitat: projecte de creació d'un centre d'experimentació cultural i artística

Quin hauria de ser el paper de les pràctiques artístiques i la cultura contemporània a la societat? I les institucions artístiques, quin rol haurien d’assolir? Aquest treball final de màster és una indagació entorn els fets més significatius al llarg de la història del món occidental pel que fa a la cultura que s’ha desenvolupat al marge dels poders. Una anàlisi de les relacions que s’estableixen entre aquests diversos àmbits, on es planteja un projecte que compleix les característiques de ser un laboratori per a les pràctiques artístiques contemporànies i la seva recerca. Partint, a més a més, de la base teòrica de la historia cultural que ens porta fins on som ara i com a conformadora de les identitats

“Energización para un mejor vivir” : modelo de gestión cultural

El modelo de gestión cultural "Energización para un mejor vivir", busca introducir en los programas de energización rural, acciones que permitan orientar los procesos de transformación y adaptación a los cambios culturales generados por la instalación de la energía, a través de la integración de los conceptos de cultura, educación y desarrollo como factores para mejorar la calidad de vida de las comunidades beneficiadas.

Perfil profesional del gestor cultural en Colombia : competencias para la gestión cultural en el siglo XXI

El proyecto busca establecer las competencias que debe desempeñar el gestor cultural frente al reto de la cibercultura y la sociedad del conocimiento. A partir del análisis de las actividades de gestores en ejercicio y de la oferta de programas de formación se pueden elaborar nuevos significados e identificar nuevas prácticas del trabajo del gestor cultural en sus comunidades. La investigación del perfil profesional permitirá entender cómo fortalecer las redes sociales – integración social -; fomentar el reconocimiento de las diferencias – pluralismo -; promover el uso de TIC como vehículo de comunicación, proyección, formación de redes y gestión de comunidades; agenciar a los individuos y comunidades para una apropiación eficiente de sus saberes y tradiciones, de sus deberes y derechos como ciudadanos. Si la gestión cultural está íntimamente ligada a la construcción de nuevos sentidos de identidad, creatividad y participación democrática, entonces conocer, articular y fortalecer el perfil profesional de los gestores culturales coadyuvará para el logro de éstas y otras metas de la política cultural de Colombia.

Construyendo legado cultural

Construyendo Legado Cultural es un modelo de gestión cultural sostenible aplicado al patrimonio cultural de Suesca Cundinamarca, que involucra a la comunidad en la gestión de proyectos culturales relacionados con el patrimonio, a través de la aplicación de un instrumento de acción participativa que le permite a la comunidad, con la mediación del gestor cultural, ser autogestora junto con el sector público y privado, de sus procesos culturales fortaleciendo su identidad cultural y fomentando el desarrollo del municipio.

Conexiones líquidas, modelo de gestión cultural para la valoración del agua en los colegios de Bogotá

Modelo de gestión cultural para los colegios de Bogotá que conecta educación y cultura para sensibilizar grupos de estudiantes, construir experiencias con nuevas tecnologías, realizar un festival de tal modo que se promueva la valoración del agua como un medio de vida por encima de su comprensión como recurso.

Método de Batería Plinio Córdoba Valencia. Iniciativa para la salvaguardia del patrimonio cultural inmaterial y los tesoros humanos vivos de Colombia

Proyecto de Gestión Cultural que busca visibilizar la vida y obra del Maestro Plinio Córdoba Valencia, baterista y precursor del Jazz en Colombia, a través del diseño de su Método de Batería.

Tactus Colombia: Gestión cultural incluyente

Tactus Colombia es una organización sin ánimo de lucro que gestiona la inclusión social, cultural y educativa de niños y niñas con discapacidad. A través de la literatura, el arte y las distintas formas del conocimiento, la organización busca desarrollar en los niños y las niñas capacidades creativas, críticas, reflexivas y sociales con el fin de formar colombianos más comprometidos con la sociedad y la igualdad de derechos y oportunidades.

Modelo de gestión cultural para el arte itinerante con ciencia y tecnología

Diseñar un modelo de gestión cultural que busca llevar el arte, la ciencia y la tecnología a distintas regiones y ciudades del país, iniciando en la ciudad de Tunja, por medio de una exposición itinerante que vincule estos tres campos de una manera transversal con el fin de acercar a los distintos públicos a experiencias vivenciales de aprendizajes, interacción y exploración. Estas experiencias tendrán lugar por medio de contenedores.

El patrimonio cultural como derecho: el caso ecuatoriano (Tema Central)

When it comes to human rights, the first thoughts that come to mind are the rights to life, liberty or equality, among others, which possess the concept of being fundamental. Commonly, culture and heritage are not usually considered as rights; however, as well as there is the right to own legal identity, there is also the right to enjoy a cultural identity. This paper deals precisely with the study of culture and cultural heritage as a human right. Cultural heritage’s meaning concept is analyzed, its enclosure between fundamental rights and the way that it should be protected, essentially by the State. The Ecuadorian case is also analyzed around their legislation and cultural management, in order to assess the treatment that this right has been received in the country.