Speech - Beaver Bill, 21 February 1975

A speech by Sean O'Sullivan, given in the House of Commons, "For the Recognition of the Beaver as a Symbol of the Sovereignty of the Dominion of Canada".

Bill C-373 - First Reading, 24 January 1975

"An Act to provide for the recognition of the Beaver (Castor canadensis) as a symbol of the sovereignty of the Dominion of Canada." Mr. Sean O'Sullivan worked to have this Bill passed, recognizing the Beaver as a symbol of Canadian sovereignty.

An Overview of Historical Beaver Management in Arizona

In the mid-1820s, Anglo-American fur trappers, known as "mountain men," entered Arizona and began trapping beaver (Castor canadensis). In Arizona there have been a number of famous mountain men such as Sylvester and James Pattie, Ewing Young, Jededia Smith, and Bill Williams who trapped along the waterways in northern and southern Arizona. Although the heyday of mountain men lasted only a few decades due to a population decline of beaver, management of these animals continues to this day. The purpose of managing beavers shifted from monetary gain to controlling wildlife damage. During the late 1900s, beaver were still widely distributed in limited numbers throughout much of the state. We provide a historical overview of beaver management in Arizona with emphasis on the mountain men, recreational trapping, wildlife damage management, and beaver research in Arizona.

Bill Hayden at the Aldermaston Peace March in 1965

Bill Hayden at the Aldermaston Peace March in 1965. The march covered the distance between Ipswich and Brisbane, Australia. Marchers walked in relays covering approximately two miles each. Most relay sections were sponsored by one or more individual organisations.

May Day procession 1967 showing Bill Sutton and other men

Marchers including Bill Sutton during Labour Day procession in 1967 outside Exhibition Motors, Brisbane, Australia.

The Experience of the Religious through Silent Moving Image and the Silence of Bill Viola's Passions

With the creationof the moving image at the end of the 19th century a new way of representing and expressing the Religious was born. The cinema industry rapidly understood that film has a powerful way to attract new audiences and transformed the explicit religious message into an implicit theological discourse of the fictional film. Today, the concept of "cinema" needs to be rethought and expanded, as well as the notion of "tTranscendental" since the strong reality effect of the film can allow a true religious experience for the spectator.

Corruption: Who pays for the bill?

This paper intends to study who pays for corruption in Brazil from 2005 to 2011. Politicians may decide to charge the spillovers of corruption at a municipal level through taxes or to charge it to the entire country through voluntary transfers. The used measure of corruption is based on audit reports conducted on randomly selected municipalities from 2005 to 2011.In order to address this question an IV strategy was computed using as instrument for the number of observed cases of corruption the dummy variable of being audited or not. We evaluated the impact of corruption on taxes and on voluntary transfers and concluded that with an increase in the number of observed cases of corruption the first decreases and the latest registers an increase. Therefore, considering all Brazilian municipalities, mayors prefer to spread the bill all over the country than charging it locally.

Bill Bernbach, el publicitario que hizo posible el éxito de Volkswagen en EEUU, instaurando un nuevo orden en la publicidad del momento que aún hoy sigue vigente

A lo largo de esta exposición se va a tratar de demostrar que Bill Bernbach, considerado como uno de los mejores publicitarios de todos los tiempos, consiguió generar, junto a su equipo, las condiciones necesarias para liderar una revolución creativa que cambió el concepto de publicidad convencional conocido hasta el momento. Con las campañas del Volkswagen Beetle como protagonistas, Bernbach cambió la percepción que el público americano de mediados de los 50 tenía del coche alemán. Mediante una publicidad sincera y honesta, cambió la reputación del coche hasta elevarlo a la categoría de símbolo cultural de una nación. Un nuevo concepto de publicidad que sentó las bases de la publicidad como actualmente la conocemos. Un hecho sin precedentes que motivó un cambio revolucionario en la forma de entender la publicidad, que se extendió no sólo por los EEUU, sino por todo el mundo.