Intervenções reabilitadoras do período renascentista italiano

A presente dissertação procura analisar e discutir as obras de reabilitação de edificações existentes no período do Renascimento Italiano, compreendido entre os séculos XV e XVI. Nosso estudo buscou este período histórico por se tratar dos primórdios deste tipo de intervenção praticadas de forma consciente e com conhecimento histórico, além do fato de o confronto entre a situação existente e as novas inserções constituírem um rico universo de estudo das transformações sociais e arquitetônicas do período. Através da análise de obras de três arquitetos (Leon Battista Alberti, Michelangelo Buonarroti e Andrea Palladio), procuramos: entender como se operavam tais intervenções, reconstituindo a situação existente e as novas inserções a partir da historiografia do projeto e do contexto histórico que o cerca; identificar as interpretações de uma determinada sociedade sobre seus edifícios em épocas distintas; e buscar posturas e exemplos de projetos para nosso presente.

As dicotomias peso/leveza e forma/ideia na escultura : a desmaterialização progressiva do objecto artístico

The dichotomies Weight/Lightness and Form/Idea formed the theory and the practice of Art, existing a correspondence between them. The weight exists thanks to the existence of a form that is made of matter; in the other hand, the lightness comes from the idea that is always present when the creation exists. This dichotomies were always interconnected during the centuries, and there are variations in relevancy of form and/or idea. In sculpture´s tradition, the physical weight was a essential reality, and the idea of sculpture, without the immaterial side was underlined to the form. During the centuries, new artistic approaches were born and re-born focused on the frailty, lightness and idea of the artistic object, fact that came to cancel the classic notion of work of art. The concept of image became the focus of the esthetical experience of the subject, which alone, tended to substantiate the artistic object itself. In the same way that lightness, when taken to the extreme, and despite the tridimensionality materiality of the object, begun to relate the art with the own action of the body, the gesture of the artist, rising both to the status of art

The late years of Michel Angelo,

"Three hundred copies of this book on Dutch handmade paper privately printed by Frederic Fairchild Sherman."

Reigles des cinq ordres d'architecture /

Added illustrated title-page.

I profeti e le sibille : dipinte nella Cappella Sistina da Michelangelo Buonarroti /

Cover title.

Little journeys to the homes of eminent painters /

Michael Angelo -- Rembrandt -- Rubens -- Meissonier -- Titian -- Anthony Van Dyck -- Fortuny -- Ary Scheffer -- Jean François Millet -- Joshua Reynolds -- Landseer -- Gustave Doré.

Die Jugendwerke des Michelangelo /

Mode of access: Internet.

Regola delli cinque ordini d' architettura /

Engraved throughout. Architectural title leaf includes the arms of Cardinal Alessandro Farnese, to whom the work is dedicated, and the half-length port. of Vignola facing to the viewer's right. Plates are printed on one side of the leaf only, and are arranged in pairs on a verso and the facing recto. The 5 leaves at the end are from the series of 7 "Porte di Michel Angelo." Over 3 of the doorways are inscriptions relating to the Farnese.

Natural history of intellect.

Mode of access: Internet.

Michelangelo e Dante : e altri brevi saggi /

Bibliography: p. 439-444.

The life of Michael Angelo Buonarroti; with translations of many of his poems and letters. Also, memoirs of Savonarola, Raphael, and Vittoria Colonna.

Mode of access: Internet.

Oeuvres complètes de Michel - Ange, et choix de Baccio Bandinelli et de Daniel de Volterre.

Mode of access: Internet.

Michelagniolo,

"Quellen": p. 354-361.

Die Renaissance : Savonarola : Cesare Borgia : Julius II : Leo X : Michelangelo : Historische szenen /

"Die übertragung ... ist von Bernhard Jolles. Die auswahl der bilder besorgte Emil Schaeffer."