Human creation, imagination and autonomy: a brief introduction to Castoriadis’ social and psychoanalytical philosophy

During the last decade Castoriadis’ questioning has become a reference point in contemporary social theory. In this article I examine some of the key notions in Castoriadis’ work and explore how he strives to develop a theory on the irreducible creativity in the radical imagination of the individual and in the institution of the social-historical sphere. Firstly, I briefly discuss his conception of modern capitalism as bureaucratic capitalism, a view initiated by his criticism of the USSR regime. The following break up with Marxist theory and his psychoanalytic interests empowered him to criticize Lacan and read Freud in an imaginative, though unorthodox, fashion. I argue that this critical enterprise assisted greatly Castoriadis in his conception of the radical imaginary and in his unveiling of the political aspects of psychoanalysis. On the issue of the radical imaginary and its methodological repercussions, I’m focusing mainly on the radical imagination of the subject and its importance in the transition from the ‘‘psychic’’ to the ‘‘subject’’. Taking up the notion of “Being” as a starting point, I examine the notion of autonomy, seeking its roots in the ancient Greek world. By looking at notions such as “praxis”, “doing”, “project” and “elucidation”, I show how Castoriadis sought to redefine revolution as a means for social and individual autonomy. Finally I attempt to clarify the meaning of “democracy” and “democratic society” in the context of the social imaginary and its creations, the social imaginary significations.

El uso aristotélico de variables en lógica y sus supuestos ontológicos

A logical reading on Aristotle’s Organon discovers some inconsistencies in the text which have to be solved by reducing them to metaphysical decisions of the author, if they are not just identified as deficiencies in the exposition that should be corrected. The present article tries to display a line of reading paying attention to those so-called inconsistencies, in an attempt to understand them as specific steps in Aristotle’s research. In order to this goal it focuses on the exposition procedure of the Aristotelian figures: the use of variables, whose introduction by Aristotle has been celebrated all over logical tradition. An analysis of the distinctive and internal features in this procedure will allow us to link Aristotle’s logos research and the “being qua being” investigation, and to determine also –though in a negative way– the connection between this reading and the logical-traditional one on Aristotle’s Organon.