A Coleção de azulejaria antiga da Faculdade de Belas Artes da Universidade de Lisboa : processo de inventário

This thesis presents the process of conducting the inventory of the old tiles collection of the Faculty of Fine Arts, University of Lisbon (FBAUL). This set can be divided into two major groups: the first is integrated in the building, the second consists of a set 2036 loose tiles with a pattern of decorative, ornamental and figuratively, some of which form panels of great value. Due to the existence of a wide variety of unknown provenance tile, stored at random, we feel the need to develop an inventory process, intended to safeguard and preserve these he-ritage objects whose existence was virtually unknown until the beginning of this work. This process continued working methodology started with the identification, photographic survey and labeling, with subsequent filling an inventory sheet. To obtain information about the loose tiles, it was essential to have a previous cleaning the mortar that prevented the reading of existing information in masonry, a process developed with the support of un-dergraduate students. After completion of the above process, we make the assembly of panels existing mostly very fragmented to give some iconographic references. In this process we identified 21 types of patterns belonging to the seventeenth and eighteenth centuries and 30 figurative and orna-mental panels. We realized then interconnections between them and the sets placed in situ around the building, and some of its tiles have been used to fill spaces or gaps. At the same time, we have created the inventory records, diagnosis and intervention, as well as a database for internal consultation - Excel - organized by a filtering system to allow quick search of all the tiles present in FBAUL. Finally, we will show a room to house the collection of loose tiles, making references to the ideal conditions of the outdoor environment and its packaging. Also we propose a very punc-tual removing some tiles embedded in the walls of the building which form part of panels composed of loose tiles, indicating a proposal to replace the other coherent and complete element belonging to the collection, preferably with a standard reason

Estratégias do design para a sustentabilidade da embalagem

The main subject of this dissertation is packaging, which is an inescapable product in our society nowadays. Every product we consume daily is generally protected and sheltered by a package that visually represents the product – the main feature of packaging. This research aims to assess the importance of packaging today as well as its role in the past, while searching for ways to improve its qualities as a design project. From the sustainability’s perspective, packaging is a factor that must be observed in dealing with its production, use and disposal and that is precisely the point of view that it is explored within this dissertation: packages’ ability of being sustainable and matching more ecological design practices. The main goal of this research is being able to take advantage of the package and its qualities as a selling means and at the same time make it a product that doesn’t harm our planet and the environment. Although packaging is targeted to match trade and economic issues, environmental factors have been addressed more incisively, as those are one of the biggest problems about this matter: the disposal of the package generates the accumulation of waste after the product is consumed. That being said, the challenge is to produce sustainable packaging and also to redefine the concept of packaging itself. Therefore this research intends to look for the link between packaging and sustainability and how that linkage can add value to the trade market and also to our planet’s health and well-being