4 resultados para Latin language, Medieval and modern

em Universidade de Lisboa - Repositório Aberto


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Tese de doutoramento, Ciências Biomédicas (Neurociências), Universidade de Lisboa, Faculdade de Medicina, 2014

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Since 1960, Latin American attempts at regionalism have undergone distinct phases. More notably, they have tended to diverge across space, gradually giving birth to separate blocs that seem to be tearing South, Central and North America apart. Additionally, within and across these regions several overlapping projects coexist. This article focuses on the dynamics of segmented and overlapping regionalism in order to describe what they look like, analyse how they articulate with one another, and explain why member states have pushed for such a messy outcome. This situation, linked to the evolution of the global context, might be indicating that regionalism in Latin America has reached its peak, beyond which it may be difficult to achieve further progress. Two conclusions are elicited: first, economic integration is becoming a geographically diffused phenomenon rather than a regional one; second, regionalism is still a compelling foreign policy but its causes, goals and outcomes are no longer what they used to be.

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The chapters in this book were originally published in the The International Spectator, volume 47, issue 1 (February 2012).

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A literatura pós-colonial é muitas vezes pensada como uma forma de tradução cultural, como um lugar privilegiado a partir do qual se pode reescrever a história e retroactivamente reflectir sobre a experiência colonial. Tomando como ponto de partida esta noção de tradução cultural, o presente ensaio procura analisar as obras Une Tempête (1969), de Aimé Césaire, e Foe (1986), de J. M. Coetzee, no que diz respeito à re-escrita das personagens Caliban e Friday, respectivamente. Ambas as figuras serão comparadas e contrastadas relativamente ao uso particular que fazem da língua enquanto instrumento de poder, subversão e rejeição do domínio europeu. Palavras-chave: Literatura Pós-colonial, Mecanismo de “Writing Back”, Tradução Cultural, Língua, Alteridade Postcolonial literature is often depicted as a form of cultural translation, a privileged space from which to rewrite history and retroactively reflect upon the colonial experience. Based on this notion of cultural translation, the article seeks to examine, respectively, Aimé Césaire’s Une Tempête (1969) and J. M. Coetzee’s Foe (1986) as regards the “written-back” characters Caliban and Friday. Both characters will be compared and contrasted concerning their peculiar use of language as an instrument of power, subversion, and rejection of the European ruling. Keywords: Postcolonial Literature, Writing Back, Cultural Translation, Language, Other(ness)