A aprendizagem da inclusividade através da diferenciação : Oficina de Artes, 12º ano

Relatório da Prática de Ensino Supervisionada, Ensino de Artes Visuais, Universidade de Lisboa, 2013

World Cultures in English(es) at the School of Arts and Humanities Library, University of Lisbon: the Communication Platform Architecture and Its Critical Analysis

We will consider the architecture of the communication platform prototype, "World Cultures in English(es)" (WCE), in relation to the interaction among different types of media and audiences. Such an architecture has emphasized the need for an interdisciplinary team of scholars, librarians, and Information Technology experts who have conceived the prototype. This prototype was developed using PHP and MySQL, and is based on the University of Lisbon server. The "World Cultures in English(es)" is an Open Access platform bringing together different types of documents—written, audio, visual, multimedia, and electronic—and aims at educational, cultural, social, and economic inclusiveness, namely in terms of users with special needs. The WCE platform strongly implies social commitment through reliable information and forms of communication adequate to different kinds of audiences. The "World Cultures in English(es)" prototype will be tested by different audiences from different schools and universities, leading to the necessary adjustments.

Estética natural e ética ambiental, que relação?

This paper defends that environmental aesthetics provides a consistent basis for environmental philosophy, whereas aesthetic value plays an important role in the defense and preservation of natural areas. For several environmental philosophers the natural beauty is an inherent part of the ethical concern. Leopold states that “a thing is right when it tends to preserve the integrity, the balance and the beauty of the biotic community”. Notwithstanding, aesthetic value is still not a central issue in the environmental debate. On the other hand, the “positive aesthetics” (Allen Carlson), which is a recent approach that reevaluates “positively” natural beauty in the ethical context, obtains a core of objections. This paper sketches a few arguments defending the contiguity between environmental aesthetics and environmental ethics: (i) the emotional perception of inclusiveness and engagement on the aesthetics appreciation of nature; (ii) the feelings of grace and love toward nature inherent to the nature’s aesthetic appreciation which according Kant announces the moral feeling; (iii) the ecological knowledge of natural beauty in order to understand the full meaning of it, and that includes some natural entities seen as not beautiful.