Problemáticas de classificação da obra dramática de Nelson Rodrigues: críticas, reflexões e propostas

Tese de mestrado, Tradição Clássica e Cultura Europeia, Universidade de Lisboa, Faculdade de Letras, 2011

Richard Wagner: leitmotiv e música dramática

The present essay presents the content of the landmarks that punctuate the long dialogue between verbal language and musical language during the 19th century, by means of examples taken from the critical and theoretical writings of Hector Berlioz, Robert Schumann and Richard Wagner. In the search for the dramatic essence of music, such dialogue took different forms: the possibility of verbal language being translated by musical language, the pre-existence of a musical-poetic idea in any musical composition, eventually contributing to the appearance of program music, and finally, the principles presiding over Wagner’s Gesamtkunstwerk. Special emphasis is given to Richard Wagner’s Parisian article De l’Ouverture (1841), as well as to the impact on Søren Kierkegaard.

Montagem narrativa não dramática ou quando a montagem toma posição

Acompanha um CD com a Cota CDA 185, contendo um filme intitulado: A arte do não-retrato, apenas consultável na Biblioteca da FBAUL