Species composition and seasonal abundance of sandflies (Diptera: Psychodidae: Phlebotominae) in coffee agroecosystems

The composition and seasonal occurrence of sandflies were investigated in coffee agroecosystems in the Soconusco region of Chiapas, Mexico. Insect sampling was performed on three plantations located at different altitudes: Finca Guadalupe Zajú [1,000 m above sea level (a.s.l.)], Finca Argovia (613 m a.s.l.) and Teotihuacán del Valle (429 m a.s.l.). Sandflies were sampled monthly from August 2007-July 2008 using three sampling methods: Shannon traps, CDC miniature light traps and Disney traps. Sampling was conducted for 3 h during three consecutive nights, beginning at sunset. A total of 4,387 sandflies were collected during the course of the study: 2,718 individuals in Finca Guadalupe Zajú, 605 in Finca Argovia and 1,064 in Teotihuacán del Valle. The Shannon traps captured 94.3% of the total sandflies, while the CDC light traps and Disney traps captured 4.9% and 0.8%, respectively. More females than males were collected at all sites. While the number of sandflies captured was positively correlated with temperature and relative humidity, a negative correlation was observed between sandfly numbers and rainfall. Five species of sandflies were captured: Lutzomyia cruciata , Lutzomyia texana , Lutzomyia ovallesi , Lutzomyia cratifer / undulata and Brumptomyia sp. Lu. cruciata , constituting 98.8% of the total, was the most abundant species. None of the captured sandflies was infected with Leishmaniaspp.

Filosofía y poesía en sentido postrágico: Ortega, Heidegger y Adorno

Frente al positivismo racionalista, que sólo cree en el poder de la razón filosófica y que considera que el mundo es esencialmente racional y justo, y frente al tragicismo, que sostiene que la realidad carece de sentido y orden, y que por tanto sólo la poesía puede comprenderla, la actitud postrágica de Ortega, Heidegger y Adorno, afirma que sólo en la tensión entre filosofía y poesía puede salvarse el ser humano, porque sólo esa colaboración y diálogo le permite acceder al ser.

Simiente de lobo: Celan, Adorno y la poesía después de Auschwitz

A partir de un poema póstumo de Paul Celan, el presente artículo analiza el dictum de Theodor W. Adorno sobre la imposibilidad de la lírica después de Auschwitz y busca determinar el impacto de tal proposición en la obra de Celan. Al mismo tiempo, indaga la recepción de la poesía de Celan en las ideas mismas de Adorno, particularmente en Negative Dialektik y Ästhetische Theorie. Por último, explora las paradojas de cualquier lenguaje poético que pretenda dar cuenta del Holocausto artísticamente.