17 resultados para Communicative frames
Resumo:
Ce texte examine critiquement les points d'appui et propos philosophiques du projet culturel néomoderne (Habermas, Roùanet), interroge le lien avoué entre modernité et néomodernisme, le débat de celui-ci avec les irrationalismes post-modernes, explicite préssuppositions et inconsistances du projet néomoderne ainsi que ce que le néomodernisme laisse dans l'ombre dans son rachat de la modernité et ce que par conséquent il ne peut pas penser. Sous le fil conducteur de la critique du néomodernisme, on a souligné une sorte de "fuite en avant" qui serait le destin commun des intellectuels brésiliens, la possibilité et la limite de leur existence sociale.
Resumo:
It is well known that Kants aesthetics is framed intersubjectively because he upholds the claim of taste to universality. However, the transcendental foundation of this shared universality is a supersensible ground which is taken for granted but which cannot be brought directly into communicative experience. Kants reliance on the synthetic a priori structure of aesthetic judgment also removes it from the sphere of observable personal interaction. This argumentative strategy exposes it to skeptical challenge and generates inaccessible references to inner representations (be they intuitions, categories of the understanding or rational ideas). It is not sufficient, as Kant did, to propose a description of aesthetic experience that is subjectively plausible and thereby claim its intersubjective validity. It is indispensable to embody intersubjectivity in behavior and language. In practical intersubjectivity, aesthetic attitudes are dealt with in a concrete and accessible manner without relying on mentalistic assumptions as a foundation. Conceptual terms such as 'agreeable, 'beauty, 'sublime, 'ugly, 'universality acquire new meaning in a conversational context and aesthetic claims are tested in a dialogical game semantics model.
