THE MINIMUM VOICE: FEMININE MODES OF SUBJECTIVITY IN THE SONG

This paper  analyses  the relation of feminine voice performance  in the years of radio age and the way the brazilians singers sings today.  The goal is to analyze enunciative traces of a singular subjectivity anchored in the singing voice. The paper focus the moment, since the years of 1980, when the feminine voice no longer sounds like the  singers of the  gold radio time. In this period, to display a dramatic mark  in the voice was the production conditions of the singing woman. In the area of ​​the French school of discourse analysis, this paper is a part of a larger research in progress. We intend to describe the certain mode of feminine subjectivity acting  in the voice as an act of enonciation.

FROM OLD TRUNKS: TIME, CITY AND SUBJECTIVITY ON THE ECOCRITICISM AND OF THE POSTCOLONIAL PERSPECTIVES

This article is an analyze  of Os Velhos Troncos - The old trunk  - written by Murilo Vilela, which objectives are to show how our concepts of time influences in the style of how we relate it with the physical  environment as well as we experience it with our subjectivities. Although, our reading which is from the Ecocriticism and Postcolonial Critical point of view, we try to understand which notion of time and nature are discussed in its literature.