Contradiction, history and politics in Season of the Rain, by José Eduardo Agualusa

This text analyzes the novel Season of the Rain, from the Angolan Jose Eduardo Agualusa, in which the writer makes use of historical events that occurred in Angola in the period of wars for independence as well as in the following years, showing them under another perspective. The novel is formed by a contradictory, historic and political text,evaluated from the historiographical metafiction concept, as leading the narrative between history and fiction, the author ends up proposing to the readers a new version of facts, by deconstructing myths and national heroes and questioning the value of a so stated independence in a country in ruins.

THE CONTENTION OF WORDS AND ACTIONS FRONT THE POWER: EFFECTS OF HUMAN BEING REPRESENTED IN THE TESTEMONY OF ROMANCE SEM PALAVRAS

This Article invests in the investigative study on the representation of the contention’s effects of words and actions from human beings front of power. Such effects are represented in the testimony of Romance sem palavras by Carlos Heitor Cony. In this text, the author introduces elements of political repression. At a time when the dictatorial regime in force in Brazilian lands. The aim of this article is to highlight a set of fragments of narrative evidenced by the testimony and experience of the protagonist. Although this is a fictional production, as its title implies, there is a real game between the real and imaginary, since the own author lived the reality of dictatorship. KEYWORDS: Representation. Confinement. Dictatorship. Testimony. Real /Imaginary. 

THE “CARTAS PORTUGUESAS” (PORTUGUESE LETTERS) AND THE TRADITION OF THE “UNREQUITED LOVE" IN THE PORTUGUESE LITERATURE OF FEMALE VOICE

Inserted in the perspective of literary studies, this paper proposes an analysis of the “Cartas Portuguesas” (Portuguese Letters), a work attributed to Mariana Alcoforado, assuming that this work is constituted within the Lusitanian literature as an important formative element of the imaginary loving Portuguese female voice. Through the study, it is possible to identify the fact that the letters are prefaced, stylistically or thematically, by the songs of love and of friend, and succeeded by works such as “Livro de Sóror Saudade” (Book of Longing Sóror), of Florbela Espanca, and “Novas Cartas Portuguesas” (New Portuguese Letters) by Maria Isabel Barreno, Maria Velho da Costa and Maria Teresa Horta.