LA VIOLENCIA DE LA INTERPRETACIÓN

Con el ascenso de la Hermenéutica, la consideración del texto no puede eludir su surgimiento como actividad de una conciencia lectora. La cuestión que se plantea entonces es: si el sentido surge de la confluencia de una estructura sígnica (texto) y de una conciencia que la interpreta (lector), dónde se encuentra la manipulación autoritaria? La respuesta que ofrecemos es que existe una tendencia a reducir y controlar las interpretaciones posibles, algo connatural al texto, entidad abierta, y convertirlas en canónicas. Es en la voluntad de imponer el significado en donde surge el autoritarismo.

MARKS OF GRATUITOUSNESS: THE PERCEPTION OF EXISTENTIALIST PATHOS AT THE POEM THE NAUSEA BY FELIPE FORTUNA

ABSTRACT: The present article is an hermeneutic reading of the poem The nausea, written by Felipe Fortuna, with the purpose of exploring the poetic work through a quadridimensional vision of the artistical object, in which the elements – the writer, the society (sociable forms, ideologies, programs, pedagogies, codes and stratification zones), the work and the imaginary (symbol image’s constellations gathered around regimes or postures) – are closely related. Equally, this work intends to demonstrate, using an hermeneutic perspective, guided by the classical hermeneutics, all the elements that compose the poem show themselves as a single and coherent shape, indissoluble association moved by a pathos that stimulates the work.   KEY WORDS: Gratuitousness, pathos, imaginary, Felipe Fortuna.

Oedipos hermeneut – the poetic-ontological dimension of the tragedy

This work intends to dialogue with questions of Oedipus, the mythical character, brought about by Sophocles tragic drama. In his reflective journey in search of his being, especially in the play Oedipus Rex, Oedipus investigates its own path to death. We propose reflect the death as a condition of possibility for the emergence of Oedipus as from his own ruins. Thus, our assumption is that the uncovering Oedipus' truth culminate at the end of the play, with the death of one of his personas, one of the selves of character. The issue of the interpretation therefore is crucial, and it leads to the title of this work. Therefore Oedipus is a hermeneut in the extent that he interprets the enigma that structures his own mythical history.