2 resultados para Female voice
em Línguas
Resumo:
Inserted in the perspective of literary studies, this paper proposes an analysis of the “Cartas Portuguesas” (Portuguese Letters), a work attributed to Mariana Alcoforado, assuming that this work is constituted within the Lusitanian literature as an important formative element of the imaginary loving Portuguese female voice. Through the study, it is possible to identify the fact that the letters are prefaced, stylistically or thematically, by the songs of love and of friend, and succeeded by works such as “Livro de Sóror Saudade” (Book of Longing Sóror), of Florbela Espanca, and “Novas Cartas Portuguesas” (New Portuguese Letters) by Maria Isabel Barreno, Maria Velho da Costa and Maria Teresa Horta.
Resumo:
The author Lucía Etxebarría is in the fourth generation of "female voice" of Spanish literature of the post- war, as has pointed Alchazidu (2001), has as her main theme the women’s representation and reflection about their role in society. In the work of Lucía has, according to Fernández (2001), a feminist commitment that appears through the authorial voice, in the first-person narration and in the dialogues between characters. Besides this commitment to feminism, we can perceive common purposes with Queer Theory, thus, this paper aims to demonstrate commonalities between the work of LucíaEtxebarría and Queer Theory. For this we analyze two novels: Amor, prozac, curiosidad y dudas e Beatriz y los cuerposcelestes, and the storybook: Nosotrasque no somoscomolasdemás. We conclude the main objective of the Lucia’s work and Queer Theory are misplaced,outsiders, abnormal subject that do not adapt themselves to existing identities in society and look for identities in the margins. Furthermore, the author criticizes the standards of female and male, emphasizes sexuality as historical, cultural and social construction andalsogives your characters androgynous appearances to destabilize the body as "truth" of being.