Dialogic relations in the Brazilian scientific dissemination from the 19th century: a look in the light of the bakhtinian Metalinguistics

The present study aims at presenting a metalinguistic analysis of one of the Brazilian scientific dissemination architectonics aspects of the 19th century, materialized in the concrete utterance of the Conferências Populares da Glória: the issue of dialogic relations. For such, it adopts as a theoretical-methodological support the discourse analysis and dialogic theory proposed by Bakhtin, aiming to show how the scientific dissemination utterance establishes dialogic-semantic relations with utterances from other ideological spheres, as example of scientific, philosophic and religious utterances in circulation in sociodiscursive context of the nineteenth century.

DUBSMASH IN DIALOGIC PERSPECTIVE: THE DESIRE TO SAY TO THE PERFORMANCE DESIRE

This article has as main objective to reflect on the Dubsmash self-dubbing mobile app, from the centrality of the studies of Dialogic Discourse Analysis, especially with a focus on verbal-visual perspective. The paper features through the virtual sphere notion, the relationship between an mobile app in which the subject can dub scenes, music or viral Internet and the concrete enunciation as concrete possibility of saying, in words and images of the subject and his other. The text is interested specifically for videos compounds based on a textual fragment of a  Babylon scene, a Brazilian soap opera. The results point to a desire to performance art on the Internet, permeated by Bakhtinian notions like finish, completeness, externality and authorship. The work also shows that it is urgent the university look into the virtual sphere and their innovations while discursive projects and language  movements, constitutive of different interaction fields to be analyzed.