THE EXPRESSIVENESS ENUNCIATION OF THE ADJECTIVE IN TEXTUAL DISSERTATION-ARGUMENTATIVE GENRE

In this paper, are presented studies of the adjective and its enunciative expressivity in. According to the singular form that Callou and Serra (2003a, 2003b) describe the studies specifically stated on the adjective. This depends on the order which takes over the noun, may submit change of meaning in three ways: the first with the respect to the free position of the adjective with meaning change, the second with the mandatory position on the adjective, and, the third related to the free position of the adjective without a change of meaning. Demonstrating that not all cases can be checked diversity semantics and pragmatics of the adjective in the description. It is made a reflection about the use of enunciative expressions in the adjective use in discursive contexts in order to describe the assumptions of Sales (2006) on the influence of the genre in the order of the adjective to be relevant and, if applicable to this study.

READER’S ROLE AND THE LITERARY GENRE IN TEXTUAL RECEPTION: TZVETAN TODOROV AND VINCENT JOUVE CONTRIBUITIONS

Regarding the importance the reader takes on in studies about reading and literary genres, this paper presents reflections about the reader’s role in the constitution of the literary genres as esthetics conventions which the writer dialogues, as well as, about the literary genres theory issues, important to literary analysis, and allow to an useful understanding, and consequently, the esthetical experience in reading literary texts. This paper focuses particularly, in a reflection about the reading concepts and esthetical conventions of the fantastic genre, from the theoretical assumptions of Tzvetan Torodov and Vincent Jouve. From reflections developed related to reception theories, about the reading processing and the reader’s contribution in the creation of the fantastic genre, was possible propose an approach and establish analogies between the referential from de Todorov and Jouve Both authors recognize the importance of the reader’s role to the literary text completeness and suggest the text to present features and conventions, as textual strategies of stylistic, linguistic and formal order which conduct the reader to the achievement of the text meanings.

The genre personal diary: how the intimate is built

According to Bakhtin (1997), is as the genre entered into a speech, linked to certain field of human activity, that the subject of language and appropriates constitutes. Some of these fields have more close with the daily activities of individuals than others and produce more malleable, genres that allow greater individual interventions, as in the case of personal journal. Due to the intimate character of this genre, it attracted our attention and invited us to examine it more closely. In this paper, we investigate the personal diary genre, from the analysis of two documents written by ordinary people, in an attempt to learn a little bit more about the genre, of the writers and how their relationship with the language. To this end, two adults female people, provided us with their personal logs for analysis. Theoretically, we rely on the assumptions of Mikhail Bakhtin (1997) on the genres of discourse and the work developed by researcher Philippe Lejeune (2008) about autobiographical texts written by ordinaries people. The analysis of the diaries showed that, in addition to record experiences and feelings of the people, they were used as instrument of prayer to one of the person and as a means of creating a public image of himself, to the other.

Text, reader and author in editorial genre and reader comment from Folha de São Paulo

This article aimed to analyze the relationship among text, reader and author in the editorial genre and genre reader comments of Folha de São Paulo newspaper. Privilege as a theoretical and methodological input the contributions of Textual Linguistics (TL) in its current phase, especially those related to the fields of reading and writing, as they relate to the concepts of text, textuality and context. We tried to observe the thematic content of the selected genres holistically, in other words in their interrelationship. Thus, we asked how readers' comments posted on the Reader's Panel of  Folha de São Paulo contributes to establish a discussion about the role of the police, subordinating other social issues such as unemployment and legalization of unregulated trade and otherwise by mitigating the consequences by family victim's death. We note that the selection made by the newspaper to publish reader comments about the editorial, has scope for shifting the debate about minorities for the institutional framework with respect to the actions of the police in Brazil, considered truculent and unprepared.

WORKING WITH THE PROVERB GENRE IN THE CLASSROOM

This paper presents the results of a study in which we discuss the use of proverb genre in teaching Portuguese. To achieve the proposed objective we have developed a literature in which it sought to compile and analyze the conceptualization/characterization of proverbs, as well as the potential of the genre to the acquisition and/or improvement of linguistic and discursive skills. Therefore, it was possible to ensure that the proverb brings substantial teaching of Portuguese language contributions, because it is a genre that has various exploration possibilities. It was observed methodological possibilities for the development of educational activities involving issues related to phonology, morphology, the lexicon, syntax and semantics, and ideological and cultural issues, which can make the Portuguese language lessons more interesting and fruitful , which will provide students with an analysis of linguistic elements used daily in their social context , as well as analysis of ideological / cultural content present in proverbial expressions, expanding the linguistic and discursive student proficiency.