2 resultados para Authorial fantasies

em Línguas


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The author Lucía Etxebarría is in the fourth generation of "female voice" of Spanish literature of the post- war, as has pointed Alchazidu (2001), has as her main theme the women’s representation and reflection about their role in society. In the work of Lucía has, according to Fernández (2001), a feminist commitment that appears through the authorial voice, in the first-person narration and in the dialogues between characters. Besides this commitment to feminism, we can perceive common purposes with Queer Theory, thus, this paper aims to demonstrate commonalities between the work of LucíaEtxebarría and Queer Theory. For this we analyze two novels: Amor, prozac, curiosidad y dudas e Beatriz y los cuerposcelestes, and the storybook: Nosotrasque no somoscomolasdemás. We conclude the main objective of the Lucia’s work and Queer Theory are misplaced,outsiders, abnormal subject that do not adapt themselves to existing identities in society and look for identities in the margins. Furthermore, the author criticizes the standards of female and male, emphasizes sexuality as historical, cultural and social construction andalsogives your characters androgynous appearances to destabilize the body as "truth" of being.

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The aim of this paper is to contribute to the understanding of issues related to the meanings of children's enunciation, considering particularly the role of play and fantasy. To achieve this, we have based ourselves on theoretical and conceptual contributions from the Theory of Enunciative Operations in association with cognitive psychology, through its position towards the construction process of the enunciations and their meaning (CULIOLI, 1990; DE VOGÜÉ, FRANCKEL, PAILLARD, 2011) – and towards interactions characterized as routinized, integrated into the concept of format (BRUNER, 1983), still stressing the relationship between play, fantasy and language in early childhood (WINNICOTT, 1982). Throughout this study we presented the analysis of the speech of a male child, GUS, registered between 24 and 35 months of age, provided by published audiovisual data, recorded and transcribed through the CLAN system, that is part of NALíngua, a databank that is integrated to interdisciplinary research project coordinated by DEL RE (UNESP/FCLAr-CNPq). The analysis focuses on GUS interactions that are observed at the play with different car toys, a themed card game, also about cars, and the animated film's plot “Cars”(PIXAR, DISNEY, 2006), that are presented within a wide range of supports for the child to interact with, stimulating his verbal and nonverbal production. By examining its presence in the process of acquiring structural aspects of the language, we demonstrated how the child is able to adopt representations accessed by the use of words and expressions, due to an intersubjective process of adjustment that integrates fantasies and ludic experiences.