THE BORDER CHARACTER OF URBANITE SUBJECT IN PABLO NERUDA

ABSTRACT: The imagetic process in Pablo Neruda's work is built through the creation of images resulting from life experiences kept in memories. It is also an existential questioning of the poet based upon the critical look on the historical and personal moment. In this creative process, Neruda's imagetic world strongly references Temuco's natural aspects, the everyday setting of his childhood and adolescence, part of the scenery that remained in his memory and crystalized in his works. The ascertainment that Neruda, in the transition from province to metropolis, does not reach his emotional final destination, remaining in a long transitory state (threshold), allowing us to highlight the emergence of a "border subject", situated between the provincial universe and the urban universe. In Neruda, the concept of border does not only references a territorial boundary between two regions that are politically and culturally different, but also temporal boundaries, since in his stay in the city the poet turns into a body that experiences the location and establishes a critical relationship towards it: he describes it poetically and develops a temporal mobility from the city to the province. This border state shows an intermediary position in individuals that by moving within his/her own country feel in the margins of his/her own culture. In neruda, the notion of border is a recurring issue in the subject of cities, in which the border is related to the geographical space (country, city and harbor) with the time space (present and past), and with cultural space in which concerns the regional identity differences of a certain country. Thus, it is important to approach the analysis of border overcoming regarding the geographical and cultural issues, but above all to the subjective formulations as a result of interpersonal processes. KEYWORDS: Border; Identity; Pablo Neruda.

ANÁLISE ENTONACIONAL DA LEITURA DE JORNALISTAS CHILENOS E ESPANHÓIS - SEMELHANÇAS E DIFERENÇAS NO NÚCLEO

This paper proposes to make an intonational comparison of the tonemes found in the Chilean and Spanish news broadcast reading, making a phonetic description and a phonological analysis.  The analysis is done from intonative phrases, which are limited by the complete sentence limited pauses.  Acoording to our point of view, intonative phrases are divided into three groups: continuative intonative phrases, internal intonative phrases and terminative intonative phrases, according to their position in the complete sentence.  Its objective is to find the convergent and divergent points between the two Spanish language varieties.  Its corpus is constituted of 12 sentences, recorded from the Chilean international channel TVN and  SpanishTVE, in 2001 August.  Twelve sentences are analyzed in total, six for each geographical origin, which were read by TV presenters when they read the news on the news broadcast.  The analysis are based on the Pierrehumbert's Autosegmental-Metric theory (AM) (1980), adapted to Spanish language by Sosa (1999).  As a result, not only the same tonal attribution for all the cases was found, but important differences when it comes to F0 behavior.  When considering the duration, also many differences were not found according to the predominant tendency; nonetheless, important differences related to the percentual value were observed.  As an example, we can consider terminative intonative phrases, where the observed pattern is L*L% both in Chile and Spain, but with soundless cases in the Spanish stressed vowel and post-stressed one, but just one case of a descendent movement in the Chilean stressed one.  Considering the duration, there is an increase  from the stressed from the pre-stressed and from the post-stressed to the stressed, but in different proportions: the increase is more perceived in the Chilean stressed vowel and in the Spanish post-stressed one.

LIMA BARRETO E A CRÍTICA: A PUBLICAÇÃO DE RECORDAÇÕES DO ESCRIVÃO ISAÍAS CAMINHA

The purpose of this paper is to analyze the critic bibliography concerning the writer Lima Barreto, from the time of publication, still in feuilleton, of his debut novel: Recordações do escrivão Isaías Caminha’s first pages. In this way, we’ll make an inventory of the official criticism about the writer's work as well to bring out the image of this criticism, at the 20th century beginning, created about Lima Barreto. Think about the reading of Lima Barreto’s work made by official literary criticism of 20th century is a productive way to redeem the literary criticism’s manner of performing, but also interesting way to show the creation of Lima Barreto’s stereotypes at that time.