VESTIR-SE DE SI: SOBRE IDENTIDADE E REPRESENTAÇÃO NAS TIRAS DE MURIEL/LAERTE

The question of identity is in vogue, in social theory, in the political practices, and for sure, in language studies. In many ways and under various approaches, it has been problematized. In this paper, we are especially interested in the relationship between identity and its representation as a discursive production. The identity refers to a set of own characteristics for those the subject is recognizable and known in society, while the subject is constructed by the speeches that forms itself. Thus, under the bias of Discourse Analysis and considering the perspective of Cultural Studies, we will observe the speech about the identity of genre in some strips of Muriel, a character created by Laertes, a cartoonist who in 2009 adopted the practice of crossdressing. The choice for this subject was mainly motivated by the current thematic aspects exposed in the strips, for mobilizing various discourses and discuss, through art and humor, a remarkable and controversial experience in our society. Our goal is to observe in which ways their strips reveal a need for exposure, information and affirmation about a certain identity practice, and from that, examine the discursive practices that constitute - and also contribute -  to an specific identity. We understand that Laertes’ personal experience has motivated the discourse conveyed in his recent work. An expression and exposure about his identity that tells from himself and also to himself and from many people to many others.

BELIEF AND THE LINGUISTIC ATTITUDE OF CAPANEMENSE

Despite not using the Spanish language, Brazil borders with several countries that speak this language. The State of Paraná, for instance, has nineteen districts bordering with Paraguay and Argentina. In this geographical context is inserted Capanema city, whose multi-ethnic environment not only promotes the exchange of goods but also culture, beliefs, customs, and especially the language. This work takes as its investigation object the speech of Capanemenses with the aim of verifying the positive and negative views of these subjects regarding the multiple languages ​​and varieties with which they live on today. Following the mentalist methodology (LÓPEZ MORALEZ, 1993), the collected data analysis through interviews in locus showed that, compared to Argentines, most Capanemenses presents a positive attitude, both in relation to the Argentine people properly said, as their mother tongue, seen in a prestigious way by the interviewees. As for Paraguayan, a significant amount of informants showed not see them in a positive way, presenting a justification for this refusal the difference in culture, indigenous origin, low technology and education, as well as the language issue - Guarani, Jopará. On the other hand, the German people’s seen as introverted by their lack of emotion, but responsible in everything they do. The German language has not been evaluated positively by the Capanemenses, as it’s considered difficult and awkward. Finally, we note that, believing that Italian culture and language are close to the one existing in Brazil, due to Latin ascendancy, respondents react favorably on the Italians, people judged by Capanemenses as joyful and spontaneous. Keywords: beliefs and linguistic attitudes, language prejudice, languages in contact, Capanema.   

EXTRALINGUISTIC FACTORS IN THE USE OF THE ARGENTINE VOSEO: A DIDACTIC PROPOSAL FROM THE TRANSLATION OF COMICS

Regarding the process of translation, the analysis of intra and extratextual factors allows the translator to identify which aspects of the source text will have to be, or will not have to be, adapted at the translation to the culture of the target text (NORD, 2012). This fact allows a connection between Sociolinguistics and Translation Studies, which has already been pointed out by Mayoral (1998), Bolaños-Cuéllar (2000), among others. Therefore, this paper seeks to elaborate an activity project making use of translation, in a functional and pedagogical perspective, with the purpose of raising awareness and the teaching of extralinguistical factors in the usage of the Argentinian voseo and brazilian learners of Spanish at high school. To do so, starting from a theoretical discussion regarding the use of translation in foreign language classes and the connection between translating activity and the knowledge of linguistic variation, we elaborate a didactic sequence involving the translation of Argentinian comic strips to Brazilian Portuguese. In this didactic sequence, we elaborate an analysis script for the comic strips based on a pre-translation model proposed by Nord (2012), which may contribute with the design of didactic proposals in this theoretical path.

A REPRESENTAÇÃO LITERÁRIA DO HUMOR E SUA ESPECIFICIDADE NA OBRA DE ZUCA SARDAN: UMA LEITURA DO POEMA “MORFOLOGIA DO SOBERANO”

Este artigo apresenta uma leitura do poema “Morfologia do soberano”, de Zuca Sardan, com base na análise de seus recursos humorísticos, cujo emprego pode ser interpretado como estratégia para aumentar a comunicabilidade e chamar a atenção do leitor. Em primeiro lugar, desenvolvo um breve panorama da longa discussão sobre os múltiplos sentidos atribuídos ao termo humor, desde sua antiga acepção fisiológica (atrelada à doutrina dos chamados quatro humores corporais), passando pelos conceitos modernos de engenho (humor deliberadamente cultivado) e wit, até chegar à noção de humor estético. Como forma particular de representação literária, enfoco a idéia de que o humor caracteriza-se por elaborações discursivas variadas que empregam determinados procedimentos lingüísticos, no intuito de construir visões de mundo notadamente marcadas pela crítica e pela dessacralização. No caso do poema de Sardan, procuro também ressaltar como esse estrato ideológico associado ao humor vincula-se, num sentido mais amplo, ao questionamento de formas tradicionais do fazer poético brasileiro, tal como foi empreendido pela poesia marginal no contexto da década de 70.