6 resultados para Lacanian film studies
em Digital Commons at Florida International University
Resumo:
The purpose of this thesis is to evaluate and refute Yvonne Griggs’ claims that the films “House of Strangers” (1949) and “Broken Lance” (1954) are as Griggs deems “genre-based adaptations” of William Shakespeare’s “King Lear.” I argue that the films, although they have some essential elements of “King Lear,” lack intentionality and reception, pivotal components in determining viability as a Shakespearean film adaptation. Using Griggs’ book as my critical background, I will show that these films are better classified under their respective genre categories, Western and film noir, not as “King Lear” genre adaptations. I will also suggest criteria for determining the level of canonicity of a “King Lear” film adaptation. Popularity of films does not determine validity, and a film does not need purported Shakespearean provenance to validate its ratings. Some films, like these, merely reference or pay homage to Shakespeare through use of essential elements of “King Lear”; here, I deem such affinities to be more unintentional than intentional.
Resumo:
This flyer promotes the screening of the film "In Dreams Awake", A documentary film about artist Humberto Calzada directed and written by Anabel Leal and Reinaldo Cruz. This event A panel discussion with the artist, as well as the directors and writers of the documentary will followed the film screening. This event was cosponsored by the Frost Art Museum, the Center for the Humanities in an Urban Environment, and WPBT2.
Resumo:
This flyer promotes the event "Adio Kerida (Goodbye Dear Love) Film Screening and Discussion with Director and Author Ruth Behar" hosted by the Cuban Research Institute.
Resumo:
This flyer promotes the screening of the film "Cuban American" directed by José Enrique Pardo. The event was cosponsored by Univision. Screenings of the film were on May 31, 2014 and June 1, 2014.
Resumo:
This flyer promotes the event "Rumba Clave Blen Blen Blen: Film Screening and Panel Discussion with Director Arístides Falcón Paradí".
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This flyer promotes the screening of the classic film El Super (1979), cosponsored by the FIU African and African Diaspora Studies Program, Center for the Humanities in an Urban Environment, Exile Studies Program, and WPBT2.