10 resultados para La Habana, Cuba
em Digital Commons at Florida International University
Resumo:
This flyer promotes a book presentation of "La Habana, mon amour", a new novel by Zoe Valdes. The book chronicles the author's personal history with her hometown of Havana, Cuba. The event was held in Spanish on October 29, 2015 at Coral Gables Congregational Church.
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This flyer promotes the event "Cartas a mi hermana en La Habana : Book Presentation by Mercedes Sarduy " sponsored by the School of International and Public Affairs at Florida International University. The event was held and Books & Books in Coral Gables.
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Jinetera, a novel set in La Habana, explores the self-discovery of Milena Campos whose mother drowned in her attempt to leave Cuba. Milena is sent to live with her mother’s half sister and ends up in the hospital. There she meets Kassandra Martinez-- a young prostitute (jinetera)--who is obsessed with escaping Cuba. Milena turns to prostitution to pay for a boat to Miami with Kassandra and her newborn baby. The plot of the novel centers around the theme of redemption for the protagonist as well as the characters around her. Milena believes that saving her friend’s baby will validate her mother’s death. Jinetera examines the core values of a young woman born and raised in a despondent dictatorship, who in search of freedom and redemption is led to test the limits of her integrity and humanity as she awakens to the harsh reality of a government she once trusted.
The braids of the virgin: Taino roots of the early cult of La Virgen de la Caridad del Cobre in Cuba
Resumo:
Since her discovery in Cuban waters in 1611, La Virgen de la Caridad del Cobre (The Virgin of Charity) has become the leading transnational religious symbol for Cubans. The oldest stories about the appearance of La Virgen in Cuba suggest the presence of Cuban Taino in the early years of her cult. Yet historians have minimized Taino influence when examining Cuba's sixteenth and seventeenth centuries, pivotal years in the cult's development. This thesis demonstrated the significant role of the Taino in the formation of the early cult of La Virgen de la Caridad del Cobre, by employing revisionist historiography to the years between 1492 and 1687, to better understand the demographics and religious culture of Eastern Cuba, where the cult originated. It also found specific contributions from Taino religious culture in the myths, beliefs, and material culture associated with the early cult of La Virgen. ^
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This dissertation explores the behavior of prejudiced discourse in the most representative narratives against inhumane slavery written in Cuba and the United States in the nineteenth century: Autobiografía de un esclavo, by Juan Francisco Manzano; Francisco, by Anselmo Suárez y Romero; Narrative of the Life of Frederick Douglass, an American Slave, by Frederick Douglass; and Uncle Tom's Cabin, by Harriett Beecher Stowe. This study deals with the identification between race and slavery that occurred in the American continent, using racial prejudice to justify the enslavement of human beings. Such concepts were maintained, diffused and perpetuated by the dominant discourse. ^ In the nineteenth century, intellectuals from both Cuba and the United States were highly influenced by the modern philosophical ideas rooted in the European Enlightenment. These ideas contradicted by principle the "peculiar institution" of slavery, which supported a great deal of the economy of both nations. This conflict of principles was soon reflected in literature and led to the founding of Cuban and African-American narrative respectively. The common exposure to slavery brought together two nations otherwise highly dissimilar in historical and cultural circumstances. Based on the theories of discourse by Foucault, Terdiman, and van Dijk, the analysis of the discourse displayed in these literary works helps understand how discourse is utilized to subvert the dominant discourse without being expelled or excluded by it. This subversion was successfully accomplished in the American narratives, while only attempted in the Cuban works, given Cuba's colonial status and the compromised economic loyalties of the Delmontino cenacle which produced these works. ^
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This dissertation explored the subversive feminine discourse in the most representative novels of the first quarter of the twentieth century in the newly born republic of Cuba. Drawing on the feminist theories of Simone de Beauvoir, Toril Moi and Pierre Bourdieu, these women were analyzed in the context of their time, their class level and their race. Because it is oppressive and theoretically unsatisfactory to reduce women to their general "humanity" or to their "femininity", my purpose was to analyze them as human beings in a "specific situation" and show how they curtailed the laws that patriarchy has prepared for them. The novels studied were: Doña Guiomar, by Emilio Bacardí; A fuego lento, by Emilio Bobadilla; La manigua sentimental, by Jesús Castellanos; Las honradas, by Miguel de Carrión; Las impuras, by Miguel de Carrión, and Ecué-Yamba-O, by Alejo Carpentier. Women will obtain freedom and independence from patriarchal control, symbolic power, symbolic violence, and hypnotic power when they are educated and have obtained a working position in society similar to men or by joining the political struggle in their community, in their country, or in the global organizations.
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This flyer promotes the event "Peregrinar sin ausentarse: La Avellaneda y Gastón Baquero, un punte perdurable entre Cuba y España".
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This flyer promotes the event "Cuba: La revolución que no fue (Cuba: The Revolution That Wasn't) : Book Presentation by Author Emilio Guede" cosponsored by the School of International and Public Affairs and the Department of Modern Languages and Florida International University. The event was held and Books & Books in Coral Gables.
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This flyer promotes the event "La Batería: Jazz and the Drum Set in Cuba, Lecture by Matthew R. Berger" cosponsored byt FIU's Latin American and Caribbean Center and the Green Library at FIU.