30 resultados para Indigenous creative writing


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A character discovering and testing the limits of his emotional or psychological range most interests me. What will he choose to do? Stay within his old boundaries? Or try and go beyond them? What does he learn about himself in the process? And, finally, what price will be exacted, either for his staying where he is, or for his choosing a new level of self-knowledge? "The Short Reign Of Sultan Osman and Other Stories" is a collection of short stories set in either the United States, Greece, or Brazil, and ranging in time from 1972 to today. Each story presents its protagonist with challenges unique to a specific time and place. In most of these stories, the protagonists are driven by an urge for love or for mastery, and these urges send them across landscapes of delusion or folly before they can arrive at some sense of self-knowledge.

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This is the coming-of-age story of a twelve-year-old girl who lives in a Florida fishing village in 1968, and is thought to be retarded. On a birthday trip to see dolphins perform at a road side show she learns that they are captives simply because man believes he has the right of dominance over "dumb" animals. This emotionally conquered child develops a feeling of kinship to these dolphins and when, with outside help, she discovers that she is dyslexic, not retarded, it frees her to recognize that errors in thinking may exist at many levels. Her release from the trap of human ignorance allows her to devise a way to free the dolphins and guide them home to the sea.

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Mothers of Sparta is a collection of thirteen personal essays that examine place—knowing one’s place, and finding one’s place in the world. The narrative arc chronicles the narrator’s childhood, young adulthood, marriage and child rearing years, ultimately encompassing the difficulties of raising a child who, due to brain damage, faces an uncertain future. As the narrator grows older, place shifts from a concrete knowledge of the physical world around her, to learning her place within gendered and regional social constructs, and defining her place through roles such as wife, mother, student and writer. These essays are diverse in style. Woven throughout is a theme of violence, weighted with visceral language: the violence of accident and death, the violence that occurs in nature and in domestic spaces, and the violence that often goes unnoticed because we live in a violent world.

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CHORDS is a collection of diverse lyric and narrative poems. The book is primarily composed of free verse in the colloquial tradition of James Wright. CHORDS employs the Romantic device of a strong narrative "I," and utilizes four thematic sections, each named after a specific musical chord, which correspond to four periods in the narrator's life. Section one, "Suspended," follows the young narrator through a tumultuous childhood, underscored by family loss and the disruption of a move from Miami to rural Kentucky; section two, "Diminished," details his adolescence and young adulthood, a period of rebellion and confusion; section three, "Augmented," finds the adult narrator contemplating several life-changing events-marriage, the break-up of his rock and roll band, and the dedication of his life to Christ; finally, in "Resolved," the narrator comes to accept the complexities of his life, and to build, from its dissonant notes, a final chord of resolution.

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This thesis is a collection of thematically arranged poems that explore one of the significant ways in which we define ourselves as human beings, that is, through our past and present relationships with others, whether those relationships are familial, cultural, social or personal. Through the direct presentation of images, these largely narrative poems seek to refine perception and thus reveal some of the complicated truths inherent in our various relationships with others, all in an effort to find meaning. The form of the poems often reveals a process, a continual redefining of views on human experience in both its life-affirming and disappointing aspects. It is through such discovery and disclosure that these poems aim to affirm the process, passion, and meaningfulness of art and life.

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"Once A Catholic" is a novel about the indelible effects of growing up Catholic. The novel is told in a series of stories and poems. The first story, "Credo," offers an overview of the rich culture of Catholicism that binds the Daley family together. "Before The Fall" recalls the safety and warmth of that Catholic faith. Subsequent stories focus on individual family members and events, and the Catholicity that lies at their core. "Holy Orders" tells the story the firstborn male child whose destination is the priesthood. "Finding Ecstasy" is a daughter's story of rebellion through sexual exploration. "Sweet Reconciliation" is the story of a search within oneself for forgiveness, the cornerstone of Catholic upbringing. "Acts of the Apostle" demonstrates the hopelessness of a faith under attack. The final story, "Holy Relics," demonstrates the never-ending desire for redemption and the important act of returning sacredness to its rightful place.

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These poems capture the "coming of age" experiences encountered by a Cuban-American narrator in the United States and in Cuba. The poems in the book appear chronologically, that is to say, not in the order they were written, but according to the age of the poet-speaker, ranging from early adolescence to young adulthood. The poems in Part I reveal the fragmented traditions and heritage inherited by a first generation Cuban-American, while questioning the complex merging of the two cultures encountered by the poet-speaker. In Part II, the majority of the poems are set in Cuba, as the poet-speaker travels through the living history of his "homeland" to explore the cultural roots discovered in its landscapes, traditions, relatives and towns, like Cienfuegos-"the city of a hundred fires". The style and language of the poetry become unique to the poet-speaker's own cultural vision, the Cuban-American experience transformed to lyric poetry.

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Washashores was a comic novel exploring the secrets and relationships in a fictional Massachusetts seaside town. Rose Waters, who'd come to Nauset after a failed relationship, encountered two women with a tangled and duplicitous history, and a young autistic savant the women had helped to raise. The boy's uncle, Simon Beadle, once the town drunk, had run away from his past for seventeen years until an event occurred which initiated his journey home. Rose and Simon's paths converged, bringing about complications both whimsical and serious, with events reaching a crisis at the town's Tri-centennial celebration. Here, all that had been hidden was revealed through Rose and Simon's collaborative efforts, and the truth led to reconciliation and the promise of romance. Chapters alternated Rose and Simon's points of view, which permitted the reader to follow their misunderstandings and misreadings of the town and each other.

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Reconcilable Differences is the story of Miami radio host Adam Painter. Confused about relationships, Adam cancels his wedding and, under the guidance of his bad-boy best friend, delves into the demi-monde inhabited by strippers and hookers. On the air he begins to examine how men and women interact. Adam explores the night world, moving from a connection with its denizens through his talk show to direct experience of its license and loneliness. He fails miserably in his clumsy efforts with women and is fired, sued and arrested. An unlikely, unwilling rebel, Adam confronts change and stumbles almost truculently toward self-discovery. This picaresque novel is told in the third person closely attached to the protagonist. The time scheme covers a thirteen-week radio ratings period. The story encompasses the worlds of radio and the sex industry, using South Florida settings to re-inforce character, plot and theme.

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Gravel Music is a collection of poems, encompassing a wide range of styles from free verse to sonnets, including several unique forms, using rhyme where it was deemed pertinent, but also operating in a deconstructive mode where prosody is concerned. The book is divided into three sections. Poems in the first section strive toward political and critical utterance, addressing Marxism, Darwinism, neo-pragmatism, and humanism in a sequence of interrogations of the barriers between aesthetics, politics, critical theory, and philosophy, hoping to find traces of truth, fact, and authenticity that transcend category. The second section is comprised of a single lyrical narrative which follows a married couple as they interact on their small farm in late Autumn, addressing themes of literacy, love, and domesticity. The third section continues the focus on domestic life, but also addresses themes of nostalgia for childhood and lost love. The poems of this section move away from the formal, socio-political outbursts of the first section, instead operating primarily through persona and voice, bringing the book to a quiet, personal close.

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From the multitudinous streets of Mexico City through the lonely highways of the United States, this collection of poetry charts strategies of representation across complex territories of culture and gender. These poems represent dialogues and negotiations with popular and poetic narratives of the Americas, as well as individual quests for identification against a backdrop of postmodern and postcolonial concerns. The effect is like that of a collage that elicits the reader's participation in order to produce individual signification. The figures alluded to in these pieces enact the struggle to situate the self within multiple registers of discourse and identity, as well as to establish a site from which to speak.

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The purpose of this creative thesis was to explore, in a cacophony of lyric voices and registers, the constant struggle for personal expression in the face of mortality in its many forms. While many of the poems are written purely in free verse, many others are written using traditional forms, variations on traditional forms, and nonce forms, thus the thesis seeks to contemplate and celebrate its themes of mortality, family, cultural and personal myth, language, and abstraction through the use of its fluid, constantly improvised sonic techniques. The result was that the multifarious approach to lyric poetry is an accurate, memorable, and revelatory mode through which mortality can be confronted and celebrated.

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Double Fortune is a novel relating events taking place in Miami, Central America, and The Bahama Bank in October and November, 1983. The main character, Michael Hayden, is a free-lance music producer who has become jaded and impotent. A chance encounter on the Bay with Marisol, a Salvadoran heiress, and Hector, her brother, propels him into a complex plot to expatriate money through U.S. government channels. Willy, a brooding Cuban bodyguard hired to protect and instruct the Salvadorans, emerges as both nemesis and key to the duplicities of the scheme. The final showdown involves the four of them on the water above the Cay Sal Bank, a part of the Bahamas equidistant to their disparate worlds.

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In this lecture entitled "Art is seen through the filter of class", Oscar Hijuelos uses autobiographical details to share his thoughts about art.

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