Aller et venir:des verbes de déplacement aux auxiliaires aspectuels-temporels-modaux

Après avoir décrit le fonctionnement des verbes aller et venir, nous développons l’hypothèse selon laquelle leur grammaticalisation en auxiliaires s’effectue sur la base de l’élément spatial qui structure tant leur sémantisme commun – le déplacement vers une destination – que leur différence : l’orientation déictique (venir) / non déictique (aller) du déplacement. Nous testons cette hypothèse en analysant les principaux emplois des périphrases de structure [aller / venir (+prép.) + V(infinitif, gérondif)]. After a description of how movement verbs aller and venir work, we develop an hypothesis according to which their grammaticalisation into auxiliaries relies on the spatial element that structures their shared semantics – movement towards a destination - as well as their distinctive feature : a deictic (venir) or non deictic (aller) orientation of the movement. We test that hypothesis against an analysis of the main uses of periphrases in the [aller / venir (+ prep.) + V(infinitive, present participle)] pattern.

Empowering, degrading or a 'mutually exploitative' exchange For women?: Characterising the power relations of the strip club

This paper seeks to characterise the gendered and sexualised power relations of both female and male strip clubs, and to signal what this means for establishing positive definitions of female desire. It is argued that while it is not useful to present female strippers, or female patrons of male strip clubs as purely passive victims of male heterosexism within these venues, it is equally damaging to assume that these venues represent a whole-scale challenge to conventional oppressive gender and sexual relations for women. Some research has even suggested that both strippers and their patrons are engaged in a 'mutually exploitative' power relationship. Moreover, further empirical research documents key points where female dancers have perhaps wielded 'more' power over patrons at certain moments, and female dancers have highlighted feelings of empowerment and highlighted potential for gender and sexual relations which position women as passive to be subverted within stripping. However, such feelings are often temporally specific and are not applicable to all women in the strip industry. It may be particularly hard for these to manifest in women concentrated in the least economically-rewarding areas of the industry who have less 'power' to resist compromising their bodily boundaries. Furthermore, it is argued that women watching male strippers does little to reverse the 'male gaze', and nor does this male occupation carry as much negative social stigma with it as female stripping suffers. It is thus argued that the overwhelming picture, stemming largely from accounts of former dancers and from empirical studies of individual clubs, suggests these venues in fact do very little to challenge normative hetero-oppressive sexual scripts.