A cybernetic methodology to study and design human activities

This thesis offers a methodology to study and design effective communication mechanisms in human activities. The methodology is focused in the management of complexity. It is argued that complexity is not something objective that can be worked out analytically, but something subjective that depends on the viewpoint. Also it is argued that while certain social contexts may inhibit, others may enhance the viewpoint's capabilities to deal with complexity. Certain organisation structures are more likely than others to allow individuals to release their potentials. Thus, the relevance of studying and designing effective organisations. The first part of the thesis offers a `cybernetic methodology' for problem solving in human activities, the second offers a `method' to study and design organisations. The cybernetics methodology discussed in this work is rooted in second order cybernetics, or the cybernetics of the observing systems (Von Foester 1979, Maturana and Varela 1980). Its main tenet is that the known properties of the real world reside in the individual and not in the world itself. This view, which puts emphasis in a, by nature, one sided and unilateral appreciation of reality, triggers the need for dialogue and conversations to construct it. The `method' to study and design organisations, it based on Beer's Viable System Model (Beer 1979, 1981, 1985). This model permits us to assess how successful is an organisation in coping with its environmental complexity, and, moreover, permits us to establish how to make more effective the responses to this complexity. These features of the model are of great significance in a world where complexity is perceived to be growing at an unthinkable pace. But, `seeing' these features of the model assumes an effective appreciation of organisational complexity; hence the need for the methodological discussions offered by the first part of the thesis.

Donde impere el olvido:poesía y Alzheimer en Los cuerpos oscuros de Juana Castro

La terrible invalidez física y mental a la que se enfrentan en sus últimos años, meses y días los enfermos de Alzheimer, se refleja, como en un espejo, en el vacío y la impotencia de los otros, aquellos que conviven con ellos. Los unos no se acuerdan de los otros, pero los otros pierden su identidad si los unos no les recuerdan, no les reconocen. Es el laberinto de la memoria y la desmemoria. El propósito de este artículo es analizar la representación que del Alzheimer se hace en el poemario de Juana Castro Los cuerpos oscuros (2005) tanto a nivel de contenido como a nivel del empleo del lenguaje poético. En primer lugar se hace un recorrido sobre cómo se ha representado la demencia en la esfera cultural y lo que de ella encontramos en los discursos actuales sobre el Alzheimer. Desde lo aportado por los estudios del envejecimiento y, sobre todo, por los estudios de la demencia, se establecen las cuestiones de identidad y de subjetividad que se plantean con la polifonía de voces que nos ofrece el poemario. Por último se analiza la relación entre la memoria semántica y el lenguaje metafórico.