La traducción como mecanismo de (re)canonización:el discurso nacional y feminista de Rosalía de Castro en sus traducciones a inglés

Women authors have been traditionally ignored by patriarchal values informing the dominant literary canon. The most important icon of Galician literature, however, is a woman – Rosalía de Castro (1837-1885). She is not only a foundational myth for Galician letters, but also one of the most widely translated Galician authors. That said, the way she has been canonized in the Galician literary system has generally presented her work as exclusively committed to the construction of the national/ist identity, disregarding and muting her subversive feminist ideas. Taking this context as a starting point, in this article I shall examine most English translations of her work published between 1909 and 2010 in order to assess to what extent these translations have contributed to either disseminating or concealing Rosalía de Castro’s national and/or feminist discourse. I also aim to offer new critical readings of some of the author’s texts written in 19th century, which show how the Galician author is a real pioneer in Western literary feminism.

An Ins(1,4,5)P3 receptor in Paramecium is associated with the osmoregulatory system

In the ciliate Paramecium, a variety of well characterized processes are regulated by Ca2+, e.g. exocytosis, endocytosis and ciliary beat. Therefore, among protozoa, Paramecium is considered a model organism for Ca2+ signaling, although the molecular identity of the channels responsible for the Ca2+ signals remains largely unknown. We have cloned - for the first time in a protozoan - the full sequence of the gene encoding a putative inositol (1,4,5)-trisphosphate (Ins(1,4,5)P3) receptor from Paramecium tetraurelia cells showing molecular characteristics of higher eukaryotic cells. The homologously expressed Ins(1,4,5)P3-binding domain binds [3H]Ins(1,4,5)P3, whereas antibodies unexpectedly localize this protein to the osmoregulatory system. The level of Ins(1,4,5)P3-receptor expression was reduced, as shown on a transcriptional level and by immuno-staining, by decreasing the concentration of extracellular Ca2+ (Paramecium cells rapidly adjust their Ca2+ level to that in the outside medium). Fluorochromes reveal spontaneous fluctuations in cytosolic Ca2+ levels along the osmoregulatory system and these signals change upon activation of caged Ins(1,4,5)P3. Considering the ongoing expulsion of substantial amounts of Ca2+ by the osmoregulatory system, we propose here that Ins(1,4,5)P3 receptors serve a new function, i.e. a latent, graded reflux of Ca2+ to fine-tune [Ca2+] homeostasis.

Donde impere el olvido:poesía y Alzheimer en Los cuerpos oscuros de Juana Castro

La terrible invalidez física y mental a la que se enfrentan en sus últimos años, meses y días los enfermos de Alzheimer, se refleja, como en un espejo, en el vacío y la impotencia de los otros, aquellos que conviven con ellos. Los unos no se acuerdan de los otros, pero los otros pierden su identidad si los unos no les recuerdan, no les reconocen. Es el laberinto de la memoria y la desmemoria. El propósito de este artículo es analizar la representación que del Alzheimer se hace en el poemario de Juana Castro Los cuerpos oscuros (2005) tanto a nivel de contenido como a nivel del empleo del lenguaje poético. En primer lugar se hace un recorrido sobre cómo se ha representado la demencia en la esfera cultural y lo que de ella encontramos en los discursos actuales sobre el Alzheimer. Desde lo aportado por los estudios del envejecimiento y, sobre todo, por los estudios de la demencia, se establecen las cuestiones de identidad y de subjetividad que se plantean con la polifonía de voces que nos ofrece el poemario. Por último se analiza la relación entre la memoria semántica y el lenguaje metafórico.

Who speaks up for Inés Fonseca? Representing violence against vulnerable subjects and the ethics of care in fictional narrative about Alzheimer’s disease:Ahora tocad música de baile (2004) by Andrés Barba

This paper studies the Spanish fictional novel by Andrés Barba, Ahora tocad música de baile (2004), one of the first cultural texts dealing entirely with Alzheimer’s disease (AD) to appear in Spain. It argues that the significance of Barba’s fictional novel rests on two important issues: the ethics of representation of violence against vulnerable subjects and the ethics of care. The paper analyses how these two issues allow Barba to create a story in which the verbal and physical abuse to which the person living with Alzheimer’s disease is subjected places the reader, on the one hand, as voyeur/witness of the abuse; and, on the other, as interpreter, and ultimately judge, of the fine line that separates euthanasia, assisted suicide, and murder. The open ending of the novel defers all ethical and moral judgment to the reader. It examines how the novel offers a monolithic perspective about AD, in which care is presented as a burden. In fact, this study shows that the novel’s multi-layered structure and polyphonic nature places the emphasis on stigmas, stereotypes and negative metaphors around AD, as found in contemporary social discourses.