6 resultados para Work Condition and speech
em Memoria Académica - FaHCE, UNLP - Argentina
Resumo:
This is a report on data raised through research, which has already finished, about Identification references in adolescents . Objetives : To analyze and reflect upon the collected data, adolescents' representations about the work field and their projects for future work. To conceptualize about the crises of social significances which produce and order sense and, therefore, organize our perceptions of work through social discourses and practices which have an impact on the subjectivity of adolescents and young adults. Methodology: Brief presentation of the concepts which frame the qualitative research in this area. Reading and analysis of fragments from adolescents' accounts, obtained in focal groups at different state secondary schools. Conclusions: The adolescents researched portray a self-image full of uncertainty and skepticism as regards their future possibilities. The impact produced by the fall of work as an ideal of doing and being is made evident in their accounts. Only some of them link their future project with an invested and valuable activity, even if this is not associated with economic safety and wellbeing. Others present themselves as incapable to modify the state of things, which offers a field connected with consumerist values and with the idea that "you are worth what you have (in material things)".
Resumo:
El cartelismo durante la Guerra Civil española fue uno de los más intensos momentos de manifestación masiva del arte; las proclamas exhibidas sobre los muros fueron expresión pública de ideas y sentimientos arraigados en la trama social. Su análisis suministra datos básicos sobre el pensamiento visual de entonces. Además, por su condición de arte popular, el cartelismo se fundamentó en un proceso industrial que renegó del concepto de "obra única". Todo ello condiciona los estudios historio-gráficos, necesariamente masivos, fundamentados en las recurrencias y pautas observadas estadísticamente. En el artículo se procede en primer lugar a un análisis formal y estilístico de tres autores capaces de representar las tendencias del conjunto (Renau, Arturo Ballester y Vicente Ballester Marco). En una segunda parte, el análisis pasa de la forma a la retórica, analizando la masa de carteles para comprobar dos sistemas de relaciones: el de los carteles con su referente (régimen de la predicación y régimen de la presentación); y el de proclamas en relación con el público que las contempla (regímenes de discurso, de relato y de discurso-relato conjugados).
Resumo:
This is a report on data raised through research, which has already finished, about Identification references in adolescents . Objetives : To analyze and reflect upon the collected data, adolescents' representations about the work field and their projects for future work. To conceptualize about the crises of social significances which produce and order sense and, therefore, organize our perceptions of work through social discourses and practices which have an impact on the subjectivity of adolescents and young adults. Methodology: Brief presentation of the concepts which frame the qualitative research in this area. Reading and analysis of fragments from adolescents' accounts, obtained in focal groups at different state secondary schools. Conclusions: The adolescents researched portray a self-image full of uncertainty and skepticism as regards their future possibilities. The impact produced by the fall of work as an ideal of doing and being is made evident in their accounts. Only some of them link their future project with an invested and valuable activity, even if this is not associated with economic safety and wellbeing. Others present themselves as incapable to modify the state of things, which offers a field connected with consumerist values and with the idea that "you are worth what you have (in material things)".
Resumo:
El cartelismo durante la Guerra Civil española fue uno de los más intensos momentos de manifestación masiva del arte; las proclamas exhibidas sobre los muros fueron expresión pública de ideas y sentimientos arraigados en la trama social. Su análisis suministra datos básicos sobre el pensamiento visual de entonces. Además, por su condición de arte popular, el cartelismo se fundamentó en un proceso industrial que renegó del concepto de "obra única". Todo ello condiciona los estudios historio-gráficos, necesariamente masivos, fundamentados en las recurrencias y pautas observadas estadísticamente. En el artículo se procede en primer lugar a un análisis formal y estilístico de tres autores capaces de representar las tendencias del conjunto (Renau, Arturo Ballester y Vicente Ballester Marco). En una segunda parte, el análisis pasa de la forma a la retórica, analizando la masa de carteles para comprobar dos sistemas de relaciones: el de los carteles con su referente (régimen de la predicación y régimen de la presentación); y el de proclamas en relación con el público que las contempla (regímenes de discurso, de relato y de discurso-relato conjugados).
Resumo:
This is a report on data raised through research, which has already finished, about Identification references in adolescents . Objetives : To analyze and reflect upon the collected data, adolescents' representations about the work field and their projects for future work. To conceptualize about the crises of social significances which produce and order sense and, therefore, organize our perceptions of work through social discourses and practices which have an impact on the subjectivity of adolescents and young adults. Methodology: Brief presentation of the concepts which frame the qualitative research in this area. Reading and analysis of fragments from adolescents' accounts, obtained in focal groups at different state secondary schools. Conclusions: The adolescents researched portray a self-image full of uncertainty and skepticism as regards their future possibilities. The impact produced by the fall of work as an ideal of doing and being is made evident in their accounts. Only some of them link their future project with an invested and valuable activity, even if this is not associated with economic safety and wellbeing. Others present themselves as incapable to modify the state of things, which offers a field connected with consumerist values and with the idea that "you are worth what you have (in material things)".
Resumo:
El cartelismo durante la Guerra Civil española fue uno de los más intensos momentos de manifestación masiva del arte; las proclamas exhibidas sobre los muros fueron expresión pública de ideas y sentimientos arraigados en la trama social. Su análisis suministra datos básicos sobre el pensamiento visual de entonces. Además, por su condición de arte popular, el cartelismo se fundamentó en un proceso industrial que renegó del concepto de "obra única". Todo ello condiciona los estudios historio-gráficos, necesariamente masivos, fundamentados en las recurrencias y pautas observadas estadísticamente. En el artículo se procede en primer lugar a un análisis formal y estilístico de tres autores capaces de representar las tendencias del conjunto (Renau, Arturo Ballester y Vicente Ballester Marco). En una segunda parte, el análisis pasa de la forma a la retórica, analizando la masa de carteles para comprobar dos sistemas de relaciones: el de los carteles con su referente (régimen de la predicación y régimen de la presentación); y el de proclamas en relación con el público que las contempla (regímenes de discurso, de relato y de discurso-relato conjugados).